September 25, 2024<September 25, 2024 “I didn’t earn my stripes until I threw a punch”: Melbourne’s Holly Hebe Is Embracing Identity Crises & Self-Discovery on Dreamy Anthem “Bottle Blonde” & ‘Ruby’ EP by Mitch Mosk
September 24, 2024<September 24, 2024 Today’s Song: Peach Pit Question If We Only Love ‘Just for the Rush’ on New Single “Did You Love Somebody” by Marc Maleri
September 23, 2024<September 24, 2024 Atwood Magazine’s Weekly Roundup: September 23, 2024 by Atwood Magazine Staff
September 23, 2024<September 23, 2024 “Something’s Gotta Break”: Bo Staloch Lets Go of Fear in “Santa Fe,” His Spirited Folk Rock Singalong by Mitch Mosk
September 22, 2024<September 22, 2024 Today’s Song: Leif Vollebekk Gives Us “Peace of Mind” With a Dreamy, Soul-Stirring, Feel-Good Reverie by Mitch Mosk
September 21, 2024<September 21, 2024 “Grab at the string, pull at the end”: Sydney Sprague’s Spirited Self-Soothing Anthem “i tried my best” ft. Kevin Devine by Mitch Mosk
September 20, 2024<September 20, 2024 Joan & the Giants Pull Us in on “Feels Like Heartache,” a Brutally Honest Song of Love, Loss, & Longing by Mitch Mosk
September 18, 2024<September 18, 2024 “Strangers in another life fell hard at the right time”: Rodeo Parade’s Heart Shines on “Seasons Waiting,” a Timeless Love Song of Warmth, Wonder, & Sweet Romance by Mitch Mosk
September 18, 2024<September 18, 2024 “Breaking this open meant starting a riot”: Angie McMahon’s “Untangling” Is a Masterclass in Cinematic Vulnerability by Mitch Mosk
September 16, 2024<September 18, 2024 Atwood Magazine’s Weekly Roundup: September 16, 2024 by Atwood Magazine Staff
September 13, 2024<September 13, 2024 Interview: Charli Adams’ Inner Light Shines on “Airlifter,” an Anthem of Love, Friendship, & Showing Up for Others by Mitch Mosk
September 12, 2024<October 9, 2024 “The sky isn’t only smoke, child”: The Heartfelt Hope & Dreamy Heat of Amanda Bergman’s “All Over Town” by Mitch Mosk
September 11, 2024<September 11, 2024 “He said boys didn’t talk about feelings”: A Vulnerable Rock Confession on Fiona-Lee’s “Nothing Compares to Nineteen” by Christine Buckley