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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Alexander Biggs © Jack Cain
Music, PremieresFebruary 11, 2020<February 10, 2020

Premiere: Alexander Biggs’ Breathtaking Song “Laundromat” & the Weight of Disconnection

Broken Robots © Joel Lopez
Music, Music Videos, PremieresFebruary 11, 2020<February 10, 2020

Premiere: Feeling Like a Fish with Broken Robots’ “Dimes and Quarters”

Paige Cora © Jennifer McCready
Music, PremieresFebruary 11, 2020<February 11, 2020

Premiere: Paige Cora Journeys Down “The Good Side of Desire” and Self-Discovery

JJ Wilde © Jonathan Weiner
Interviews, Music, Music Videos, ReviewsFebruary 7, 2020<February 7, 2020

Interview: JJ Wilde Reveals Her Raw & Vulnerable Side in “Funeral for a Lover”

Oh Wonder © Olga De La Iglesia
Features, Interviews, MusicFebruary 7, 2020<March 6, 2020

Interview: Oh Wonder Dive into Their Intimate Third Album, ‘No One Else Can Wear Your Crown’

Music, PremieresFebruary 6, 2020<February 6, 2020

Premiere: Youngr & Tall Children Join Forces in Irresistible Sun-Soaked Banger “Last for Long”

Kerry Hart © Lauren Dukoff
Music, PremieresFebruary 6, 2020<February 6, 2020

Premiere: Kerry Hart Tears into Life’s Paradox in Raw, Emotional “Screaming Quietly”

Harmless © 2020
Music, ReviewsFebruary 5, 2020<February 5, 2020

Love, Tears, & Recovery: Harmless’ Spiritually Cleansing ‘Condiciones’ EP

Alexandria Maillot © Laura Baldwinson
Music, Music Videos, PremieresFebruary 5, 2020<March 2, 2025

Video Premiere: Alexandria Maillot’s Dark, Emotionally Intense “Someone to Keep You Warm”

Emily Keener © Adam Maraschky
Music, PremieresFebruary 4, 2020<February 4, 2020

Premiere: Emily Keener’s “Do You Love Me Lately?” Crosses Desire & Fear with Haunting Indie Folk Vulnerability

Núria Graham © Marc Cusco
Music, PremieresFebruary 4, 2020<February 4, 2020

Premiere: Núria Graham’s Sweet “Toilet Chronicles” Is a Beautiful, Messy Love Song

Josiah Johnson music © Ben Fee
Debut, Music, Reviews, This Just InFebruary 3, 2020<March 6, 2020

Josiah Johnson Captures Our Head & Our Heart with Solo Debut “World’s Not Gonna End”

Anima & Ennui © Mandy Rep
Music, PremieresFebruary 3, 2020<February 3, 2020

Copenhagen’s Anima & Ennui Glow with New Age Spirituality in “My Sun, My Moon”

PRIZM music 2020
Interviews, Music, PremieresFebruary 3, 2020<February 3, 2020

Interview: Dallas Duo PRIZM Keep Us Up “All Night” in Synthy, Seductive Euphoria

Feels Like Home - LEO © Caz Nowaczyk
Music, PremieresFebruary 3, 2020<February 3, 2020

Premiere: LEO’s Raw “Feels Like Home” Offers Love & Support Amidst Australia’s Bushfire Crisis

Posts pagination
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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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    • Music You Should Know
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