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Oliver Crook

Oliver Crook

Managing Editor Ollie Crook (they/them) is a Montréal-based journalist who has been covering music, in one form or another, for over ten years. But even way before that, as an oddball trans kid who never saw themselves in the world, they used music to create a space for themselves that didn’t exist anywhere else. Whether that was crafting playlists (thanks Limewire!) or collaging band pictures from Kerrang, their understanding of self has come hard-earned through the arts. Find more of their writing (and the occasional cat photo!) at https://ourtransmission.substack.com/

Lou Stone © Manon Ouimet 2019
Columns, Music, Today's SongAugust 30, 2019<August 30, 2019

Lou Stone Defends Love Everywhere on New Track “Truth Toy”

Columns, Debut, Music, Today's SongAugust 27, 2019<August 27, 2019

Today’s Song: Chiiild’s “Count Me Out” Is, to Put It Simply, Fiiire

Music, Our Take, ReviewsJuly 31, 2019<December 15, 2020

Review: Ian Ferguson’s ‘State of Gold’ Is Your New Summer Road Tunes Record

Mdou Moctar © Jon Behm
Concerts, Music, ReviewsJuly 30, 2019<July 30, 2019

Live Review: Mdou Moctar Takes Crowd on Magical Journey at Halifax Jazz Fest

Terrible Sons © Stefan Roberts
Music, Premieres, ReviewsJuly 25, 2019<October 7, 2020

EP Premiere: The Honey & Salt of Terrible Sons’ ‘With Feathers’ Explores the Weight of the Soul

Big Society
Columns, Music, Today's SongJuly 24, 2019<July 24, 2019

Big Society Captures All Your Youthful Adventures on “Marine Club Party”

Columns, Music, Today's SongJuly 18, 2019<July 18, 2019

Today’s Song: Justin Townes Earle Explores His Dark Side On “The Saint of Lost Causes”

Titus Andronicus © Ray Concepcion
Columns, Music, Today's SongJuly 3, 2019<July 3, 2019

Today’s Song: Titus Andronicus’ “Troubleman Unlimited” Shows They Can Go Guttural Just As Well As Cerebral

Columns, Music, Today's SongJune 25, 2019<June 25, 2019

Today’s Song: Bad Books Provide a Return to Form with “I Love You, I’m Sorry, Please Help Me, Thank You”

IDLES © Stewart Baxter
Columns, Music, Today's SongJune 20, 2019<June 20, 2019

Today’s Song: IDLES Marx the Spot with “Mercedes Marxist,” Taking on the System That Left Them Wasted

SPRINTS © Dan Silva
Debut, Features, InterviewsMay 28, 2019<May 28, 2019

Interview: Meet SPRINTS, The Band With A Plan To Have All Your Friends Talking About Them

Reese McHenry © Jillian Clark
Music, ReviewsMay 14, 2019<May 14, 2019

Review: Reese McHenry Roars into Our Ears & Hearts with Blistering LP ‘No Dados’

Tom Hannay
Columns, Music, Today's SongApril 18, 2019<April 18, 2019

Rolling Troubadour Tom Hannay Tells You Where to Shove It on “The Feeding Hand”

Fontaines D.C. © Daniel Topete
Debut, Features, Interviews, MusicApril 10, 2019<April 30, 2019

Feature: Fontaines D.C. Channel Past Poets to Ponder Ireland’s Future in Debut ‘Dogrel’

Adam Baldwin © Lindsay Duncan
Features, Interviews, MusicMarch 27, 2019<March 26, 2019

Interview: Adam Baldwin Didn’t Find Salvation, But He Still Has Rock and Roll

Posts pagination
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Recent Posts

  • “Fun as Rebellion”: Babes in Canyon Laugh in the Face of the Apocalypse on “Look Outside,” a Feverish Indie Pop Joyride November 12, 2026
  • “I’ll Build a New World Brick by Brick”: Danny Malone Fights for His Future on “Better Things,” a Heart-Wrenching, Life-Affirming Anthem of Second Chances November 12, 2026
  • “There’s Heaven in the Suburbs”: Gang of Youths Bask in the Joy of Becoming on “Things Take Time,” a Golden-Hued Ode to Patience and Possibility November 11, 2026
  • “I’ll Miss You Forever and Ever”: Julia Logan Rides Love’s Bittersweet High on “Tidal Wave,” a Lush, Sun-Kissed Folk Pop Reverie November 11, 2026
  • Friendship, Laughter, & Harmony: Tiny Habits Set Themselves Free on ‘Keepers,’ a Colorful Portrait of Living and Loving Out Loud November 11, 2026
  • Anberlin Are Still Writing Their Own Story: On Change, Creative Trust, and ‘CURRENCY’ November 11, 2026
  • Why Is It So Hard for Great Musicians to Stay Together? Oysterhead, Supergroups, and the Perils of Creative Genius November 10, 2026
  • The Listener Knows Something the Singer Doesn’t: The Making of Darren Hayman’s ‘I’m Your Team’ November 10, 2026
  • The Rage That Raised Us: Atreyu’s ‘A Death-Grip on Yesterday’ at 20 November 10, 2026
  • “The Audio Equivalent of a Bosch Painting”: Erotic Secrets of Pompeii Dance Through Modern Madness on “Crowstepper,” a Delirious Art-Rock Séance November 10, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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