January 22, 2019<January 22, 2019 Today’s Song: The Thrills and Pills of Say Anything’s “Pink Snot” by James Crowley
January 21, 2019<January 21, 2019 Today’s Song: Rhys Lewis’ “Better Than Today” Finds Reassurance in the Whirlwind of Life by Luke Pettican
January 18, 2019<January 18, 2019 Atwood Magazine’s Weekly Roundup: January 18, 2019 by Atwood Magazine Staff
January 18, 2019<January 17, 2019 Today’s Song: Sam Wilde Finds Solace in Bewilderment with “On the Run” by Luke Pettican
January 17, 2019<January 17, 2019 From Lolita to Sylvia Plath, Lana Del Rey Reinvents Herself in “Hope Is a Dangerous Thing…” by Ditta Demeter
January 16, 2019<January 16, 2019 Today’s Song: Anger and Regret Meet Explosively in Black Pistol Fire’s “Level” by Oliver Crook
January 11, 2019<January 24, 2019 Atwood Magazine’s Weekly Roundup: January 11, 2019 by Atwood Magazine Staff
January 10, 2019<January 10, 2019 Today’s Song: Anguish and Affliction in Rhys Lewis’ “Could’ve Been” by Luke Pettican
January 9, 2019<January 9, 2019 Catfish and the Bottlemen Return with Stunning Anthem “Longshot” by Mitch Mosk
January 4, 2019<January 4, 2019 Music and Mental Health: Deaf Havana’s James Veck-Gilodi Opens Up in “Coffee” by Ditta Demeter
December 25, 2018<January 16, 2019 Atwood Magazine Presents: Mistletones Interviews by Atwood Magazine Staff
December 24, 2018<December 21, 2018 Mistletones: Megan Davies Captures “Blue Christmas” with Sweet, Effortless Grace by Mitch Mosk
December 24, 2018<December 20, 2018 The Teskey Brothers Explore Heartache’s Destructive Depths with “Pain and Misery” by Luke Pettican
For the Love of Music
For the Love of Music
