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Oliver Crook

Oliver Crook

Junior editor Oliver Crook is a Canada-based journalist who has been playing guitar and deciphering lyrics since he first heard Sum 41’s “Fat Lip” blasting through his older brother’s bedroom walls. Although his taste has (somewhat) developed since then, his passion is just as strong as ever. When not writing about music, he can be found drinking too much coffee, complaining about the finickiness of avocados, and being disappointed by all of his favourite sports teams.

Music, Our Take, ReviewsJuly 31, 2019<December 15, 2020

Review: Ian Ferguson’s ‘State of Gold’ Is Your New Summer Road Tunes Record

Mdou Moctar © Jon Behm
Concerts, Music, ReviewsJuly 30, 2019<July 30, 2019

Live Review: Mdou Moctar Takes Crowd on Magical Journey at Halifax Jazz Fest

Terrible Sons © Stefan Roberts
Music, Premieres, ReviewsJuly 25, 2019<October 7, 2020

EP Premiere: The Honey & Salt of Terrible Sons’ ‘With Feathers’ Explores the Weight of the Soul

Big Society
Columns, Music, Today's SongJuly 24, 2019<July 24, 2019

Big Society Captures All Your Youthful Adventures on “Marine Club Party”

Columns, Music, Today's SongJuly 18, 2019<July 18, 2019

Today’s Song: Justin Townes Earle Explores His Dark Side On “The Saint of Lost Causes”

Titus Andronicus © Ray Concepcion
Columns, Music, Today's SongJuly 3, 2019<July 3, 2019

Today’s Song: Titus Andronicus’ “Troubleman Unlimited” Shows They Can Go Guttural Just As Well As Cerebral

Columns, Music, Today's SongJune 25, 2019<June 25, 2019

Today’s Song: Bad Books Provide a Return to Form with “I Love You, I’m Sorry, Please Help Me, Thank You”

IDLES © Stewart Baxter
Columns, Music, Today's SongJune 20, 2019<June 20, 2019

Today’s Song: IDLES Marx the Spot with “Mercedes Marxist,” Taking on the System That Left Them Wasted

SPRINTS © Dan Silva
Debut, Features, InterviewsMay 28, 2019<May 28, 2019

Interview: Meet SPRINTS, The Band With A Plan To Have All Your Friends Talking About Them

Reese McHenry © Jillian Clark
Music, ReviewsMay 14, 2019<May 14, 2019

Review: Reese McHenry Roars into Our Ears & Hearts with Blistering LP ‘No Dados’

Tom Hannay
Columns, Music, Today's SongApril 18, 2019<April 18, 2019

Rolling Troubadour Tom Hannay Tells You Where to Shove It on “The Feeding Hand”

Fontaines D.C. © Daniel Topete
Debut, Features, Interviews, MusicApril 10, 2019<April 30, 2019

Feature: Fontaines D.C. Channel Past Poets to Ponder Ireland’s Future in Debut ‘Dogrel’

Adam Baldwin © Lindsay Duncan
Features, Interviews, MusicMarch 27, 2019<March 26, 2019

Interview: Adam Baldwin Didn’t Find Salvation, But He Still Has Rock and Roll

WYNDHAM
Music, PremieresMarch 25, 2019<March 26, 2019

Premiere: Wyndham’s “Time to Kill” Is a Sonically Rich Exploration of Emotional Procrastination

Hear Me Out - Reignwolf
Debut, Music, ReviewsMarch 15, 2019<March 15, 2019

Review: Reignwolf’s Legend Gets a New Chapter with Debut ‘Hear Me Out’

Posts pagination
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Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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