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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Adam Goldberg © Daniel Gilbert
Music, Music Videos, PremieresJanuary 20, 2026<January 20, 2026

“You Came to My Town”: Adam Goldberg Captures Culture Clash, Division, & American Unease on The Goldberg Sisters’ “The Great Resignation”

Sly Jr.'s Landon Jacobs
Columns, Music, Today's SongJanuary 18, 2026<January 18, 2026

“This life’s a precious coffin”: Sly Jr. Embraces Love & Tenderness at the End of the World on “put down your weapons”

Westside Cowboy © Charlie Barclay Harris
Features, Interviews, Music, Track-by-TrackJanuary 16, 2026<January 16, 2026

“No Band Is an Island!”: Manchester’s Westside Cowboy Are Bringing ‘Britainicana’ to the Masses Through Shared Instinct and Loud, Joyful Noise

Yam Haus and Sydney Quiseng are "Always Falling in Love"
Columns, Music, Today's SongJanuary 16, 2026<January 16, 2026

“I Like the Way You Memorized My Number”: Yam Haus & Sydney Quiseng Find the Beauty of “Always Falling in Love” on Their Breathtaking Duet

Atwood Magazine's 143rd Editor's Picks!
Columns, Editor's Picks, Features, MusicJanuary 15, 2026<January 15, 2026

Editor’s Picks 143: FORAGER, Truman Sinclair, Tony DV, Searows, Elias Hix, & Ethan Regan!

Francis of Delirium © Shade Cumini
Interviews, Music, Today's SongJanuary 15, 2026<January 15, 2026

“A Tightrope Walk of Freedom and Shame”: Francis of Delirium Turns Regret & Raw Energy Loose on “Little Black Dress”

Theo Bleak © Marilena Vlachopoulou
MusicJanuary 14, 2026<January 14, 2026

“Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing

spill tab and boylife © Jade Sadler
Interviews, Music, Today's SongJanuary 14, 2026<January 14, 2026

“Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife)

Cleo Reed 'CUNTRY' © Amandla Baraka
Features, Interviews, Music, Track-by-TrackJanuary 13, 2026<January 14, 2026

“The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’

Quarters © Theodore Sielatycki & Oliver J. Frisby
Interviews, Music, Today's SongJanuary 13, 2026<January 13, 2026

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With Heaven on Top - Zach Bryan
Music, ReviewsJanuary 12, 2026<January 12, 2026

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Lucia © Sam Martinsen
Interviews, Music, Today's SongJanuary 11, 2026<January 11, 2026

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chelsea jordan © Mykah Knox
Artist to Watch, Interviews, Music, Today's SongJanuary 10, 2026<January 10, 2026

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Witch Post "Changeling" © Parker Love Bowling
Artist to Watch, Interviews, Music, Today's SongJanuary 9, 2026<January 9, 2026

“We Were Never the Same”: Indie Rock Duo Witch Post Embrace Unease, Myth, & Transformation on “Changeling”

Brigitte Calls Me Baby © Scarlet Page
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Brigitte Calls Me Baby Turned Fear of Death into Romantic Rock Songs Full of Hope, Drama, and Existential Dread

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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