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Lowndes Commander

Lowndes Commander

Lowndes is a writer and film photographer, currently living in South Carolina after a few years in Nashville, TN. She’s a big fan of morning news podcasts, cool-weathered city walks, and those moments when a song unexpectedly makes you feel something. These days, you can probably find her drinking cold brew and working on a book of poems, or writing articles here at Atwood.

Rebekah Pahl © Andrea Behrends
Music, PremieresApril 16, 2020<April 16, 2020

Premiere: Rebekah Pahl Leans into Living Open-Handedly on “Falling Off the Map”

Last Vacation © Kristin Otharsson
Music, PremieresApril 16, 2020<April 16, 2020

Premiere: Last Vacation Inject Feeling & Energy into “How Could You Hurt Somebody You Love?”

Strawberry Wine - Lemondrop
Columns, Music, Today's SongApril 3, 2020<April 1, 2020

Today’s Song: Lemondrop’s Youthful & Exciting Groove on “Strawberry Wine”

Junior Coder’s Experiment - allie
Debut, Music, Our Take, ReviewsMarch 25, 2020<March 25, 2020

Our Take: allie’s ‘Junior Coder’s Experiment’ EP Strives to See the Good in Existence

Louis Prince © Justin March
Debut, Features, Interviews, MusicMarch 16, 2020<March 16, 2020

Interview: The World of Louis Prince Comes to Life on Debut Album ‘Thirteen’

Columns, Music, Today's SongMarch 11, 2020<March 11, 2020

Today’s Song: Charleston’s Veja Du Compose a Vivid Dreamworld in “TV Land”

Soccer Mommy - Color Theory 8.6
Music, Our Take, ReviewsMarch 2, 2020<December 15, 2020

Our Take: Soccer Mommy’s ‘Color Theory’ Explores Darkness in Three Colors

Brother Moses © Lowndes Commander
Music, PremieresFebruary 27, 2020<February 26, 2020

Premiere: Brother Moses’ Thoughtfully Written “Bathroom Floor” Is a Snapshot of Honest Emotion

Brother Moses © Lowndes Commander
Columns, Music, Today's SongFebruary 18, 2020<February 18, 2020

Today’s Song: Brother Moses Wonders What It Takes to Be Wanted

Posts pagination
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Recent Posts

  • “A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie May 13, 2026
  • Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’ May 13, 2026
  • “Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All May 13, 2026
  • Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut May 13, 2026
  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
  • “We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years May 12, 2026
  • “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” May 12, 2026
  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
  • “It’s Like Looking at an Old Photo”: The Moss Reflect on Fearing Change, Freedom, & ‘Big Blue Moon’ May 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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