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Monica Mellon

Monica Mellon

Brasko © Zachary Gray
Columns, Music, Today's SongMay 10, 2019<May 10, 2019

Today’s Song: Brasko’s Sexy New Summer Bop “Lipstick Stains”

Lizzy Land © Ella Zoller
Columns, Music, Today's SongApril 26, 2019<April 26, 2019

Today’s Song: Remembering Our Strongest Relationships with Lizzy Land’s “Call Me”

Ben Morrison music
Music, PremieresApril 17, 2019<April 18, 2019

Premiere: Lamenting Lost Love with Ben Morrison’s “I Hope You’re Not Sorry”

Catfish and the Bottlemen © 2015
Columns, Music, Reviews, Today's SongApril 4, 2019<April 4, 2019

Catfish and the Bottlemen’s “Tyrants” Will Always Be the Perfect Closing Song

Fort Gorgeous © Shervin Lainez
Debut, Music, PremieresApril 26, 2018<April 26, 2018

Premiere: Fort Gorgeous Dwells in Life’s Mysteries in “Wishing Well”

Jenny March © Collect1ve Mind
Music, PremieresApril 6, 2018<April 6, 2018

Premiere: Jenny March’s Carefree “Talk to Me” Captures Everything Pop with a Twist

The Lay Awakes © Patrick Kolts
Music, Music Videos, PremieresMarch 21, 2018<March 21, 2018

Premiere: The Lay Awakes’ “Falling in Love” Captures the Feeling of New Emotions

Blake Brown & the American Dust Choir © Glenn Ross
Debut, Music, PremieresFebruary 20, 2018<August 24, 2022

Premiere: Chasing Dreams on Blake Brown & the American Dust Choir’s “Between the Lines”

White Nylon - Dakota Blue
Music, Music Videos, PremieresFebruary 16, 2018<February 16, 2018

Video Premiere: Dakota Blue’s “White Nylon” Highlights Our Fear of the Unknown

The Vaccines © Brad Elterman
Columns, Music, Today's SongFebruary 2, 2018<February 1, 2018

Today’s Song: The Vaccines Return with Rock Anthem “I Can’t Quit”

Weezer © Crush Music
Columns, Music, Today's SongDecember 19, 2017<December 19, 2017

Today’s Song: Weezer’s “Get Right” is the Perfect Bummer Song

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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