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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Guest Singer © Callum O'Keefe
Columns, Music, Today's SongMay 25, 2023<May 25, 2023

Today’s Song: Guest Singer’s “Puppy” Explores Altruism Vs. Cynicism in a Soul-Stirring Synth-Soaked Upheaval

Softlung © Nicole Romanoff
Debut, Features, Interviews, Music, Track-by-TrackMay 24, 2023<May 24, 2023

Feature: S.J. Kardash Is Reborn in Softlung’s Raw, Honest, & Moody Debut Album ‘Second Chances’

Social Cinema © Justin Labadie
Features, Interviews, Music, Track-by-TrackMay 24, 2023<May 24, 2023

Track-by-Track: Social Cinema’s ‘Get Along’ EP Is a Chill, Easy, & Fun Alt-Rock Reverie

Santa Chiara © Zoe Salvucci
Music, PremieresMay 24, 2023<May 24, 2023

Premiere: Santa Chiara’s “Peach Tree” Is a Sun-Kissed Soundtrack to Sweet Summer Nostalgia

Scott Tyler Schwartz © 2023
Music, ReviewsMay 23, 2023<May 23, 2023

“The heat is rising”: The Shadowboxers’ Scott Tyler Schwartz Lights a Fire on “Time & Temperature”

Runnner's Noah Weinman © Seannie Bryan
Debut, Features, Interviews, MusicMay 23, 2023<May 23, 2023

Connection, Communication, and the Human Condition: A Conversation with Runnner’s Noah Weinman

Gregory Alan Isakov © Glen Ross
Columns, Music, Today's SongMay 22, 2023<June 10, 2023

“We all break a little when we fall”: Folk Farmer Gregory Alan Isakov Returns with “The Fall,” a Hauntingly Beautiful Song of Life’s Trapeze Act

Atwood Magazine's Editor's Picks 100, featuring Noah Kahan, Joy Oladokun, OTNES, BAILEN, Alexz Johnson, Young the Giant, Brian Dunne, Charli Adams, and Overcoats!
Columns, Editor's Picks, Features, MusicMay 19, 2023<May 19, 2023

Editor’s Picks 100: Noah Kahan, Joy Oladokun, OTNES, BAILEN, Alexz Johnson, Young the Giant, Brian Dunne, Charli Adams, & Overcoats!

Folamour © Koria
Columns, Music, Today's SongMay 19, 2023<May 19, 2023

Today’s Song: On “Friends,” Folamour & Tim Ayre Capture the Importance of Human Connection

Abby Holliday © Luke Holliday 2023
Features, Interviews, MusicMay 18, 2023<May 19, 2023

Interview: On ‘I’M OK NO I’M NOT,’ Abby Holliday Soundtracks Her Quarter-Life Crisis with Tasteful Turbulence & Bold Tenacity

Lauds © Mary Hannah Riley
Debut, Features, Interviews, Music, PremieresMay 18, 2023<May 18, 2023

Feature: Wilmington’s Lauds Debut with ‘Imitation Life,’ a Reflective, Shadowy, & Uplifting Dream Pop Reckoning

OK Cool © Kennedy Cottrell
Features, Interviews, Music, Track-by-TrackMay 17, 2023<May 17, 2023

“A Rabbit Hole of Digital Grief”: OK Cool’s Visceral, Vulnerable, & Raw ‘fawn’ EP

KESMAR © Jenaya Okpalanze
Columns, Music, Today's SongMay 17, 2023<May 17, 2023

That ’70s Song: The Golden, Glistening Glow of KESMAR’s “Is It You I Miss”

Rachel Croft © Andy Little
Music, PremieresMay 17, 2023<May 17, 2023

Premiere: Rachel Croft’s Smoldering “I Won’t Turn You Away” Is a Cinematic Reckoning with Grief & Loss

Moment - Gal Musette © Alex Justice
Columns, Music, Today's SongMay 16, 2023<May 16, 2023

Today’s Song: Processing Grief in the “Moment” with Gal Musette’s Achingly Beautiful Fever Dream

Posts pagination
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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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