February 5, 2019<February 5, 2019 Today’s Song: The Sultry Vocals & Sounds of VC Pines’ “Vixen” by Caitlin Ison
February 4, 2019<February 5, 2019 Today’s Song: Blaenavon’s “Catatonic Skinbag” Is a Self-Deprecative Triumph by Nicole Almeida
February 1, 2019<February 19, 2019 Atwood Magazine’s Weekly Roundup: February 02, 2019 by Atwood Magazine Staff
February 1, 2019<February 1, 2019 Today’s Song: Sam Smith and Normani Find Temporary Solace “Dancing With A Stranger” by Maggie McHale
January 31, 2019<February 6, 2019 Today’s Song: Betty Who Lends a Hand on “Friend Like Me” by Anthony Kozlowski
January 30, 2019<January 30, 2019 Today’s Song: Beirut Delivers a Tense, Expansive Musical Journey with “Landslide” by Adrian Vargas
January 29, 2019<January 29, 2019 Today’s Song: Swagger & Spiritual Claustrophobia in Foals’ “Exits” by Danny Vagnoni
January 28, 2019<January 25, 2019 Today’s Song: Sam Fender Hits a Lyrically Poignant Sweet Spot in “Poundshop Kardashians” by Hermione Kellow
January 25, 2019<January 30, 2019 Atwood Magazine’s Weekly Roundup: January 25, 2019 by Atwood Magazine Staff
January 25, 2019<February 1, 2019 Today’s Song: Birch’s Hopeful, Empowered Protest “Spelling Lessons” by Carolyn Fasone
January 24, 2019<May 14, 2024 Today’s Song: D’Angelo’s “Unshaken” is the Guarded Knock on a Hidden Door by Ilana Kalish
January 24, 2019<January 24, 2019 Music You Should Know: Ta-ku’s ‘25 Nights for Nujabes’ Is an Emotive, Harmonious Ode to a Lost Talent by Adrian Vargas
January 23, 2019<January 23, 2019 Premiere: Hopes, Dreams, and Strawberries in Raquel Bell’s Waltz “Who Gets to Name the Name” by Mitch Mosk