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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

"National Fantasy" still - Bridges and Powerlines
Features, Music, Music Videos, PremieresOctober 6, 2016<October 6, 2016

Exclusive Premiere: Bridges and Powerlines’ “National Fantasy” Searches for Meaning

"Plastic Heaven" - Andrew Joslyn
Debut, Features, Music, PremieresOctober 5, 2016<February 10, 2017

Exclusive Premiere: Andrew Joslyn’s Dazzling “Plastic Heaven” Dissects Fame with Fiery Passion

Jain © RCA Records
Columns, Music, Music You Should KnowOctober 4, 2016<October 4, 2016

Music You Should Know: Jain’s Irresistible “Come” Balances Dark Poetry with a Light Bounce

Catch Prichard © Leif Huron
Features, Music, PremieresOctober 4, 2016<October 4, 2016

Exclusive Premiere: Familiarity and Disconnect Haunt Catch Prichard’s “Hometown”

still from Charlotte OC's "Darkest Hour"
Features, Interviews, Music, Music VideosSeptember 30, 2016<March 1, 2018

Love, Loss, and Hope in Her Darkest Hour: A Conversation with Charlotte OC

Young the Giant 2016
Features, Interviews, MusicSeptember 29, 2016<June 15, 2018

Amerika, Identity, and the Home of the Strange: A Conversation with Young the Giant

Bridges and Powerlines © Mara Abols
Features, Music, PremieresSeptember 27, 2016<September 27, 2016

Exclusive Premiere: The Polished Punch of Bridges and Powerlines’ “Even Killers Need A Home”

The Happy Fits
Debut, Features, Interviews, MusicSeptember 26, 2016<April 28, 2017

An Awfully Apeelin’ Story: Introducing The Happy Fits

Paige Calico © Henry Diltz
Debut, Features, Music, PremieresSeptember 23, 2016<September 23, 2016

Exclusive Premiere: Paige Calico’s Haunting “Crying Diamonds” EP Seeks Clarity in Chaos

Modern Me © Addie Briggs
Features, Music, PremieresSeptember 22, 2016<September 22, 2016

Exclusive Premiere: Modern Me’s Electric “Run Away” is an Instant Hit

Brennan Leeds performs "Thigh Tattoo"
Atwood x LiveSyphon, Columns, Features, Interviews, Music, VideoSeptember 22, 2016<September 22, 2016

Atwood Magazine and LiveSyphon Present: Brennan Leeds’ Love-Drunk “Thigh Tattoo”

Biscuits & Gravy
Features, Music, Our Take, PremieresSeptember 21, 2016<September 21, 2016

Exclusive Premiere: Biscuits & Gravy Capture the Magic on “Young Love”

Komox
Features, Music, PremieresSeptember 19, 2016<September 19, 2016

Exclusive Premiere: Komox’s Irresistibly Heartfelt “Million Ways” Fights for Love

Adult Future is Darius Byrne, Brian Ireland, and Andrew Eyles
Debut, Features, Music, PremieresSeptember 16, 2016<September 19, 2016

Exclusive Premiere: Adult Future Fight Fear with Love on Debut “The Leaf House”

Handsome Ghost's Tim Noyes © Daniel Silbert
Features, Interviews, MusicSeptember 15, 2016<December 23, 2016

Dark, with Just a Touch of Light: A Conversation with Handsome Ghost

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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