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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Feels Like Home - LEO © Caz Nowaczyk
Music, PremieresFebruary 3, 2020<February 3, 2020

Premiere: LEO’s Raw “Feels Like Home” Offers Love & Support Amidst Australia’s Bushfire Crisis

Honest - San Holo & Broods © Dolly Ave
Music, ReviewsJanuary 31, 2020<January 31, 2020

Review: San Holo & Broods Team Up for an “Honest” Song of Intimate Connection

Alex Ebert music 2020
Features, Interviews, MusicJanuary 31, 2020<February 11, 2020

Uninhibited Instinct & Creative Freedom: Alex Ebert on His Unapologetic Album ‘I vs I’

Tyson Motsenbocker
Music, PremieresJanuary 30, 2020<January 30, 2020

Premiere: Tyson Motsenbocker Wants You to “Come to California” in His Golden New Song

Jack Symes
Music, PremieresJanuary 30, 2020<January 30, 2020

Premiere: Feel the Love in Jack Symes’ Seductive, Sunny Song “Baby, My Baby”

A Light | Dusk - Granite to Glass
Music, ReviewsJanuary 29, 2020<January 29, 2020

Brooklyn’s Granite to Glass Weave Wondrous Orchestral Folk in “A Light | Dusk”

Amy Milner © Tim Larcombe
Debut, Music, Premieres, ReviewsJanuary 29, 2020<January 29, 2020

EP Premiere: Amy Milner’s ‘Plans’ EP Is an Uplifting, Spellbinding Experience

TEME © Bo Morgan
Music, PremieresJanuary 29, 2020<January 29, 2020

Premiere: TEME’s Haunting Song “PRLYSD” Manifests Intimate Grief

Me & The Monster
Debut, Music, Premieres, ReviewsJanuary 28, 2020<January 28, 2020

Premiere: Me & the Monster Emerge with Urgency in Raw, Stirring Self-Titled Debut EP

Atwood Editor's Picks Jan 27 2020
Columns, Editor's Picks, MusicJanuary 28, 2020<January 28, 2020

Editor’s Picks: January 27, 2020

Annie O'Malley © Arielle Vey
Music, Music Videos, PremieresJanuary 27, 2020<January 27, 2020

Premiere: Annie O’Malley’s Soothing & Cinematic “Golden Doves”

The Lumineers 2020 III interview
Features, Interviews, MusicJanuary 24, 2020<June 25, 2020

Family, Addiction, and Raw Storytelling: An Interview with The Lumineers

Noble Oak © 2020
Music, Music Videos, PremieresJanuary 23, 2020<April 26, 2023

Premiere: Breaking the Mold with Noble Oak’s Ethereal “Morning”

Gloomies © Rebecca Burns
Music, PremieresJanuary 23, 2020<March 9, 2020

Premiere: Lose Yourself in The Gloomies’ Vibey & Hazy New Song, “Sideways”

Golden - Alexz Johnson
Music, ReviewsJanuary 22, 2020<January 22, 2020

Alexz Johnson Rises and Shines in Uplifting, Heartfelt Ballad “Golden”

Posts pagination
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Recent Posts

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  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
  • “Fools Love Better Than Anyone”: Paris Paloma’s Fatal Flaw Might Be Her Greatest Strength September 10, 2026
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  • “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption September 8, 2026
  • On the Edge of Becoming: Television Skies and the Sound of New York in Motion September 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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