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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Editor's Picks 02-04-2019
Columns, Editor's Picks, Features, MusicFebruary 6, 2019<February 19, 2019

Editor’s Picks: February 4, 2019

Clara Baker © Amanda Long
Music, PremieresFebruary 6, 2019<February 6, 2019

Premiere: The Haunting Warmth of Clara Baker’s “Middle of the Night”

Variety Hour - Deidre & The Dark art
Debut, Music, Premieres, ReviewsFebruary 5, 2019<February 5, 2019

Album Premiere: Deidre & The Dark’s Debut ‘Variety Hour’ Is Free, Fun, and Classic

Earthquake Lights © Shervin Lainez
Music, PremieresFebruary 4, 2019<February 4, 2019

Premiere: Earthquake Lights’ Sweet, Smooth, and Emotionally Raw “May Day”

Loose Wing © Doug Arney
Music, PremieresFebruary 4, 2019<February 4, 2019

Premiere: Loose Wing’s “Beverly” Captures Emotional Distress with Poignant Grace

Broods © Dana Trippe
Features, Interviews, Music, ReviewsFebruary 4, 2019<February 19, 2019

Confident Vulnerability: An Interview with Broods

Gabriella Rose - Lost In Translation EP 2019
Debut, Features, Music, ReviewsFebruary 1, 2019<February 1, 2019

Review: The Stirring Vulnerability of Gabriella Rose’s Intimate Debut EP ‘Lost in Translation’

Sophia Danai © Beau Partlow
Music, PremieresFebruary 1, 2019<February 1, 2019

Premiere: Breaking the Cycle of Abuse with Sophia Danai’s “Daughter”

Like Swimming © Johan Knobe
Music, PremieresFebruary 1, 2019<February 1, 2019

Premiere: “The Ground,” Like Swimming’s Emotional Explanation of White Privilege

Ian George © Danielle Aubert
Debut, Music, PremieresJanuary 31, 2019<January 31, 2019

Premiere: Introducing “The Wild & the Untamed” Folk Troubadour Ian George

Dancing on Tables © Rory Barnes
Music, Music Videos, PremieresJanuary 31, 2019<January 31, 2019

Premiere: Heartbreak & Longing in Dancing on Tables’ Breakup Ballad “Black”

Editor's Picks 01-28-2019
Columns, Editor's Picks, Features, MusicJanuary 30, 2019<March 19, 2019

Editor’s Picks: January 28, 2019

Georgia Meek © Alex Cullen
Music, PremieresJanuary 30, 2019<March 12, 2026

Premiere: Pressure & Sacrifice in Georgia Meek’s Passionate Anthem “Pray”

exes x jome press photo
Music, Premieres, ReviewsJanuary 30, 2019<February 19, 2019

Premiere: Coping with Grief in EXES & JOME’s Poignant “Stay Still”

Gypsy Temple by Travis Trautt
Music, Music Videos, PremieresJanuary 29, 2019<January 29, 2019

Premiere: Majesty and Passion in Gypsy Temple’s Uplifting “Pick a Number”

Posts pagination
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Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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