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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The Natural Lines © Jesse Dufault
Debut, Features, Interviews, Music, Track-by-TrackMarch 24, 2023<April 30, 2023

“Harmonically Charged Tragicomedy”: Matt Pond Finds His Voice (Again) on The Natural Lines’ Soaring & Spirited Debut

Shayla McDaniel © 2023
Columns, Music, Today's SongMarch 23, 2023<April 30, 2023

Today’s Song: Shayla McDaniel’s Invigorating “Awake” Is a Spirited & Rousing Ode to Sleep

Atwood Magazine's Editor's Picks 93
Columns, Editor's Picks, Features, MusicMarch 23, 2023<March 29, 2023

Editor’s Picks 93: Cafuné, Kay Young, Eliott, tinyumbrellas, Siena Streiber, & Aáyanna!

Transviolet © Taylor Lewis
Music, PremieresMarch 22, 2023<April 30, 2023

Premiere: Transviolet Bask in the Light of Life on Euphoric “How Lucky” Off Third LP, ‘BODY’

Tarune © Bellamy Brewster
Music, PremieresMarch 22, 2023<April 30, 2023

Premiere: “baby, get your ticket” Is Tarune’s Tender, Soul-Stirring Mantra of Love & Longing

Woz © Cecilia Luque
Music, PremieresMarch 22, 2023<April 30, 2023

Premiere: Woz’s “How I’m Gonna Go” Is a Hauntingly Intimate, Achingly Raw Reckoning in the Dark

Black Honey's Izzy Bee Phillips © Lauren Maccabee
Features, Interviews, MusicMarch 21, 2023<April 30, 2023

Interview: Black Honey’s Izzy Bee Phillips Talks Mental Health, Vulnerability, & New Album ‘A Fistful of Peaches’

Freshcakes - Banji
Debut, Features, Interviews, Music, Track-by-TrackMarch 21, 2023<April 30, 2023

Fun, Feverish, & Freeing: Banji Take a Bite out of Life on Zesty Debut Album ‘Freshcakes’

Joesef © Nathan Dunphy
Debut, Features, Interviews, Music, Track-by-TrackMarch 20, 2023<April 30, 2023

“If you can take the fall, how high do you wanna be?”: Joesef’s Stunning, Soul-Soaked Debut Album ‘Permanent Damage’

Meadowlark © 2023
Music, Music Videos, PremieresMarch 20, 2023<April 30, 2023

Premiere: Meadowlark’s “What’s It Like to Love Me” Is an Intimate, Vulnerable Song for the Anxiously Attached

Atwood Magazine's Editor's Picks 92
Columns, Editor's Picks, Features, MusicMarch 17, 2023<March 17, 2023

Editor’s Picks 92: Gordi, Under the Rug, Tash Sultana, Karson., Stolen Jars, & girlhouse!

Hannah Jadagu © Axel Kabundji
Debut, Interviews, MusicMarch 16, 2023<April 30, 2023

“I want kids who grew up like me to see that you can make music”: An Interview with Hannah Jadagu

Pam Risourié © Cédric Tessonneau
Debut, Features, Interviews, Music, Track-by-TrackMarch 16, 2023<April 30, 2023

‘days of distortion’: Parisian Band Pam Risourié Premiere Their Immersive, Hypersensitive, & Ambient Debut Album

'Inner Child Work Pt. 2' EP art - Alicia Blue
Features, Interviews, Music, Track-by-TrackMarch 16, 2023<April 30, 2023

Feature: Alicia Blue Delves into the Soul-Stirring Depths of Her Beautifully Cathartic ‘Inner Child Work’

JOSEPH © Shervin Lainez
Music, Reviews, This Just InMarch 16, 2023<April 30, 2023

“Feeling good doesn’t feel bad anymore”: JOSEPH Shine Like “The Sun” in Radiant & Empowering New Single

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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