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Julius Robinson

Julius Robinson

Julius is Director, Creative Syncs at MusicSupervisor.com & WegetArtists.com. Julius oversees music track uploads, approvals, sync pitches, and licenses for 300,000 pieces of high-quality indie music in all genres. His company places cues in hundreds of major and indie films, TV shows, streaming networks social media and ads. Film song recent placements include the new Spider-Man - No Way Out, and Oscar Best Picture winner Green Book. MusicSupervisor.com television shows including the CW (Roswell, Shameless, Riverdale Pretty Little Liars, Vampire Diaries). Julius is also a Songwriter, Screenwriter and Sci-fi Novelist. Julius has placed his own songs in many films including Friday Night Lights, The Game, and Van Wilder. Julius wrote the comedy film Tortilla Heaven (2007), starring George Lopez. In 2021, Julius co- wrote the pilot episode of Beverly Hills Broke, starring EG Daily, currently in post-production. His critically acclaimed sci-fi novel The Man (Invaders of the Parallel Soul) is available on Amazon.com

KRIS © 2023
Columns, Debut, Music, Today's SongNovember 13, 2023<November 13, 2023

Today’s Song: KRIS Debuts With Haunting & Vulnerable “Black Leather Heaven”

The Dionysus Effect © 2023
Interviews, MusicSeptember 5, 2023<September 5, 2023

Interview: The Dionysus Effect Discuss Their Name, the New York Music Scene, Eve 6, & Nietzsche

viisi © SJ Spreng
Columns, Music, Today's SongAugust 10, 2023<August 10, 2023

Today’s Song: viisi’s Cold-Cutting “god damn!” Turns Warranted Exasperation into Infectious Pop

Kid Prexy © 2023
Columns, Music, Today's SongJuly 23, 2023<July 21, 2023

Today’s Song: Kid Prexy Shoots for the Stars With His Catchy, Appropriately-Titled “Shooting Star”

KTJ & CARLY © Joseph Lee
Features, Interviews, MusicJuly 6, 2023<July 6, 2023

Interview: KTJ & CARLY’s New EP ‘NUKETOWN’ Explores Life’s Musical Explosions

John Roberts © 2023
Interviews, MusicMay 24, 2023<May 24, 2023

Interview: Queer Synth Meets ’80s Electropop in John Roberts’ “DANGER”

Perfect Crimes - Ransom and the Subset
Interviews, MusicApril 27, 2023<April 30, 2023

Interview: Ransom and the Subset Return with ‘Perfect Crimes,’ Their Long-Overdue (But Worth the Wait) New Album

joan © Jacob Ruth
Debut, Music, ReviewsApril 19, 2023<April 30, 2023

Pop/Rock Duo joan Repair Shattered Emotions with Debut Album ‘superglue’

Yarin Glam © 2023
Columns, Music, Today's SongMarch 24, 2023<April 30, 2023

Today’s Song: Pop Artist Yarin Glam Battles Mental & Emotional Demons in “Side Effects”

Natalia Damini & Tito Jackson © 2023
Columns, Interviews, Music, Today's SongMarch 17, 2023<April 30, 2023

Natalia Damini Displays Her “Attitude” with Music Legend Tito Jackson (The Jackson 5)

Natisa Gogol © 2023
Features, Interviews, MusicFebruary 24, 2023<February 24, 2023

Interview: Ukrainian Refugee & Pop Artist Natisa Gogol Opens Up About Fleeing Her War-Torn Home, Song Inspirations, & More

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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