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Maggie McHale

Maggie McHale

Maggie is a writer for Atwood Magazine, currently living in Philadelphia. She also works as a music manager and cultural liaison via her management company, PBG MGMT. She is heavily involved in the arts and music scene in the City of Brotherly Love, working previously for as a digital marketer for Fame House, a Universal Music Group subsidiary, and as a staff writer for JUMP Magazine. A self-proclaimed “hug enthusiast” and dog lover, Maggie also enjoys fashion, travel, the paranormal, and drinking way too much coffee.

Two Door Cinema Club
Editorials, Features, MusicJune 15, 2016<May 9, 2017

Editorial: Are We Ready for Two Door Cinema Club’s Return?

Oli Hannaford
Columns, Music, Today's SongJune 10, 2016<June 10, 2016

Today’s Song: Oli Hannaford Keeps Breathing with “Lily”

Younger Than Expected - Cool Dads
Columns, Music, Today's SongMay 12, 2016<May 12, 2016

Today’s Song: Cool Dads Are “Younger Than Expected” and Proud of It, Too

Charles de Crema
Columns, Music, Today's SongMay 5, 2016<May 5, 2016

Ripped from the Diary: Charles De Crema’s “I Know You Love Me, But Do You Think Of Me, Romantically”

LANY
Features, Interviews, MusicApril 11, 2016<April 11, 2016

More Than Decent: A Conversation with LANY

MOTHXR © Eric Bouccan
Features, Music, Our Take, ReviewsApril 5, 2016<April 10, 2016

Our Take: The Melancholic Dream of “Centerfold” by MOTHXR

FeaturesApril 1, 2016<April 1, 2016

Sing Like Nobody is Listening: London Busker Gives it His All

Music, PremieresFebruary 12, 2016<February 12, 2016

Exclusive Premiere: Intense Expression in Cool Dads’ “This is My Dream” [Part 3/5]

Music, Our Take, ReviewsJanuary 22, 2016<February 25, 2016

Our Take: The Sanguine Promise of Grizfolk’s “Waking Up the Giants”

Debut, Music, PremieresJanuary 6, 2016<January 6, 2016

Exclusive Premiere: The Cadenced Mirth of Cool Dads’ “COOL DADS” [Part 2/5]

Debut, Music, PremieresDecember 22, 2015<December 22, 2015

Exclusive Premiere: The Rhythmic Jocosity of Cool Dads’ “Jeff’s Party” [Part 1/5]

Music, Music You Should Know, Our Take, ReviewsNovember 3, 2015<November 3, 2015

Our Take: The Evocative Awareness of The Neighbourhood’s “Wiped Out!”

AudioDamn! from L to R: Daniel "Mudi" Mudrack, Oliver "Oli" Wimmer, Ali Grumeth
Debut, Features, Interviews, MusicOctober 22, 2015<October 22, 2015

Face(Time)ing the Music: A Chat with AudioDamn!

Features, Interviews, MusicOctober 7, 2015<October 7, 2015

Healing and Transcendence: A Conversation with decker.

The Japanese House (Amber Bain)
Columns, Music, Music You Should KnowOctober 2, 2015<October 19, 2015

Intensity, Eminence and Mystique: The Japanese House Lays a Sound Foundation

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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