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Oliver Crook

Oliver Crook

Managing Editor Ollie Crook (they/them) is a Montréal-based journalist who has been covering music, in one form or another, for over ten years. But even way before that, as an oddball trans kid who never saw themselves in the world, they used music to create a space for themselves that didn’t exist anywhere else. Whether that was crafting playlists (thanks Limewire!) or collaging band pictures from Kerrang, their understanding of self has come hard-earned through the arts. Find more of their writing (and the occasional cat photo!) at https://ourtransmission.substack.com/

WYNDHAM
Music, PremieresMarch 25, 2019<March 26, 2019

Premiere: Wyndham’s “Time to Kill” Is a Sonically Rich Exploration of Emotional Procrastination

Hear Me Out - Reignwolf
Debut, Music, ReviewsMarch 15, 2019<March 15, 2019

Review: Reignwolf’s Legend Gets a New Chapter with Debut ‘Hear Me Out’

Ethansroom © Sam Lindsey
Music, PremieresMarch 11, 2019<March 11, 2019

EP Premiere: Hope and Despair Collide on Ethansroom’s ‘Something’

Adam Baldwin music
Columns, Music, Today's SongMarch 8, 2019<March 8, 2019

Today’s Song: Adam Baldwin Reminds His Demons Who’s Boss in “Salvation”

J.S. Ondara © Josh Cheuse
Debut, Music, ReviewsFebruary 25, 2019<February 25, 2019

Review: J.S. Ondara Understands America Way Better Than We Do on Debut ‘Tales of America’

An Opening - Minor Moon
Debut, Music, PremieresFebruary 6, 2019<February 6, 2019

Album Premiere: Minor Moon’s ‘An Opening’ Is a Stunning Plea for Hope During Tumultuous Times

This Is Not The End - Spielbergs
Debut, Features, Music, Our Take, ReviewsJanuary 31, 2019<January 31, 2019

Our Take: Spielbergs’ ‘This Is Not The End’ Is the Album You’ve Been Waiting for Since You Grew Out Your Mohawk and Got a Job

Gary Clark Jr. © Frank Maddocks
Columns, Music, Today's SongJanuary 23, 2019<January 23, 2019

Today’s Song: Gary Clark Jr. Raises His Fist and His Voice on “This Land”

Black Pistol Fire © 2019
Columns, Music, Today's SongJanuary 16, 2019<January 16, 2019

Today’s Song: Anger and Regret Meet Explosively in Black Pistol Fire’s “Level”

A Short Story About a War - Shad
Music, Our Take, ReviewsDecember 19, 2018<December 19, 2018

Our Take: Shad’s Righteous Fury Shines Through on ‘A Short Story About a War’

Matt Mays © 2018
Columns, Music, Today's SongDecember 11, 2018<December 9, 2018

Today’s Song: Matt Mays Reinvents Himself with Haunting “Howl at the Night” Acoustic Version

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Recent Posts

  • “Fun as Rebellion”: Babes in Canyon Laugh in the Face of the Apocalypse on “Look Outside,” a Feverish Indie Pop Joyride November 12, 2026
  • “I’ll Build a New World Brick by Brick”: Danny Malone Fights for His Future on “Better Things,” a Heart-Wrenching, Life-Affirming Anthem of Second Chances November 12, 2026
  • “There’s Heaven in the Suburbs”: Gang of Youths Bask in the Joy of Becoming on “Things Take Time,” a Golden-Hued Ode to Patience and Possibility November 11, 2026
  • “I’ll Miss You Forever and Ever”: Julia Logan Rides Love’s Bittersweet High on “Tidal Wave,” a Lush, Sun-Kissed Folk Pop Reverie November 11, 2026
  • Friendship, Laughter, & Harmony: Tiny Habits Set Themselves Free on ‘Keepers,’ a Colorful Portrait of Living and Loving Out Loud November 11, 2026
  • Anberlin Are Still Writing Their Own Story: On Change, Creative Trust, and ‘CURRENCY’ November 11, 2026
  • Why Is It So Hard for Great Musicians to Stay Together? Oysterhead, Supergroups, and the Perils of Creative Genius November 10, 2026
  • The Listener Knows Something the Singer Doesn’t: The Making of Darren Hayman’s ‘I’m Your Team’ November 10, 2026
  • The Rage That Raised Us: Atreyu’s ‘A Death-Grip on Yesterday’ at 20 November 10, 2026
  • “The Audio Equivalent of a Bosch Painting”: Erotic Secrets of Pompeii Dance Through Modern Madness on “Crowstepper,” a Delirious Art-Rock Séance November 10, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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