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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Bright Kid © Kevin Rose
Debut, Music, PremieresMarch 27, 2018<March 27, 2018

Premiere: Bright Kid’s Anthemic Petition & Protest “Will You Stay”

TIDES - Polaroid Summer
Music, Music Videos, ReviewsMarch 26, 2018<March 26, 2018

Behind the Scenes of Polaroid Summer’s Intense “TIDES”

Dancing After All - Faces on TV
Music, Music Videos, PremieresMarch 26, 2018<March 26, 2018

Premiere: Faces on TV’s Intoxicating “Dancing After All” Captures Detachment & Intimacy

Planes on Paper © Nirav Patel
Debut, Music, PremieresMarch 26, 2018<March 26, 2018

Premiere: The Poignant Beauty of Planes on Paper’s “Two Rivers”

Together - Millionyoung © Melanie Sarria
Music, Music Videos, PremieresMarch 23, 2018<March 23, 2018

Premiere: Relaxing in Millionyoung’s Dreamlike Euphoria “Together”

They Might've Even Loved Me - NoMBe 10
Debut, Features, Music, Our Take, ReviewsMarch 23, 2018<July 2, 2021

Our Take: The Euphoric Embrace of NoMBe’s Epic Debut ‘They Might’ve Even Loved Me’

Dan Bettridge © 2018
Debut, Music, PremieresMarch 22, 2018<March 22, 2018

Premiere: The Heavy Depths of Dan Bettridge’s Intimate ‘Asking for Trouble (Wave Two)’

Glass Animals © Neil Krug
Features, Interviews, MusicMarch 21, 2018<April 26, 2018

Strange Sounds & Stranger Stories: A Conversation with Glass Animals

Anna Altar © Sarah Thompson
Debut, Music, PremieresMarch 20, 2018<March 21, 2018

Premiere: The Intimate Hypnosis of Anna Altar’s Dance Anthem “Wild Card”

SPAER © Victoria Kanaris
Debut, Music, PremieresMarch 20, 2018<March 20, 2018

Premiere: The Seduction of SPAER’s Sonically Expansive “Critter” ft. Izzy Howard

Night Sky - Raine Hamilton
Features, Music, PremieresMarch 20, 2018<March 20, 2018

Album Premiere: Raine Hamilton Shines a Light in the ‘Night Sky’

Water - Hildur
Music, Music Videos, PremieresMarch 20, 2018<March 20, 2018

Premiere: Pain and Beauty in Hildur’s Breathtakingly Bittersweet “Water”

Jesse Macht © Gregory Beylerian
Music, PremieresMarch 19, 2018<March 19, 2018

Premiere: Take a Breath with Race the Tide’s Cathartic “Dayenu”

Pale Houses © 2018
Music, PremieresMarch 19, 2018<March 30, 2018

The Warm Weight of Pale Houses’ Intimate Confessional, “Who Will I Be for You?”

The 1 Class © 2018
Music, PremieresMarch 16, 2018<March 16, 2018

Premiere: Deception and Denial in The 1 Class’ “If You Were Honest”

Posts pagination
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Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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