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Meredith Nardino

Meredith Nardino

Meredith is a Fordham alum and aspiring entertainment writer, currently working at DoSomething.org. Her interests include iced coffee, record stores, intersectional feminism, and the "Queer Eye" reboot. Wants to be Leslie Knope but is probably April Ludgate.

Wallows Approved Press Photo #8
Columns, Music, Today's SongOctober 7, 2019<February 19, 2021

Today’s Song: Wallows Spin the Soundtrack to Restless Youth on “Just Like a Movie”

Of the Wild © 2019
Music, PremieresSeptember 20, 2019<September 20, 2019

Premiere: Of The Wild Start Down the Path to Self-Discovery on “Heartbreaker”

7.4
Debut, Music, Our Take, ReviewsAugust 29, 2019<December 15, 2020

Our Take: Red Hearse Debut Their Genre-Defying Self-Titled Record

Red Hearse
Columns, Music, Today's SongAugust 12, 2019<August 12, 2019

Today’s Song: “Half Love” Proves Red Hearse Is a Match Made in Supergroup Heaven

Quarry
Columns, Music, Today's SongAugust 8, 2019<August 8, 2019

Today’s Song: Quarry Breaks Boundaries on “No Ordinary Love”

False Alarm - Two Door Cinema Club
Music, Our Take, ReviewsJune 27, 2019<December 15, 2020

Review: Two Door Cinema Club Reach New Heights on ‘False Alarm’

Doom Days, Bastille's third album, will release June 14, 2019 via Virgin Records 7.9
Music, Our Take, ReviewsJune 14, 2019<December 15, 2020

Our Take: Bastille Dissect the Anxiety and Euphoria of Modern Life on ‘Doom Days’

Tei Shi © Cara Stricker
Columns, Music, Today's SongJune 13, 2019<June 13, 2019

Today’s Song: Tei Shi Learns to Trust Her Gut on “A Kiss Goodbye”

Dayla © Camille Luciani
Columns, Debut, Music, Today's SongApril 19, 2019<April 18, 2019

Today’s Song: Dive Headfirst into DAYLA’s Dreamy Debut “Closer”

I'm Set by Baby Boys
Debut, Music, ReviewsFebruary 28, 2019<February 28, 2019

EP Review: Baby Boys Reinvent the Creative Process on Debut EP ‘I’m Set’

Pale Waves © 2018
Debut, Music, ReviewsNovember 20, 2018<November 20, 2018

Review: On Pale Waves’ ‘My Mind Makes Noises,’ Nostalgia and Romance Burn Bright

Maggie Rogers © Olivia Bee
Columns, Music, Today's SongOctober 11, 2018<October 26, 2018

Today’s Song: Vulnerability, Gratitude, and Change Inspire Maggie Rogers’ “Light On”

Hippo Campus © Pooneh Ghana
Features, Music, ReviewsAugust 24, 2018<October 9, 2018

Review: Hippo Campus Explore New Horizons on “Passenger” and “Bambi”

Recent Posts

  • Roundtable Discussion: A Review of The Last Dinner Party’s ‘From the Pyre’ March 12, 2026
  • Dreaming in Sound: Reifier on Identity, Dreams, and the Making of ‘The Unfolding’ March 12, 2026
  • Living in the Moment with Florentenes’ Roaring Indie Rock Anthem “Madeline” March 12, 2026
  • “A Middle Finger to Music as We Know It”: Nory Embraces Tension, Recklessness & Raw Truth on ‘F**K THAT THIS THE RHYTHM’ March 11, 2026
  • You’ve Got Me Hummin’: No Hassle to Hear Early Billy Joel Melodies in New Doc, ‘And So It Goes’ March 11, 2026
  • “An Elegy for L. Skell”: An Essay by Human Potential’s Andrew Becker March 11, 2026
  • “Make That Money, Baby, Dig Your Grave”: Happy Landing Tear into the Myth of the American Dream on “The American Way” March 11, 2026
  • Dolphins on Acid Are Rediscovering the Tried-and-True Path to Success in Their Own Surf-Fueled Way March 10, 2026
  • With ‘Pretour,’ Kim Petras Fights to Share Her Bold New “Pop Sound” March 10, 2026
  • “Echo Chamber, Promise Breaker”: Philine Sonny Unleashes Raw Fury on “Outrun,” a Ferocious Alt-Rock Reckoning March 10, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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