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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Atwood Magazine Editor's Picks 25
Editor's Picks, Features, MusicDecember 17, 2019<January 9, 2020

Editor’s Picks: December 17, 2019

Lust and Learn - The Slow Show
Features, Interviews, MusicDecember 16, 2019<December 16, 2019

Interview: The Slow Show Dive into the Breathtaking Depths of ‘Lust and Learn’

Bear's Den © Sequoia Ziff
Music, ReviewsDecember 11, 2019<December 11, 2019

Review: Bear’s Den Evoke Winter’s Warmth in ‘Only Son of the Falling Snow’ EP

Foxtails Brigade - Kramies
Music, PremieresDecember 10, 2019<December 10, 2019

Premiere: Foxtails Brigade & Kramies Unite in Split Single “On the Other Side” / “Between the Moon”

Moby Rich © Jack Dytrych
Music, PremieresDecember 5, 2019<December 5, 2019

Premiere: Tap into the High Highs of Moby Rich’s #Winning “Loser” (Broods Remix)

Everybody Breaks - Ivan & Alyosha
Music, Music Videos, PremieresDecember 3, 2019<December 4, 2019

Premiere: Everybody Bends & “Everybody Breaks” in Ivan & Alyosha’s Fiery New Music Video

Sean Christopher
Music, PremieresNovember 26, 2019<November 27, 2019

Premiere: Sean Christopher Breathes Love to Life in “Oheja”

Wild / Dreams - Conversing with Oceans
Debut, Features, Music, PremieresNovember 26, 2019<November 27, 2019

Premiere: The Push & Pull of Conversing with Oceans’ Dynamic Debut Album ‘Wild / Dreams’

Stonefield
Music, ReviewsNovember 22, 2019<November 22, 2019

Review: Stonefield’s Unapologetic Psych-Rock Journey ‘Far From Earth’

Desingly © Yoris Photographer
Music, ReviewsNovember 21, 2019<November 22, 2019

The Dreamy, Aching Warmth of Desingly’s “Anna” feat. Racoon Racoon

Fay Wildhagen © Johanna Siring
Music, Music Videos, PremieresNovember 21, 2019<November 21, 2019

Premiere: The Empowering Embrace of Fay Wildhagen’s Vibrant “Different”

Indiana music
Features, Interviews, MusicNovember 20, 2019<November 20, 2019

Interview: Breaking the Habit with Dazzling UK Pop Starlet Indiana

More Brilliant Is the Hand that Throws the Coin - Margaux
Music, ReviewsNovember 20, 2019<November 20, 2019

Artist to Watch: Dive into Margaux’s Dazzling Dream Pop Debut ‘More Brilliant Is the Hand that Throws the Coin’

Big Fox © Anna Brånhede
Music, PremieresNovember 19, 2019<November 19, 2019

Premiere: The Raw Folk Beauty of Big Fox’s Love Song “All I’m Trying”

HAIM © Grant Spanier
Music, Reviews, This Just InNovember 18, 2019<November 18, 2019

This Just In: HAIM’s “Hallelujah” Is a Breathtaking Ode to Love, Connection & Support

Posts pagination
1 … 180 181 182 183 184 … 293

Recent Posts

  • Editor’s Picks 143: FORAGER, Truman Sinclair, Tony DV, Searows, Elias Hix, & Ethan Regan! January 15, 2026
  • “A Tightrope Walk of Freedom and Shame”: Francis of Delirium Turns Regret & Raw Energy Loose on “Little Black Dress” January 15, 2026
  • “Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing January 14, 2026
  • Lifting the Spirit of the Anishinaabe Experience Through Music: A Conversation with Ribbon Skirt’s Billy Riley January 14, 2026
  • “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) January 14, 2026
  • “The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’ January 13, 2026
  • Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth January 13, 2026
  • “You Loved Me Like a Pornstar”: NYC’s Quarters Turn Desire into Reckoning on Their Cinematic “STAR” January 13, 2026
  • “You Can’t Learn Heartbreak From a Poem”: Zach Bryan’s ‘With Heaven on Top’ Is a Bruising, Deeply Human Companion to Modern American Life January 12, 2026
  • “Year Zero in the Summertime”: Father John Misty Lays Down “The Old Law” Between Faith, Failure, & Fevered Memory January 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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