• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Darius © Manu Fauque
Music, Music Videos, PremieresJune 7, 2022<June 7, 2022

Premiere: Darius & Devin Tracy Dwell in an Intimate Euphoria on Groovy, Seductive “Ease Your Mind”

Spoon 'Lucifer on the Sofa' © Oliver Halfin
Features, Interviews, MusicJune 7, 2022<June 7, 2022

“It’s a great rock record in a time when rock n’ roll is needed”: Jim Eno on Spoon’s 10th LP ‘Lucifer on the Sofa’

Sunflower Thieves © 2022
Debut, Features, Interviews, Music, Track-by-TrackJune 6, 2022<August 7, 2024

Feature: Sunflower Thieves Shine on Emotive, Heartfelt, & Comforting Debut ‘Someone to Be There For’

Ziggy Alberts & Donovan Woods © 2022
Columns, Music, Today's SongJune 6, 2022<June 6, 2022

Today’s Song: Ziggy Alberts & Donovan Woods Reckon with Cultural Trends & Polarization in “THE SUN & THE SEA”

Boyish © Anna Koblish
Features, Interviews, Music, Track-by-TrackJune 3, 2022<September 29, 2022

“Nostalgic, Blunt, & Vulnerable”: Boyish’s ‘My Friend Mica’ Is Pure Summer Bummer Bliss

MOTORCADE (L-R): Jeff Ryan, James Henderson, Andrew Huffstetler, John Dufilho © Jerome Brock
Columns, Music, Today's SongJune 3, 2022<June 3, 2022

Today’s Song: Post-Punk Is Alive & Well in MOTORCADE’s Dreamy, Driving “Slip”

Personal Space © Tom Bell
Music, Premieres, ReviewsJune 2, 2022<June 2, 2022

EP Premiere: Personal Space’s Angular, Restless, & Radiant ‘Still Life’ EP

The Degrees © Chelone Wolf
Music, PremieresJune 2, 2022<June 2, 2022

Premiere: Bristol’s The Degrees Light a Burning Fire in Smoldering & Soulful “Nothing Else”

Atwood Magazine's Editor's Picks 65
Columns, Editor's Picks, Features, MusicJune 2, 2022<September 29, 2022

Editor’s Picks 65: Chateau Chateau, Sky Ferreira, Sorcha Richardson, Jungle, Ruby Gill, & Sarah Kinsley!

JayWood © Tonje Thilesen
Columns, Music, Today's SongJune 1, 2022<June 1, 2022

Today’s Song: JayWood’s Soaring & Seductive “Just Sayin” (ft. Ami Cheon) Is an Inspiring Equal Opportunity Anthem

Caleb Nichols "Jerome" music video still
Music, PremieresJune 1, 2022<June 1, 2022

Premiere: Mean Mr. Mustard Comes to Life As a Queer Icon in Caleb Nichols’ Campy Romp “Jerome”

"Rich Kids" music video still - Aiyana-Lee
Artist to Watch, Music, Music Videos, PremieresJune 1, 2022<June 1, 2022

Artist-to-Watch: Aiyana-Lee Lights a Fire with Inspiring & Spirited “Rich Kids” Music Video

Ainsley Farrell © Ian Farrell
Music, PremieresMay 31, 2022<May 31, 2022

Premiere: Empathy & Understanding in Ainsley Farrell’s Stunning Return, “The Way Back”

Waxflower © Mitch Lowe
Music, Music Videos, PremieresMay 31, 2022<May 31, 2022

Video Premiere: Aussie Pop Punks Waxflower’s Achingly Intense Star-Crossed Anthem, “Misaligned Love” ft. Sydney Sprague

George Gretton © 2022
Music, PremieresMay 31, 2022<May 31, 2022

Premiere: The Moody, Woozy Cabin Fever of George Gretton’s “Morning” ft. theMIND

Posts pagination
1 … 91 92 93 94 95 … 291

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services