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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

wojtek the bear © Chris Hogge
Columns, Music, Today's SongMarch 20, 2024<March 20, 2024

Glasgow’s wojtek the bear Shine on “slowly, then all at once,” a Dreamy Reverie Full of Warm Color & Lush Light

Andrea Von Kampen 'Sister Moon' © Analise Schrader
Features, Interviews, Music, Track-by-TrackMarch 20, 2024<March 20, 2024

Track-by-Track: Andrea von Kampen Evokes Nature’s Wonder & Beauty in ‘Sister Moon,’ Her Spiritual, Soul-Stirring Third Album

The Drives © Ellyn Jameson
Artist to Watch, Features, Interviews, MusicMarch 20, 2024<March 20, 2024

Angst, Dancey Indie Rock, and a Good Cry: Catching Up With LA Artist-to-Watch The Drives

Moyka © Ida Fiskaa
Features, Interviews, Music, Track-by-TrackMarch 20, 2024<March 20, 2024

Feature: Moyka’s ‘Movies, Cars & Heartbreak’ Is an Album for the Brokenhearted, the Thrill-Seekers, & Party People

Kaycie Satterfield © Jesus Acosta
Music, PremieresMarch 19, 2024<March 19, 2024

Premiere: Kaycie Satterfield’s Dreamy, Achingly Intimate “Video Girl” Tells Her Queer Coming-of-Age Story

Lola Young © Amy Peskett
Interviews, MusicMarch 19, 2024<March 19, 2024

“Wish You Were Dead”: London’s Lola Young Channels Passion & Toxicity into a Hot, Sweaty Fever Dream

Oakland Rain © courtesy of the artist
Essays, Music, Women's History MonthMarch 19, 2024<March 19, 2024

“Beyond the Albatross of Patriarchal Expectations: Redefining Gender Equality in the Music Industry”: An Essay by Oakland Rain for Women’s History Month

Chenayder © LegitLooks
Columns, Music, Today's SongMarch 18, 2024<March 18, 2024

“For one last time, I’ll be on your mind”: Basking in Chenayder’s Sweet Farewell

Megan Winsor © Lauren Nieves
Music, Music Videos, PremieresMarch 18, 2024<March 18, 2024

Premiere: Megan Winsor’s Soul-Stirring “Sure” Is a Cathartic, Comforting Anthem of Perseverance & Passion

Chinwe © Erique Brown
Artist to Watch, Columns, Music, Today's SongMarch 15, 2024<March 15, 2024

“Will you be around when I come down?”: The Intoxicating Allure of East London’s Chinwe

Been Stellar © Gabe Long
Columns, Music, Today's SongMarch 14, 2024<March 14, 2024

Today’s Song: NYC’s Been Stellar Are Unleashed on “Passing Judgment,” an Unfiltered & Aching Indie Rock Eruption

Talk Show © Ash Rommelrath
Debut, Features, Interviews, Music, Track-by-TrackMarch 14, 2024<March 14, 2024

Track-by-Track: London’s Talk Show Unpack Their Debut LP ‘Effigy,’ a Darkly Alluring Post-Punk Fever Dream

Pillow Queens © Martyna Bannister
Columns, Music, Today's SongMarch 13, 2024<March 13, 2024

“I don’t want to ruin my life, but I want to go home with you”: The Fire & Fury of “Like a Lesson,” Pillow Queens’ Intoxicating Indie Rock Fever Dream

ANT ENOCH & MORETON © Xinger Xanger
Debut, Music, Music Videos, PremieresMarch 13, 2024<March 15, 2024

“Everything that makes you feel, makes me feel”: Intimacy’s Intensity Comes to Life on “Tunnel Road,” Ant Enoch & Moreton’s Smoldering Love Song

Konradsen © Marthe Thu
Features, Interviews, Music, Track-by-TrackMarch 12, 2024<March 12, 2024

Track-by-Track: Konradsen’s Sophomore LP ‘Michael’s Book on Bears’ Is a Cathartic, Shiver-Inducing Nordic Dreamscape

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Recent Posts

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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