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James Crowley

James Crowley

James is a New York-based writer and comedian. Besides Atwood, he's also written for Sensations Press and his own blog Burgeraday.com. He hosts the comedy/music podcast James Crowley's Infinite Playlist. He also co-hosts the Burger-a-Day Podcast.

Dogleg
Columns, Music, Today's SongNovember 22, 2019<November 22, 2019

Today’s Song: Dogleg Distort Power Pop into an Emotional Onslaught with “Fox”

Jessi Mason
Music, PremieresOctober 10, 2019<October 10, 2019

Premiere: Jessi Mason Embraces Brutal Honest in Both “Everest” & “When Rains in L.A.”

Hello Exile - The Menzingers
Music, ReviewsOctober 4, 2019<October 4, 2019

Review: The Menzingers Take on Existential Worries in ‘Hello Exile’

Jixi © 2019
Columns, Debut, Music, Today's SongOctober 4, 2019<October 4, 2019

Today’s Song: Jixi Delivers a Simply Great Song with Debut “Psycho Daydream”

The Menzingers © 2019
Features, Interviews, MusicSeptember 25, 2019<September 27, 2019

Farewell Youth: A Conversation with Greg Barnett of The Menzingers

Breakup Season - Future Teens
Music, ReviewsSeptember 24, 2019<September 20, 2019

Breakups Suck; Future Teens Are Here to Help

Music, ReviewsSeptember 20, 2019<September 20, 2019

‘The Fall of Hobo Johnson’ Is a Great Title

Tiny Stills © Megan Thompson
Music, Music Videos, PremieresSeptember 12, 2019<September 12, 2019

Premiere: Tiny Stills Battle Anxiety and Social Media on “Everything Is Going Great”

Jonah Ray
Columns, Music, Today's SongAugust 28, 2019<August 28, 2019

Today’s Song: Jonah Ray Parodies a Parody in “Welcome to (Amish) Paradise”

The Hold Steady © D James Goodwin
Music, ReviewsAugust 23, 2019<August 23, 2019

‘Thrashing Thru the Passion’ is The Hold Steady’s Resurrection

Baggage
Columns, Music, Today's SongAugust 14, 2019<August 14, 2019

Today’s Song: Baggage Reconnect with the Past in “Where You Are”

The Sonder Bombs © Rachel Malvich
Columns, Music, Today's SongJuly 31, 2019<July 31, 2019

Today’s Song: The Sonder Bombs Break the BS on “I Don’t Have One Anymore”

Off With Their Heads
Columns, Music, Today's SongJuly 23, 2019<July 24, 2019

Today’s Song: Off With Their Heads Scream the Sad Away in “Disappear”

Rachel Ana Dobken © Michael Kravetsky
Columns, Music, PremieresJuly 22, 2019<July 22, 2019

Premiere: Rachel Ana Dobken’s “Always” is a Strut for Love

Queen of Jeans © Bob Sweeney
Music, Music Videos, PremieresJuly 9, 2019<July 10, 2019

Premiere: Queen of Jeans Find Strength in Destruction with “Get Lost”

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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