Sydney Sweeney

Sydney is a staff writer at Atwood Magazine. She studies journalism in San Diego, California, and mostly reports on arts and culture. Talk to her on Twitter (@syderature) or Instagram (@syd.oh).

Sydney Sweeney

Music You Should Know: Poppies are Sprouting on a Good EP

On Grown-Up Grit and Dimmed Messages: An Interview with Chastity Belt

Premiere: Sunset Lines Get Dark and Demanding on Debut “Glass”

Nostalgia Tracks: On M83’s “Midnight City” as a Generational Indie Memento

Our Take: Chastity Belt’s ‘I Used to Spend So Much Time Alone’ is a New Message with Less Noise

Video Premiere: Dominique Star’s “Take You Home” Is from Tokyo, with Love

Our Take: Mabel’s ‘Bedroom’ EP is an Even-Paced Introduction to R&B’s Brightest Newcomer

Romance, Storytelling, and the Theory of Forever: A Conversation with Mabel

Premiere: Enter the Moody, Psychedelic World of Jo Marches with “Silver & Gold”

This Just In: The Band CAMINO’s “My Thoughts on You” is Dreamy, Forlorn Pop at its Best

Music You Should Know: On the Necessity of Mainstream Political Hip-Hop with Tupac’s “Changes”

This Just In: Joywave’s “Content” is a Creepy, Double-Edged Sword

Review: “FEAR.” is a Contemplative Standout on Kendrick Lamar’s DAMN.

Today’s Song: On “Different Now,” Chastity Belt Echo Their Signature Melancholy

Music You Should Know: Reflecting on the Importance of Youth in Kamaiyah’s ‘A Good Night in the Ghetto’