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Oliver Crook

Oliver Crook

Managing Editor Ollie Crook (they/them) is a Montréal-based journalist who has been covering music, in one form or another, for over ten years. But even way before that, as an oddball trans kid who never saw themselves in the world, they used music to create a space for themselves that didn’t exist anywhere else. Whether that was crafting playlists (thanks Limewire!) or collaging band pictures from Kerrang, their understanding of self has come hard-earned through the arts. Find more of their writing (and the occasional cat photo!) at https://ourtransmission.substack.com/

Pillow Queens © Faolán Carey
Features, Interviews, Music, ReviewsSeptember 24, 2020<September 23, 2020

Feature: Pillow Queens Challenge Themselves & Their City on ‘In Waiting’

Songhoy Blues © 2020
Columns, Music, Today's SongSeptember 18, 2020<September 17, 2020

Today’s Song: Mali’s Songhoy Blues Capture a Nation’s Struggle for Change in “Barre”

Features, Interviews, Music, ReviewsSeptember 14, 2020<September 13, 2020

Feature: Lilly Hiatt Is ‘Walking Proof’ That The Traveller’s Life Is the Fullest

Cedric Noel © Isaac Vallentin
Music, ReviewsAugust 25, 2020<August 24, 2020

Review: Cedric Noel Tackles Loss & Acceptance on Stirring Album ‘Nothing Forever, Everything’

Columns, Music, Today's SongAugust 17, 2020<August 17, 2020

Today’s Song: METZ Give Us Hope and a Place to Recharge on the Mighty “A Boat To Drown In”

Debut, Features, Interviews, MusicAugust 3, 2020<August 3, 2020

Feature: The Palpitations Offer the World Its Anthem With Latest EP ‘FEED THE POOR! EAT THE RICH!’

Debut, Features, Interviews, MusicJuly 27, 2020<July 27, 2020

Feature: Silverbacks’ Debut Fad Walks the High-Wire of Modern Life Without a Single Misstep

Music, ReviewsJuly 22, 2020<July 22, 2020

Review: Protomartyr Refine Their Old Sound with New Instruments on ‘Ultimate Success Today’

The Clockworks © Oscar Ryan Photography
Columns, Music, Today's SongJuly 16, 2020<July 11, 2020

The Clockworks Merge Past, Future, & Reality on Hard Hitting “The Future Is Not What It Was”

Music, ReviewsJuly 10, 2020<December 15, 2020

Review: The Beths Tackle the Dark Side of Living Your Dream on ‘Jump Rope Gazers’

Madame So © 2020
Columns, Music, Today's SongJuly 8, 2020<July 8, 2020

Today’s Song: Madame So Takes the Generational Torch on “Generation Y”

Columns, Music, Today's SongJune 23, 2020<June 23, 2020

Today’s Song: Fusilier Finds Hope in the Little Things on “Upstream”

Pilkington - Pilkington
Debut, Music, ReviewsJune 18, 2020<June 17, 2020

Review: Pilkington’s Long-Awaited Debut Captures the Beauty & Pain of Growing Up

Features, Interviews, MusicJune 5, 2020<June 5, 2020

Feature: Aquakultre’s ‘Legacy’ Is a Monument to Change

Columns, Debut, Music, Today's SongApril 30, 2020<April 30, 2020

Today’s Song: STONE Write an Anthem for All Those Nights You Don’t Remember on “Leave It Out”

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Recent Posts

  • “Fun as Rebellion”: Babes in Canyon Laugh in the Face of the Apocalypse on “Look Outside,” a Feverish Indie Pop Joyride November 12, 2026
  • “I’ll Build a New World Brick by Brick”: Danny Malone Fights for His Future on “Better Things,” a Heart-Wrenching, Life-Affirming Anthem of Second Chances November 12, 2026
  • “There’s Heaven in the Suburbs”: Gang of Youths Bask in the Joy of Becoming on “Things Take Time,” a Golden-Hued Ode to Patience and Possibility November 11, 2026
  • “I’ll Miss You Forever and Ever”: Julia Logan Rides Love’s Bittersweet High on “Tidal Wave,” a Lush, Sun-Kissed Folk Pop Reverie November 11, 2026
  • Friendship, Laughter, & Harmony: Tiny Habits Set Themselves Free on ‘Keepers,’ a Colorful Portrait of Living and Loving Out Loud November 11, 2026
  • Anberlin Are Still Writing Their Own Story: On Change, Creative Trust, and ‘CURRENCY’ November 11, 2026
  • Why Is It So Hard for Great Musicians to Stay Together? Oysterhead, Supergroups, and the Perils of Creative Genius November 10, 2026
  • The Listener Knows Something the Singer Doesn’t: The Making of Darren Hayman’s ‘I’m Your Team’ November 10, 2026
  • The Rage That Raised Us: Atreyu’s ‘A Death-Grip on Yesterday’ at 20 November 10, 2026
  • “The Audio Equivalent of a Bosch Painting”: Erotic Secrets of Pompeii Dance Through Modern Madness on “Crowstepper,” a Delirious Art-Rock Séance November 10, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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