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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Birch © Tim Seguin
Columns, Music, Today's SongNovember 7, 2019<November 7, 2019

Today’s Song: Birch Chases the Dream in Glittering “Your Gold”

Flyte © Lucas Donaud
Features, Interviews, MusicNovember 6, 2019<December 5, 2019

Interview: Flyte Take Off with Majestic, Dazzling ‘White Roses’ EP

Anson Seabra © Kelby Reck
Music, Music Videos, PremieresNovember 6, 2019<December 5, 2019

Premiere: Anson Seabra Stuns with Intimate Heartbreak Ballad “Last Time”

Lady Clementine's Fantastic Party © Toni Williams
Music, PremieresNovember 6, 2019<November 6, 2019

Premiere: The Raw Love of “Keep Me Up” by Lady Clementine’s Fantastic Party

'A Dobritch Did As A Dobritch Should' - The Hackles
Music, Premieres, ReviewsNovember 5, 2019<November 5, 2019

Unveiling The Hackles’ Elegant Indie Folk Album ‘A Dobritch Did As A Dobritch Should’

Bora York © Bethany Shrock
Features, Music, PremieresNovember 5, 2019<November 5, 2019

Bora York Present Shimmering Heartbreak Pop in 3rd Album ‘Emotion Vertigo’

Serendipity "Flying"
Debut, Music, PremieresNovember 4, 2019<November 4, 2019

Premiere: Serendipity Captures the Fall in Raw, Vulnerable Unveiling “Flying”

Lilla Vargen
Music, PremieresOctober 31, 2019<October 31, 2019

Premiere: Lilla Vargen Embraces Connection & Meaning in Stunning “Why Wait”

In Memory - The Cordial Sins
Music, ReviewsOctober 31, 2019<March 2, 2025

The Cordial Sins Dive into Their High-Charged ‘In Memory’ EP

Sulene © Bao Ngo
Music, PremieresOctober 30, 2019<October 30, 2019

Premiere: Going “Out of Your Head” with Sulene’s Pulsing New Song

Mail The Horse © Shervin Lainez
Music, PremieresOctober 29, 2019<October 29, 2019

Premiere: Mail the Horse’s Bluesy “Kid Gloves” Is a Mantra on Toxic Masculinity

Lenkie © Matt Gajewski
Music, PremieresOctober 29, 2019<October 29, 2019

Premiere: Lenkie Embraces Unrequited Love in Second Single “Waterfall”

Scott Ruth © Taylor Mosby
Music, PremieresOctober 29, 2019<October 29, 2019

Premiere: Scott Ruth’s ‘Telephone’ EP Is Intimate Rock with a Heart of Gold

Fascinations Grand Chorus © Kelli McGuire
Debut, Music, PremieresOctober 28, 2019<October 28, 2019

Premiere: Bubblegum Pop Reigns in Fascinations Grand Chorus’ Debut Album ‘Presentations of Electrical Confectionery’

Marinho © Marta Olive
Debut, Features, Interviews, MusicOctober 24, 2019<October 24, 2019

Interview: Marinho Dives into her Intimately Vulnerable Debut Album ‘~’

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Recent Posts

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
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  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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