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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Isabelle Skye "Subaru" © Sinead Leigh
Interviews, Music, Music Videos, PremieresMay 27, 2026<May 27, 2026

“How Dare You?”: Isabelle Skye Turns a Traumatic Encounter into a Beautiful, Empowering Indie Pop Reckoning on “Subaru”

Vansire © Caroline Alkire
Columns, Music, Today's SongMay 27, 2026<May 27, 2026

“It’s You and the Stranger Who Wrote It”: Vansire Find Sunlit Solace on “For the Moment,” a Feel-Good Indie Pop Reprieve for Uncertain Times

Atwood Magazine's 155th Editor's Picks!
Columns, Editor's Picks, Features, MusicMay 22, 2026<May 22, 2026

Editor’s Picks 155: Houndmouth, Fruit Bats, Nymphlord, Aquilo, corook, & Big Sleep!

April + VISTA 'Traditional Noise' © Foster K. White
Debut, Features, Interviews, MusicMay 21, 2026<May 21, 2026

“Our Reality Is Noisy”: April + VISTA Make Comfort Music for a World on Fire with ‘Traditional Noise,’ a Cinematic & Boundary-Breaking Debut

Ana Grosh "Call Me Back" © Mia Humphrey
Interviews, Music, Music Videos, PremieresMay 21, 2026<May 21, 2026

“All I Get from You Is Voicemail”: Ana Grosh Cries Out for Connection on “Call Me Back,” a Soul-Soaked Anthem for the After-Party Blues

Manasseh "CBD" © Rikkie Khrist
Music, PremieresMay 19, 2026<May 19, 2026

“Please Calm Yo Bi*** A** Down”: Manasseh Sets His Boundaries Ablaze on “CBD,” a Smoldering Psych-Soul Diss Track ft. femdot.

Band of Revelations' Johnny Lloyd © William Kennedy
Columns, Debut, Music, Today's SongMay 19, 2026<May 19, 2026

“I Wasn’t Listening to the Zeitgeist”: Johnny Lloyd Comes Home to Himself on Band of Revelations’ Spirited Debut Single “All the Way Home”

Chelsea Jordan © Hunter Lyon
Columns, Music, Today's SongMay 18, 2026<May 18, 2026

“I Gotta Lotta Love to Give”: Chelsea Jordan Makes Her Love Count on “picky choosy,” a Soulful Self-Worth Anthem Full of Fire & Freedom

Debut, Interviews, Music, Today's SongMay 15, 2026<May 20, 2026

“I Can’t Help Myself, I’m All About You”: Lola Blue Surrenders to the Bright Rush of Young Love on “Heartbeat,” a Dreamy Indie Pop Seduction

Ray Bull © Kyle Berger
Music, ReviewsMay 15, 2026<May 14, 2026

‘Please Stop Laughing’: Ray Bull Find Freedom in the Unknown on a Playful, Spirited Indie Pop Album Full of Jokes, Bruises, & Feeling

Jonathon Penn © Robbie Bruzus
Music, PremieresMay 14, 2026<May 14, 2026

“Why You Digging Your Own Grave?”: Jonathon Penn Unearths Grace, Guilt, & Reckoning on “Compensation (Or, The Snake Song),” a Tender, Rattled Folk Song

Ed Prosek "Tall Pines" © Charlotte de Bruyn
Debut, Interviews, Music, PremieresMay 14, 2026<May 16, 2026

“Plant Your Roots Upon My Tired Bones”: Driftwood Choir’s Ed Prosek Finds Forever Beneath the “Tall Pines” in a Breathtaking Indie Folk Reverie of Fatherhood, Legacy, & Light

Bella Cloud "Spin" © Dean Kalaitzidis
Music, PremieresMay 13, 2026<May 13, 2026

“A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie

Debbii Dawson "Where Have All the Good Men Gone?" © Aaron Sinclair
Columns, Music, Today's SongMay 13, 2026<May 13, 2026

“Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All

Brother Bird "Chameleon" © Chris Bauer
Features, Interviews, Music, PremieresMay 13, 2026<May 13, 2026

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie

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Recent Posts

  • Magdalena Bay Turn Kilby Block Party into a Mercurial World with Their Rain-Soaked Set May 28, 2026
  • “How Dare You?”: Isabelle Skye Turns a Traumatic Encounter into a Beautiful, Empowering Indie Pop Reckoning on “Subaru” May 27, 2026
  • “It’s You and the Stranger Who Wrote It”: Vansire Find Sunlit Solace on “For the Moment,” a Feel-Good Indie Pop Reprieve for Uncertain Times May 27, 2026
  • “I Want All Beautiful Things”: Emma Louise Finds Inner Strength on ‘Sunshine for Happiness’ May 27, 2026
  • Electrifying, Explosive, and Colorful: London’s Marigo Bay Arrives with Cathartic Debut LP ‘Racecars & Rockstars’ May 27, 2026
  • “These Songs Found Me”: Matt Hansen’s Debut Album ‘Orchid’ Says the Quiet Part Out Loud May 27, 2026
  • Editor’s Picks 155: Houndmouth, Fruit Bats, Nymphlord, Aquilo, corook, & Big Sleep! May 22, 2026
  • “Our Reality Is Noisy”: April + VISTA Make Comfort Music for a World on Fire with ‘Traditional Noise,’ a Cinematic & Boundary-Breaking Debut May 21, 2026
  • “All I Get from You Is Voicemail”: Ana Grosh Cries Out for Connection on “Call Me Back,” a Soul-Soaked Anthem for the After-Party Blues May 21, 2026
  • “If it stops being fun, what are we even doing?”: DELTONA Are Turning Country Music into One Big Tailgate with “Party’s in the Back” May 21, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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