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Oliver Crook

Oliver Crook

Junior editor Oliver Crook is a Canada-based journalist who has been playing guitar and deciphering lyrics since he first heard Sum 41’s “Fat Lip” blasting through his older brother’s bedroom walls. Although his taste has (somewhat) developed since then, his passion is just as strong as ever. When not writing about music, he can be found drinking too much coffee, complaining about the finickiness of avocados, and being disappointed by all of his favourite sports teams.

Columns, Music, Today's SongApril 8, 2020<April 8, 2020

Today’s Song: Ireland’s Slyrydes Take You on Whirlwind Tour of Their Mind on “I Claim to Be Intelligent”

Nap Eyes music © 2020
Features, Interviews, MusicApril 6, 2020<April 6, 2020

Feature: Nap Eyes Want ‘Snapshot of a Beginner’ to Become the Keys to Your Brain

Sea Wolf © Mia Kirby
Features, InterviewsMarch 23, 2020<March 23, 2020

Feature: Sea Wolf Tackles Love, Loss and Starting Over on ‘Through a Dark Wood’

Annie Taylor
Columns, Music, Today's SongMarch 10, 2020<March 11, 2020

Today’s Song: Annie Taylor’s “A Thousand Times” Cures Loneliness With Psychedelic Grunge

Vox Pop - SHEAFS
Debut, Music, ReviewsMarch 4, 2020<March 4, 2020

Review: SHEAFS’ Debut EP ‘Vox Pop’ Speaks to, and For the Younger Generations

Sea Offs © 2020
Music, PremieresFebruary 26, 2020<February 25, 2020

Premiere: Sea Offs’ Folky Single “For Familiarity’s Sake” Tells Us to Let Old Love Die

Electric Palace © 2019
Columns, Music, Today's SongFebruary 5, 2020<February 5, 2020

Today’s Song: Electric Palace Call Out Two-Faced People on Dancey-Rock Single “Pretend”

Ethansroom - Ethansroom
Features, Music, PremieresFebruary 5, 2020<February 5, 2020

Premiere: Ethansroom Opens His Room and His Heart on Vulnerable Self-Titled Album

Sløtface © Jonathan Vivaas Kise
Features, Interviews, MusicJanuary 30, 2020<January 30, 2020

Interview: Sløtface Want You to Know You’re Not Alone on ‘Sorry for the Late Reply’

Khruangbin & Leon Bridges © Pooneh Ghana
Columns, Music, Today's SongJanuary 21, 2020<January 21, 2020

Today’s Song: Leon Bridges & Khruangbin Combine to Take a Trip Back in Time & Down South on “Texas Sun”

Gary Clark Jr © Frank Maddocks
Columns, Music, Today's SongJanuary 16, 2020<January 16, 2020

Today’s Song: Gary Clark Jr. Beautifully Reimagines “Pearl Cadillac” with the Help of Andra Day

Manchester Orchestra, T Bone Burnett
Columns, Music, Today's SongJanuary 7, 2020<January 7, 2020

Manchester Orchestra & T Bone Burnett Team Up to Ask Tough Questions on “Xela”

Matt Mays © Devin McLean
Columns, Music, Today's SongDecember 18, 2019<December 17, 2019

Today’s Song: Matt Mays Looks for Hope Amongst the Wreckage on “Let There Be Love”

Walrus © 2019
Features, Interviews, MusicNovember 7, 2019<November 7, 2019

Feature: Halifax’s Walrus Continue to Evolve on New Record ‘Cool to Who’

Beauts
Columns, Music, Today's SongOctober 23, 2019<October 23, 2019

Today’s Song: Beauts’ New Video for “Drifters, All” Is a Love Letter to Cinema

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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