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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Adrian Lyles © Cole Ferguson
Interviews, Music, Today's SongJune 19, 2026<June 19, 2026

“All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness

Atwood Magazine's 158th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 18, 2026<June 18, 2026

Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley!

Nymphlord © Daniel Topete
Debut, Interviews, Music, Today's SongJune 17, 2026<June 17, 2026

“A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’

Fruit Bats’ Eric D. Johnson © Kelsey Gallagher
Features, Interviews, MusicJune 16, 2026<June 16, 2026

“This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’

Young the Giant ‘Victory Garden’ © Josh Aikin
Features, Interviews, MusicJune 16, 2026<June 16, 2026

“Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’

Local the Neighbour "Hard" © 2026
Interviews, Music, Today's SongJune 15, 2026<June 15, 2026

“They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession

Atwood Magazine's 157th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 11, 2026<June 11, 2026

Editor’s Picks 157: James Smith, Fenne Lily, Rowena Wise, Alex Izenberg, Essence Martins, & The Army, The Navy

Gerrard © Lauren Kim
Debut, Interviews, Music, PremieresJune 11, 2026<June 11, 2026

“How Much Can You Divide Time?”: Gerrard Splits the Present Open on ‘ii. How Many Seconds in a Moment?,’ a Genre-Melting Debut of Memory, Rupture, & Release

verygently © Chase Denton
Interviews, Music, Today's SongJune 11, 2026<June 11, 2026

“Panic Attack, I’m an American Psycho”: verygently Sing Through Love’s Withdrawal on “STRONGER THAN THAT,” a Smoldering Indie Folk Reckoning

Cherry Bomb "Sorry You're Not Sorry" © Matty Vogel
Artist to Watch, Music, Music Videos, PremieresJune 10, 2026<June 10, 2026

“I Feel Everything”: Cherry Bomb Claims Her Own Salvation on “Sorry You’re Not Sorry,” a Feverish Disco-Pop Exorcism of Guilt, Glamour, & Release

Big Guy & The Very Large Men © Caleb Hoh
Interviews, Music, Music Videos, PremieresJune 9, 2026<June 9, 2026

“Couldn’t Love Myself the Way That I Loved Him”: Big Guy & The Very Large Men Bring Hidden Love Into the Light on “Only Sin,” an Achingly Beautiful Acoustic Reckoning

Litvar © 2026
Interviews, Music, Music Videos, PremieresJune 9, 2026<June 9, 2026

“Even God Won’t Guide You Now”: Litvar Give Grief’s Breaking Point a Voice on “Yeah I Know,” a Charged Indie Rock Eruption

Tired of Fighting "Just for Me" © Adam Lang
Artist to Watch, Interviews, Music, Today's SongJune 9, 2026<June 9, 2026

“Let’s Sing So Loud”: Tired of Fighting Trouble the Heavens on “Just for Me,” a Soul-Shaking Emo Punk Reckoning

Wishlist "I'm Sorry" © Evie Vlah
Artist to Watch, Columns, Music, ReviewsJune 6, 2026<June 6, 2026

“Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral

William Harries Graham Traces the Afterlife of Connection on "NYC" © Col Elmore
Interviews, Music, PremieresJune 4, 2026<June 4, 2026

“I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’

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Recent Posts

  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
  • Fresh Northern Rockers Florentenes Are Impassioned and Authentic on “Undiscovered Colours” June 18, 2026
  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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