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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Hudson Freeman © Sophie B
Artist to Watch, Features, Interviews, Music, Today's SongDecember 22, 2025<December 22, 2025

“Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection

Vienna Vienna © Chloe Chippendale
Artist to Watch, Interviews, Music, Today's SongDecember 20, 2025<December 20, 2025

“Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”

Petey USA
Features, Interviews, MusicDecember 19, 2025<December 19, 2025

“This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’

Anyhow © Gabe Drechsler
Artist to Watch, Debut, Interviews, Music, Today's SongDecember 19, 2025<December 19, 2025

“We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars

Medium Build © Tyler Krippeahne
Features, Interviews, MusicDecember 18, 2025<January 30, 2026

“I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year

Ski Team © OK McCausland
Artist to Watch, Interviews, Music, Today's SongDecember 18, 2025<January 8, 2026

“You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

Low.bō © Eric Jovel
Debut, Features, Interviews, Music, Track-by-TrackDecember 17, 2025<December 17, 2025

“Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’

Adult Mom's Stevie Knipe © Bao Ngo
Features, Interviews, MusicDecember 17, 2025<December 17, 2025

“Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’

Timeline - Drauve
Debut, Features, Interviews, Music, Track-by-TrackDecember 17, 2025<December 17, 2025

“It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’

mildred © 2025
Debut, Interviews, Music, Today's SongDecember 16, 2025<December 15, 2025

“Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”

Atwood Magazine's 140th Editor's Picks!
Columns, Editor's Picks, Features, MusicDecember 15, 2025<December 15, 2025

Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!

Dutch Interior © Julien Sage
Interviews, Music, Today's SongDecember 15, 2025<December 15, 2025

“It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song”

Deadbeat Girl 'Self-Destructor' © Ashley Crichton
Interviews, Music, Today's SongDecember 14, 2025<December 12, 2025

“I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession

Savannah Conley © 2025
Columns, Interviews, Music, Today's SongDecember 12, 2025<December 12, 2025

“Rev It, Brake It, Love Ya, Mean It”: Savannah Conley Cuts Loose on “Love You Mean It,” a Fun, Feverish Indie Rock Rebirth

Barbro © Jana van Brussel
Music, PremieresDecember 11, 2025<December 11, 2025

“I Haven’t Heard That Sound Yet”: Copenhagen’s Barbro Premieres “What Men Do,” a Softly Smoldering Indie Folk Reckoning of Unlearning & Quiet Resistance

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Recent Posts

  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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  • Magdalena Bay Turn Kilby Block Party into a Mercurial World with Their Rain-Soaked Set May 28, 2026
  • “How Dare You?”: Isabelle Skye Turns a Traumatic Encounter into a Beautiful, Empowering Indie Pop Reckoning on “Subaru” May 27, 2026
  • “It’s You and the Stranger Who Wrote It”: Vansire Find Sunlit Solace on “For the Moment,” a Feel-Good Indie Pop Reprieve for Uncertain Times May 27, 2026
  • “I Want All Beautiful Things”: Emma Louise Finds Inner Strength on ‘Sunshine for Happiness’ May 27, 2026
  • Electrifying, Explosive, and Colorful: London’s Marigo Bay Arrives with Cathartic Debut LP ‘Racecars & Rockstars’ May 27, 2026
  • “These Songs Found Me”: Matt Hansen’s Debut Album ‘Orchid’ Says the Quiet Part Out Loud May 27, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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