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Oliver Crook

Oliver Crook

Managing Editor Ollie Crook (they/them) is a Montréal-based journalist who has been covering music, in one form or another, for over ten years. But even way before that, as an oddball trans kid who never saw themselves in the world, they used music to create a space for themselves that didn’t exist anywhere else. Whether that was crafting playlists (thanks Limewire!) or collaging band pictures from Kerrang, their understanding of self has come hard-earned through the arts. Find more of their writing (and the occasional cat photo!) at https://ourtransmission.substack.com/

Songhoy Blues © 2020
Columns, Music, Today's SongSeptember 18, 2020<September 17, 2020

Today’s Song: Mali’s Songhoy Blues Capture a Nation’s Struggle for Change in “Barre”

Features, Interviews, Music, ReviewsSeptember 14, 2020<September 13, 2020

Feature: Lilly Hiatt Is ‘Walking Proof’ That The Traveller’s Life Is the Fullest

Cedric Noel © Isaac Vallentin
Music, ReviewsAugust 25, 2020<August 24, 2020

Review: Cedric Noel Tackles Loss & Acceptance on Stirring Album ‘Nothing Forever, Everything’

Columns, Music, Today's SongAugust 17, 2020<August 17, 2020

Today’s Song: METZ Give Us Hope and a Place to Recharge on the Mighty “A Boat To Drown In”

Debut, Features, Interviews, MusicAugust 3, 2020<August 3, 2020

Feature: The Palpitations Offer the World Its Anthem With Latest EP ‘FEED THE POOR! EAT THE RICH!’

Debut, Features, Interviews, MusicJuly 27, 2020<July 27, 2020

Feature: Silverbacks’ Debut Fad Walks the High-Wire of Modern Life Without a Single Misstep

Music, ReviewsJuly 22, 2020<July 22, 2020

Review: Protomartyr Refine Their Old Sound with New Instruments on ‘Ultimate Success Today’

The Clockworks © Oscar Ryan Photography
Columns, Music, Today's SongJuly 16, 2020<July 11, 2020

The Clockworks Merge Past, Future, & Reality on Hard Hitting “The Future Is Not What It Was”

Music, ReviewsJuly 10, 2020<December 15, 2020

Review: The Beths Tackle the Dark Side of Living Your Dream on ‘Jump Rope Gazers’

Madame So © 2020
Columns, Music, Today's SongJuly 8, 2020<July 8, 2020

Today’s Song: Madame So Takes the Generational Torch on “Generation Y”

Columns, Music, Today's SongJune 23, 2020<June 23, 2020

Today’s Song: Fusilier Finds Hope in the Little Things on “Upstream”

Pilkington - Pilkington
Debut, Music, ReviewsJune 18, 2020<June 17, 2020

Review: Pilkington’s Long-Awaited Debut Captures the Beauty & Pain of Growing Up

Features, Interviews, MusicJune 5, 2020<June 5, 2020

Feature: Aquakultre’s ‘Legacy’ Is a Monument to Change

Columns, Debut, Music, Today's SongApril 30, 2020<April 30, 2020

Today’s Song: STONE Write an Anthem for All Those Nights You Don’t Remember on “Leave It Out”

Alice Bag © Denée Segall
Features, Interviews, MusicApril 22, 2020<April 22, 2020

Alice Bag Brings Back Old School Punk in Sound & Message on Inspiring ‘Sister Dynamite’

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Recent Posts

  • Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace! September 11, 2026
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  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
  • “Fools Love Better Than Anyone”: Paris Paloma’s Fatal Flaw Might Be Her Greatest Strength September 10, 2026
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  • “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption September 8, 2026
  • On the Edge of Becoming: Television Skies and the Sound of New York in Motion September 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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