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Ross Finney

Ross Finney

Ross is a New York City-area writer with interests in American literature, critical theory, and, of course, pop music - specifically rock'n'roll and hip-hop. In addition to Atwood, his writing has appeared in the Notre Dame Observer and Time Out New York.

Features, Music, Music Videos, PremieresDecember 2, 2016<December 2, 2016

Exclusive Premiere: The Can’t Tells Reconcile Clarity and Confusion on the Cacophonous “Faulting”

Foxygen © 2016
Columns, Features, Music, Reviews, Today's SongOctober 17, 2016<October 7, 2022

Foxygen’s “America” or: How I Learned to Accept Bowie’s Death and Keep Loving Indie Rock

YJY © Nick Matsas
Features, Music, PremieresAugust 19, 2016<August 19, 2016

Exclusive Premiere: YJY’s “The Same Noise” EP Reinvigorates Surf-Punk

The Gotobeds © Shawn Brackbill
Music, Our Take, ReviewsJuly 20, 2016<July 19, 2016

Our Take: On Blood // Sugar // Secs // Traffic, The Gotobeds Balance Stupid Humor and Smart Songcraft

Leapling © Anna Sian
Music, Our Take, ReviewsJuly 5, 2016<July 5, 2016

Our Take: Leapling’s “Suspended Animation” Is Infectious Power-Pop with a Serious Side

Car Seat Headrest
Music, Our Take, ReviewsJune 1, 2016<June 1, 2016

Our Take: Car Seat Headrest’s ‘Teens of Denial’ is Anthemic Indie Rock at Its Best

White Lung © Rick Rodney
Features, Music, Our Take, ReviewsMay 13, 2016<May 13, 2016

Our Take: White Lung’s Paradise is a Visceral, Cerebral Punk Rock Record

Photo by Julia Leiby
Music, Our Take, ReviewsApril 21, 2016<April 21, 2016

Our Take: Frankie Cosmos’ New LP ‘Next Thing’ is a Twee-Pop Triumph

Jawbreaker Reunion © Andrew Piccone
Features, Music, Our Take, ReviewsMarch 10, 2016<March 11, 2016

Our Take: Jawbreaker Reunion Definitively Answer Own Question on haha and then what ;)

Debut, Music, Our Take, ReviewsJanuary 29, 2016<February 2, 2016

Our Take: Washer’s Generational Anxiety on “Here Comes Washer”

Palm
Debut, Music, Our Take, ReviewsNovember 12, 2015<November 12, 2015

Our Take: On Trading Basics, Palm Has No Comparison

Alex G © Jeff Allen
Music, Our Take, ReviewsOctober 29, 2015<October 29, 2015

Our Take: With Beach Music, Alex G is a DIY Powerhouse

Le Rug
Music, Premieres, ReviewsOctober 19, 2015<October 19, 2015

Exclusive Premiere: Le Rug Drop a Pop “Bomb”

Ought © Victoria Davis
Music, Our Take, ReviewsOctober 13, 2015<October 13, 2015

Our Take: Ought Revel in Ambiguity on “Sun Coming Down”

Wavves' Stephen 'Stevie' Pope (left) and Nathan Williams (right) // credit: Alexandra Gavillet
Columns, Music, Today's SongOctober 6, 2015<October 6, 2015

Today’s Song: Effervescent Angst on Wavves’ “My Head Hurts”

Recent Posts

  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
  • “We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years May 12, 2026
  • “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” May 12, 2026
  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
  • “It’s Like Looking at an Old Photo”: The Moss Reflect on Fearing Change, Freedom, & ‘Big Blue Moon’ May 12, 2026
  • “I’m as Strung Out as a Girl Can Get”: LA’s Julez and the Rollerz Crank Desire into a Feverish Rock ’n’ Roll Spectacle on “I Need Love” May 11, 2026
  • “I’m Coming Out the Gate Completely Honest”: Jessie Mazin Transforms Chaos into Connection on Debut EP ‘untitled.jpeg’ May 11, 2026
  • “Most of What Is Good Only Comes from the Bad”: Matt Corby on the Highs, Lows, & Sitting in the Discomfort on ‘Tragic Magic’ May 11, 2026
  • “I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ May 11, 2026
  • A Mirrorball for Modern Times: Duran Duran Reignite the Dancefloor with “Free to Love” ft. Nile Rodgers May 11, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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