• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Alarke © Kyle Blair
Music, PremieresMarch 3, 2017<March 3, 2017

Exclusive Premiere: Alarke’s “Grace” Celebrates Love’s Warm Embrace

Happy Incident - "Backbiter" still
Music, Music Videos, PremieresMarch 2, 2017<March 2, 2017

Exclusive Premiere: Love Breaks Down in Happy Incident’s Explosive “Backbiter”

Lunch Ladies © Daniel Topete
Debut, Features, Music, PremieresMarch 2, 2017<March 2, 2017

Exclusive Premiere: Lunch Ladies Serve an Angsty Adrenaline Rush in “Lazy”

Pueblo © 2017
Debut, Features, Music, PremieresMarch 2, 2017<March 8, 2017

Exclusive Premiere: A Carousel of Emotions on Pueblo’s Dreamily Reflective “Nausea”

Big Black Car - Strange Americans still
Features, Music, Music Videos, PremieresMarch 1, 2017<March 1, 2017

Exclusive Premiere: The Fate of the Outlaw in Strange Americans’ “Big Black Car”

Spike's Groove - Stelle Amor
Music, PremieresMarch 1, 2017<March 1, 2017

Exclusive Premiere: Stelle Amor is Addicted to Love in “Spike’s Groove”

blood summer. - Lasko & Kestler
Features, Music, PremieresMarch 1, 2017<March 1, 2017

Exclusive Premiere: Lasko & Kestler’s “The View” is Vulnerable and Soulful in the Darkness

Seattle Yacht Club © 2017
Features, Music, PremieresFebruary 28, 2017<February 28, 2017

Exclusive Premiere: Love Hurts and Synths Pulse on Seattle Yacht Club’s “Discogenic”

Sleep - RXC
Columns, Music, Today's SongFebruary 28, 2017<February 27, 2017

Today’s Song: Detachment and Intimacy on RXC’s Dark “Sleep”

Ashley Riley © Travis Lickey
Features, Music, PremieresFebruary 27, 2017<February 27, 2017

Exclusive Premiere: Love Pushes and Pulls on Ashley Riley’s Aching “Can’t Let You Go”

i feel so cold - rei brown
Features, Music, PremieresFebruary 24, 2017<February 27, 2017

Exclusive Premiere: Heartbreak Reigns on Rei Brown’s ‘i feel so cold’ EP

Mike Liegel © 2017
Debut, Features, Music, PremieresFebruary 24, 2017<February 24, 2017

Exclusive Premiere: Mike Liegel is Helplessly in Love on Debut “Stick Around”

Sun Gazing - Sea Fuzz © Greg Reitman
Features, Music, Music Videos, PremieresFebruary 23, 2017<March 2, 2017

Exclusive Premiere: Lose Yourself in the Beachy Surrealism of Sea Fuzz’s “Sun Gazing”

20 Minute Loop: Kelly Atkins, Greg Giles © Teresa Miller
Features, Music, PremieresFebruary 23, 2017<February 27, 2017

Exclusive Premiere: 20 Minute Loop Remember Nazi Terror on “Giftgas”

Aria Jay © Janet S. Kim
Features, Music, Music Videos, PremieresFebruary 22, 2017<February 22, 2017

Exclusive Premiere: Aria Jay’s “He Said” Captures the Lingering Pain of Rejection

Posts pagination
1 … 276 277 278 279 280 … 299

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services