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Erin Brown

Erin Brown

I'm currently a photojournalism student at Columbia College Chicago. I love capturing the realm of humanity, and plan to do so the rest of my life through photography, writing, and travel.

Vök © Sigga Ella
Debut, Features, Interviews, MusicApril 27, 2017<April 28, 2017

Figuring It Out: Vök Discuss Music, Growth and Learning in Iceland

Jain © RCA Records
Debut, Music, Our Take, ReviewsJanuary 24, 2017<February 26, 2018

Our Take: Jain’s ZANAKA is Multidimensional, Multicultural Pop

Vök © Eygló Gísla
Columns, Music, Today's SongDecember 21, 2016<April 27, 2017

Today’s Song: Lost in the Icy Beauty of Vök’s “Show Me”

LOLO 2016 7.4
Debut, Music, Our Take, ReviewsSeptember 23, 2016<June 7, 2024

Our Take: LOLO Shines in Debut “In Loving Memory of When I Gave a Sh*t”

Sleepy Kitty is Paige Brubeck and Evan Sult // © Mr. Iozo
Features, Interviews, MusicAugust 19, 2016<August 19, 2016

Capturing Moments of Flux: A Conversation with Sleepy Kitty

ZALE performs "Onyx"
Atwood x LiveSyphon, Columns, Features, Interviews, Music, VideoJuly 26, 2016<July 26, 2016

Atwood Magazine and LiveSyphon Present: ZALE’s Alternative Sexy Rock “Onyx”

Ethos - Levitation Room
Columns, Music, Today's SongJune 6, 2016<June 6, 2016

Today’s Song: Levitation Room Addresses Societal Pitfalls with “Strangers of Our Time”

"Delilah" (The Odyssey – Chapter 8) - Florence and the Machine
Features, Music, Music Videos, ReviewsJune 2, 2016<June 2, 2016

Florence + The Machine Captivates with the Frailty and Beauty of Human Existence in “The Odyssey”

Ezra Furman
Columns, Music, Today's SongApril 26, 2016<April 26, 2016

Today’s Song: Ezra Furman Lives Life on the “Wobbly” Path

Genevieve © Erin Brown Photography
Features, Interviews, MusicApril 8, 2016<April 8, 2016

Show Your Colors: A Guide to Accepting Love and Celebrating Life with Genevieve

Aurora
Columns, Music, Today's SongMarch 30, 2016<March 28, 2016

Today’s Song: The Halcyon Refuge of Aurora’s “Through the Eyes of a Child”

Recent Posts

  • “Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song April 22, 2026
  • “For One Night Only, Bring Them to Italy”: A Conversation with Il Volo April 22, 2026
  • “Eat Your Heart Out”: A Vivisection of SKORTS’ Unrelenting Debut Album ‘Incompletement’ April 22, 2026
  • “Why Can’t You See What I See?”: Ross Newhouse Lays Bare Self-Doubt & Love on “Words I’d Use,” a Lush Indie Folk Duet with Grace Gardner April 22, 2026
  • “It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom April 21, 2026
  • “Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness April 21, 2026
  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown April 20, 2026
  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told April 20, 2026
  • The Sound of Stillness: Samara Joy in Palo Alto April 20, 2026
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’ April 20, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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