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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Mumble Tide © 2023
Artist to Watch, Columns, Music, Today's SongDecember 15, 2023<December 15, 2023

Artist to Watch: Mumble Tide Shine With Raw, Unfiltered Passion on “Kindest” & “The Start Over”

milk. © 2023
Features, Interviews, MusicDecember 14, 2023<December 14, 2023

“Clear, Honest, & Deliberate”: Dublin’s milk. Dwell in Identity Crises on Enthralling ‘3, the EP.’

Cold War Kids © Sean Flynn
Features, Interviews, MusicDecember 14, 2023<January 5, 2024

“An emotional release in every way”: Cold War Kids’ Nathan Willett Reflects on 20 Years of Indie Rock Underdogdom

Phoenix pose against a familiar backdrop © Shervin Lainez
Features, Interviews, MusicDecember 13, 2023<December 13, 2023

“It felt like making an album in Xanadu”: Phoenix’s Thomas Mars on ‘Alpha Zulu,’ Recording Music in The Louvre, & More

Bad Veins © 2023
Columns, Music, Today's SongDecember 13, 2023<December 13, 2023

Bad Veins Soar in Heartache-Fueled Synth-Pop Singalong “Wendy” & Third LP ‘Imposter’

Meantime - Slow Leaves
Features, Interviews, Music, Track-by-TrackDecember 12, 2023<December 12, 2023

Track-by-Track: Slow Leaves Weaves a Love Letter to Life Itself on 5th LP ‘Meantime,’ a Glistening, Golden Folk Dream

Squirrel Flower © Alexa Viscius
Features, Interviews, Music, Track-by-TrackDecember 12, 2023<December 12, 2023

Feature: Squirrel Flower’s Ella Williams Unpacks the Passion, Raw Fervor, & “Heavy Witch Rock” of ‘Tomorrow’s Fire’

GIYA © Lennon Gregory
Columns, Music, Today's SongDecember 12, 2023<December 12, 2023

Today’s Song: GIYA’s Soul-Soaked “spin the record” Aches With a Dreamy, Warm & Wistful Weight

Bear's Den © Bennie Curnow
Features, Interviews, Music, Track-by-TrackDecember 12, 2023<December 12, 2023

Feature: Bear’s Den Reflect on a Decade of Intimate Songwriting & Unpack Their ‘White Magnolias’ EP

Girl Scout © Alvin Lindblom
Artist to Watch, Features, Interviews, Music, Track-by-TrackDecember 11, 2023<December 20, 2023

“Everyone’s a Child”: Girl Scout’s Fire Burns Bright on ‘Granny Music,’ Their Sonically Charged Sophomore EP

denn. © Emma Pilkington Mead
Artist to Watch, Columns, Music, Today's SongDecember 11, 2023<December 11, 2023

Artist to Watch: NYC’s denn. Channels Raw Emotion into a Hot-on-the-Mic Fever Dream With “uh uh uh uh UH?”

Eden Rain © Jack Alexander
Artist to Watch, Features, Interviews, Music, Track-by-TrackDecember 8, 2023<December 8, 2023

Track-by-Track: London’s Eden Rain Pours Her Heart & Soul into Sophomore EP ‘But I’m Alright Now’

Luke Beling © Jorge Luis Bonilla
Debut, Features, Interviews, Music, Track-by-TrackDecember 8, 2023<December 8, 2023

Track-by-Track: Luke Beling Unpacks the Tension, Pain, & Hope of Debut Album ‘A Stone in the Mouth of the Ocean’

Coyle Girelli © Shervin Lainez
Features, Interviews, Music, Track-by-TrackDecember 8, 2023<December 11, 2023

“I feel like I did when I was 16 again”: Coyle Girelli Rides High in ‘Museum Day,’ an Album-Sized Ode to NYC

TEE © Tamiym Cader
Artist to Watch, Columns, Music, Today's SongDecember 8, 2023<December 8, 2023

Artist to Watch: TEE Dwells in Love’s Depths and Gets Caught in the ‘LOOP’

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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