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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Cartoon Hearts © Natalia Neira
Debut, Music, PremieresJanuary 25, 2023<January 25, 2023

Premiere: Cartoon Hearts Go ‘All in’ on Debut Single “legs,” a Soaring Anthem of Love, Liberation & Hopeless Romance

Roanoke © Andrea Belk
Features, Interviews, Music, Reviews, Track-by-TrackJanuary 24, 2023<January 24, 2023

“Enchanting, Nostalgic, & Driving”: Roanoke Find Redemption on ‘Wolf Motel,’ a Stunning Soft Rock Reverie

Atwood Magazine's Editor's Picks 85
Columns, Editor's Picks, Features, MusicJanuary 24, 2023<March 11, 2023

Editor’s Picks 85: Jake Isaac, Softcult, DAMOYEE, Constant Smiles, Adi Oasis, & Neon Dreams!

Dana Why 'The Lyre' © 2023
Debut, Features, Interviews, Music, Track-by-TrackJanuary 24, 2023<January 24, 2023

“Even pain can feel good.”: Asbury Park’s Dana Why Erupts with Unapologetic Intensity on Debut Album ‘The Lyre’

The Coronas, from left: Danny O'Reilly, Conor Egan, Graham Knox © Lucy Foster
Features, Interviews, MusicJanuary 23, 2023<January 23, 2023

Interview: With ‘TIME STOPPED’, The Coronas Created a Beacon of Hope

Sunday Lendis © Maria Alzamora
Columns, Debut, Music, Today's SongJanuary 20, 2023<January 20, 2023

Today’s Song: Sunday Lendis Builds a Beautiful & Wondrous Cathartic Cacophony “With Ease”

Ruminating Thoughts - Chris Walton © J R Alexander
Debut, Music, Premieres, Today's Song, Track-by-TrackJanuary 19, 2023<January 19, 2023

Album Premiere: Boston’s Chris Walton Spills His Heart on Soul-Stirring Debut ‘Ruminating Thoughts’

April Marmara © Elisa Azevedo (@intowarmerair)
Music, PremieresJanuary 19, 2023<January 19, 2023

Premiere: Lisbon’s April Marmara Evokes Love’s Magic & Mystery in “Who Knows Where the Love Goes”

I Want It to Be Light So They Can See We Disappeared - Honeyyycrush
Music, PremieresJanuary 19, 2023<January 19, 2023

Premiere: Honeyyycrush’s Haunting & Fragile Alt-Folk Surrender, “I Want It to Be Light So They Can See We Disappeared”

Atwood Magazine's Editor's Picks 84
Columns, Editor's Picks, Features, MusicJanuary 19, 2023<March 11, 2023

Editor’s Picks 84: Vagabon, Quiet Houses, Somebody’s Child, Royel Otis, Florence Arman, & Matt Corby!

Debut, Features, Interviews, MusicJanuary 18, 2023<March 11, 2023

Empowerment, Liberation, & Self-Acceptance: How Charli Adams Hit the ‘Bullseye’ While Learning to Live Unapologetically

Hazlett "Bloom Mountain" © Olof Grind
Debut, Features, Interviews, Music, Track-by-TrackJanuary 18, 2023<January 18, 2023

“Warm, Hope, & Wonder”: Hazlett Soars to Stirring Heights on ‘Bloom Mountain,’ a Beautifully Intimate Debut

Upstate © Bridget Badore • @bridgetbadore • www.bridgetbadore.com
Music, PremieresJanuary 17, 2023<January 17, 2023

Premiere: Hudson Valley Band Upstate Invite Us to “Befriend” the Enemy on Smoldering New Song

The Horn 'Do It Now' © 2022
Features, Interviews, Music, Track-by-TrackJanuary 13, 2023<January 13, 2023

“Welcome to the Power Show”: The Horn ‘Do It Now’ (and Do It Well) on Catchy, Punchy, & Unapologetic Debut

Jessie Reid © Emilie Cotterill
Music, PremieresJanuary 13, 2023<January 13, 2023

Premiere: Jessie Reid Brings Us “A Little Closer” with Achingly Intimate & Breathtakingly Beautiful New Single

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Recent Posts

  • “I Haven’t Heard That Sound Yet”: Copenhagen’s Barbro Premieres “What Men Do,” a Softly Smoldering Indie Folk Reckoning of Unlearning & Quiet Resistance December 11, 2025
  • “Dark, Romantic, & Disorienting”: Dead Gowns Channels Desire and Grief into an Indie Folk Storm on Debut Album ‘It’s Summer, I Love You, and I’m Surrounded by Snow’ December 11, 2025
  • “Fragile, Euphoric, & True”: Nick & June Craft a Cinematic Rebirth on ‘New Year’s Face,’ an Intimate Meditation on Who We Were, Who We Are, and Who We Might Become December 11, 2025
  • Review: Underbrook Burst onto the Scene with Explosive Pop-Punk Debut EP ‘Was Happiness Too Boring for You?’ December 11, 2025
  • “Sit Back Baby, Let It Go”: néomí Embraces the Art of Release in a Soul-Stirring Mantra of Softness, Surrender, & Self-Love December 11, 2025
  • “I’ve Been Trying to Have a Good Life”: Brian Dunne Reckons Through His 30s on ‘Clams Casino,’ a Radiant Rock Record of Dreams, Disillusionment, & the Cost of Wanting More December 10, 2025
  • Coming Home: Hannah Jadagu’s ‘Describe’ Is a Sanctuary for Growing Pains December 10, 2025
  • “I Wanna Be Closer to Me”: JOSEPH Turn Pain into Power as They Step into a Bold, Raw, & Reflective New Era with ‘Closer to Happy’ December 10, 2025
  • Editor’s Picks 139: Bartees Strange, Spanish Love Songs, Dijon, Deadbeat Girl, Dutch Interior, & mildred! December 9, 2025
  • “I’m Still Rooting for Us”: St. Panther on Leading With Empathy, Speaking Up When It Matters, & Crafting the Neo-Soulful Sound of ‘Strange World’ December 9, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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