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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Ailsa Tully © 2021
Music, Reviews, Track-by-TrackSeptember 3, 2021<September 3, 2021

“Achy, Reflection, Tension”: Inside Ailsa Tully’s Gently Kaleidoscopic ‘Holy Isle’ EP

Atwood Magazine Editor's Picks 51
Columns, Editor's Picks, Features, MusicSeptember 2, 2021<October 5, 2021

Editor’s Picks 51: Little Simz, Fantastic Cat, Sister., Bleach Lab, Hannes & Billie Flynn

Gold Star © Robert Ascroft
Features, Music, Premieres, Reviews, Track-by-TrackSeptember 1, 2021<September 1, 2021

EP Premiere: Gold Star Dives into His Dynamic, Vulnerable & Candid ‘Headlights U.S.A.’

leave a light on - Keir, Fenne Lily
Interviews, MusicSeptember 1, 2021<September 1, 2021

Interview: Keir & Fenne Lily “leave a light on” in a Song of Heartache, Longing, Love & Friendship

Alternate Endings - Snowy Band
Track-by-TrackAugust 31, 2021<August 31, 2021

“Equal parts functional and abstract”: Melbourne’s Snowy Band Embraces Space & Sound on Sophomore LP ‘Alternate Endings’

Pressure Machine - The Killers 9.7
Music, Our Take, ReviewsAugust 31, 2021<February 7, 2022

Our Take: The Killers’ Devastatingly Beautiful, Bittersweet & Breathtaking ‘Pressure Machine’

Hiss Golden Messenger's M.C. Taylor © Chris Frisina
Features, Interviews, MusicAugust 30, 2021<September 3, 2021

Interview: Hiss Golden Messenger’s Intimate ‘Quietly Blowing It’ Finds Beauty in Fracture, Redemption, Turmoil, & Strength

Soft Focus - Hotel Fiction
Debut, Features, Music, Reviews, Track-by-TrackAugust 30, 2021<August 31, 2021

“Nostalgic, Hopeful, Dynamic”: Hotel Fiction Revel & Reflect in Dazzling Debut Album ‘Soft Focus’

Jango Flash © Adam Thirtle
Music, ReviewsAugust 26, 2021<August 26, 2021

Jango Flash’s “My Mercedes” Is Loud, Feverish, & Raw Indie Rock

Eleanor K © 2021
Columns, Music, Today's SongAugust 25, 2021<August 25, 2021

Today’s Song: Cathartic and Raw, “All In” Is Eleanor K’s Delicately Sweet & Stirring Surrender

beyondsonny © Pia Fergus
Debut, Features, Music, Reviews, Track-by-TrackAugust 25, 2021<August 26, 2021

A Still, Glowing Figure: Brooklyn’s Beyondsonny Beams on “Freeing, Honest, & Refreshing” Debut EP ‘Solstice’

Andrew Belle © David O'Donohue
Features, Music, Reviews, Track-by-TrackAugust 20, 2021<August 20, 2021

“Moody, Thoughtful, & Honest”: Inside Andrew Belle’s Intimate & Ethereal 4th LP ‘Nightshade’

Wanderers © Samuel Graves
Columns, Music, Today's SongAugust 19, 2021<August 19, 2021

Today’s Song: WANDERERS’ Sweet, Irresistible “Penny” Channels Sunshine & Seduction

Jordan Lehning © Zac Farro
Features, Music, Reviews, Track-by-TrackAugust 19, 2021<March 2, 2025

“Technicolor Fantasy Pop”: The Depths of Jordan Lehning’s Cinematic 4th LP ‘Three Colored Wall’

Cape Weather © 2021
Music, Premieres, Track-by-TrackAugust 19, 2021<August 19, 2021

“Total Existential Dread”: Cape Weather Shine a Loving Light in ‘HUNNY Vol. 1’ EP

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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