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Oliver Crook

Oliver Crook

Junior editor Oliver Crook is a Canada-based journalist who has been playing guitar and deciphering lyrics since he first heard Sum 41’s “Fat Lip” blasting through his older brother’s bedroom walls. Although his taste has (somewhat) developed since then, his passion is just as strong as ever. When not writing about music, he can be found drinking too much coffee, complaining about the finickiness of avocados, and being disappointed by all of his favourite sports teams.

Debut, Features, Interviews, MusicJuly 27, 2020<July 27, 2020

Feature: Silverbacks’ Debut Fad Walks the High-Wire of Modern Life Without a Single Misstep

Music, ReviewsJuly 22, 2020<July 22, 2020

Review: Protomartyr Refine Their Old Sound with New Instruments on ‘Ultimate Success Today’

The Clockworks © Oscar Ryan Photography
Columns, Music, Today's SongJuly 16, 2020<July 11, 2020

The Clockworks Merge Past, Future, & Reality on Hard Hitting “The Future Is Not What It Was”

Music, ReviewsJuly 10, 2020<December 15, 2020

Review: The Beths Tackle the Dark Side of Living Your Dream on ‘Jump Rope Gazers’

Madame So © 2020
Columns, Music, Today's SongJuly 8, 2020<July 8, 2020

Today’s Song: Madame So Takes the Generational Torch on “Generation Y”

Columns, Music, Today's SongJune 23, 2020<June 23, 2020

Today’s Song: Fusilier Finds Hope in the Little Things on “Upstream”

Pilkington - Pilkington
Debut, Music, ReviewsJune 18, 2020<June 17, 2020

Review: Pilkington’s Long-Awaited Debut Captures the Beauty & Pain of Growing Up

Features, Interviews, MusicJune 5, 2020<June 5, 2020

Feature: Aquakultre’s ‘Legacy’ Is a Monument to Change

Columns, Debut, Music, Today's SongApril 30, 2020<April 30, 2020

Today’s Song: STONE Write an Anthem for All Those Nights You Don’t Remember on “Leave It Out”

Alice Bag © Denée Segall
Features, Interviews, MusicApril 22, 2020<April 22, 2020

Alice Bag Brings Back Old School Punk in Sound & Message on Inspiring ‘Sister Dynamite’

The Sheratons © Tom Berridge
Columns, Music, Today's SongApril 18, 2020<April 18, 2020

Today’s Song: The Sheratons Roast Rave Culture on Brit-Pop Rocker “Raving and Drooling”

Brian Fallon © Kelsey Hunter Ayres
Features, Interviews, MusicApril 17, 2020<May 15, 2020

Feature: Brian Fallon Becomes the Folk Star He Always Wanted to Be on Stripped-Down ‘Local Honey’

Columns, Music, Today's SongApril 8, 2020<April 8, 2020

Today’s Song: Ireland’s Slyrydes Take You on Whirlwind Tour of Their Mind on “I Claim to Be Intelligent”

Nap Eyes music © 2020
Features, Interviews, MusicApril 6, 2020<April 6, 2020

Feature: Nap Eyes Want ‘Snapshot of a Beginner’ to Become the Keys to Your Brain

Sea Wolf © Mia Kirby
Features, InterviewsMarch 23, 2020<March 23, 2020

Feature: Sea Wolf Tackles Love, Loss and Starting Over on ‘Through a Dark Wood’

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Recent Posts

  • “Like a road trip to nowhere”: Best Boys Find Beauty in the Breakdown on Their Smoldering & Cinematic Debut Single “Forgive Forget” July 7, 2025
  • Interview: Chapel Return to Form with Growth, Grit, & DIY Freedom in Their Triumphant ‘Modern Nature’ EP July 7, 2025
  • Today’s Song: “Eden” Is a Radiant Reflection of Daniel Seavey’s Artistic Freedom July 7, 2025
  • “The best is yet to come”: Sydney Quiseng on Stepping into Her Own Rhythm with ‘PHASES’ July 3, 2025
  • “Why’s it so hard to have a good thing?”: Brian Dunne Digs into the American Dream of a ‘Good Life’ in His Restless, Hungry Anthem, “Clams Casino” July 3, 2025
  • Atwood Magazine’s Weekly Roundup: July 3, 2025 July 3, 2025
  • “Yours Always”: Aaron Taylor Turns a Powerful Promise into Soul-Stirring Music in His Stripped-Back EP July 2, 2025
  • “Gentle, Big, & Sad”: Shura Opens Up About the Quiet Chaos of Being Human and ‘I Got Too Sad for My Friends,’ Her Most Vulnerable Album Yet July 2, 2025
  • Premiere: Kindelan Reckons with Lost Love & Lingering Regret in Her Soul-Stirring “Wish I Wrote a Love Song” July 2, 2025
  • Music & Cities: The Cure’s ‘Songs of a Lost World’ in New York City July 2, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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