• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Everything by Yellow Shoots
Music, Music Videos, PremieresJanuary 28, 2019<January 28, 2019

Video Premiere: Yellow Shoots’ “Everything” Is a Bold, Trippy Homecoming

Gnash © Jimmy Fontaine
Debut, Features, Interviews, MusicJanuary 28, 2019<February 1, 2019

Music for Feeling Better: An Interview with gnash

Harmony Hall - Vampire Weekend still 1
Features, Music, Reviews, This Just InJanuary 25, 2019<December 18, 2019

Vampire Weekend’s Radiant “Harmony Hall” Shines with Energizing Conviction

Craig Stickland © 2019
Music, PremieresJanuary 25, 2019<January 25, 2019

Premiere: Get High on Craig Stickland’s Fiery Celebration “Burn It Down”

Jon Bryant © Carly Dame
Music, Music Videos, PremieresJanuary 24, 2019<January 24, 2019

Premiere: Assuming Responsibility with Jon Bryant’s Poignant “Did What I Did”

The National Lights
Music, PremieresJanuary 24, 2019<January 24, 2019

Premiere: “Lantern and Whalebone,” The National Lights’ Nautical Reflection

Hannie © 2019
Music, Premieres, ReviewsJanuary 24, 2019<January 24, 2019

Premiere: Sing Your Heart Out to HANNIE’s “Drama”

The Weight of Melted Snow - French For Rabbits
Features, Music, PremieresJanuary 24, 2019<October 17, 2019

Album Premiere: Heartbreak & Mending in French for Rabbits’ Achingly Beautiful ‘The Weight of Melted Snow’

Raquel Bell Who Gets To Name The Name still
Columns, Music, PremieresJanuary 23, 2019<January 23, 2019

Premiere: Hopes, Dreams, and Strawberries in Raquel Bell’s Waltz “Who Gets to Name the Name”

Editor's Picks 01-21-2019
Columns, Editor's Picks, Features, MusicJanuary 22, 2019<January 30, 2019

Editor’s Picks: January 21, 2019

Star Rover by Shervin Lainez
Music, Music Videos, PremieresJanuary 22, 2019<January 22, 2019

Watch: Exploring ‘Almost’ in Star Rover’s Glitchy, Beachy “Byron Bay”

The Proud Sons © Francesca Ludikar
Music, Music Videos, PremieresJanuary 21, 2019<January 21, 2019

Premiere: Embracing Heartache in The Proud Sons’ Radiant “Company”

Natalie Shay "Yesterday" © Max Giorgeschi
Music, Music Videos, PremieresJanuary 18, 2019<January 18, 2019

Video Premiere: Natalie Shay Ascends with Stunning Pop Anthem “Yesterday”

The Blue Winter © 2019
Music, PremieresJanuary 18, 2019<January 18, 2019

Premiere: The Blue Winter’s Beautifully Vulnerable Folk Song “Up on the Stage”

MINT - Alice Merton
Debut, Features, Interviews, MusicJanuary 17, 2019<January 30, 2019

‘MINT’, Melody, and Meaning: An Interview with Alice Merton

Posts pagination
1 … 205 206 207 208 209 … 293

Recent Posts

  • “Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing January 14, 2026
  • Lifting the Spirit of the Anishinaabe Experience Through Music: A Conversation with Ribbon Skirt’s Billy Riley January 14, 2026
  • “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) January 14, 2026
  • “The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’ January 13, 2026
  • Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth January 13, 2026
  • “You Loved Me Like a Pornstar”: NYC’s Quarters Turn Desire into Reckoning on Their Cinematic “STAR” January 13, 2026
  • “You Can’t Learn Heartbreak From a Poem”: Zach Bryan’s ‘With Heaven on Top’ Is a Bruising, Deeply Human Companion to Modern American Life January 12, 2026
  • “Year Zero in the Summertime”: Father John Misty Lays Down “The Old Law” Between Faith, Failure, & Fevered Memory January 12, 2026
  • “These Emotions Are a Reminder That I Am a Human Being”: Lucia Lets Pain Breathe on “Wash you clean” January 11, 2026
  • “When Will the Highs and Lows Level Out?”: Chelsea Jordan Navigates Grief & Hope with Grace on Her Breathtakingly Beautiful “level out” January 10, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services