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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Parcels by Antoine Henault
Features, Interviews, MusicFebruary 15, 2019<March 1, 2019

Eclectic, Groovy, Retro, and Current: A Conversation with Parcels

Preston Lovinggood © Jay Gunning
Music, Music Videos, PremieresFebruary 15, 2019<February 15, 2019

Premiere: Preston Lovinggood’s Hauntingly Optimistic “Everything Will Be Okay” Video

Growing Pain II - Tesha
Music, Premieres, ReviewsFebruary 14, 2019<February 18, 2019

EP Premiere: Embracing Ethereal Intimacy & Grief in TESHA’s ‘Growing Pain II’

Some Good Lives - Shook Twins
Music, Premieres, ReviewsFebruary 14, 2019<February 15, 2019

Album Premiere: Shook Twins Embrace Love & Life in Moving ‘Some Good Lives’

ANNALIA © Sara Kiesling
Music, PremieresFebruary 13, 2019<February 13, 2019

Premiere: Floating on Clouds with ANNALIA’s “Hold My Breath”

Kesley Bulkin © Canh Nguyen
Interviews, Music, This Just InFebruary 12, 2019<February 12, 2019

Interview: Kelsey Bulkin Makes the First Move with “Kareem”

Oh Dead On Oh Love - Lisa Papineau
Features, Music, Premieres, ReviewsFebruary 12, 2019<February 12, 2019

Album Premiere: The Enchanting Depth of Lisa Papineau’s ‘Oh Dead On Oh Love’

Bohannons © William Joseph Johnson
Music, PremieresFebruary 12, 2019<March 2, 2025

Premiere: Bohannons’ Raw “Refills” Sheds Light on the Opioid Crisis

Kaitie Forbes © Rachel Domonique
Debut, Music, PremieresFebruary 12, 2019<February 12, 2019

Premiere: Kaitie Forbes Soars on Intimate Alt-Pop Outpouring “At the Same Time”

Henry Jamison © Shervin Lainez
Features, Interviews, MusicFebruary 11, 2019<March 1, 2019

Interview with Henry Jamison: ‘Gloria Duplex’, Transcending Prejudice & Seeing Both Sides

Kisos - Happily Ever After Art
Music, PremieresFebruary 11, 2019<February 13, 2019

Premiere: Accepting Denial with Kisos’ Lovelorn “Happily Ever After”

The Dip © Coco Foto
Music, Our Take, ReviewsFebruary 8, 2019<February 8, 2019

Review: ‘The Dip Delivers’ Breaths Fresh Life into a Classic Soul Sound

Army - Otis Simpson
Debut, Music, PremieresFebruary 7, 2019<February 7, 2019

Premiere: Otis Simpson’s Mighty Debut Single “Army” Channels Tension into a Confident Cry

Post Script © 2019
Music, PremieresFebruary 7, 2019<February 7, 2019

EP Premiere: Hardship & Healing in Post Script’s ‘The Light I Can’t Block Out’

VHS Collection © Shervin Lainez
Music, PremieresFebruary 7, 2019<February 7, 2019

VHS Collection’s Euphoric Anthem “Dreaming” Inspires Self-Confidence

Posts pagination
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Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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