March 19, 2025<March 19, 2025 “From Darkness to the Spotlight: How Chronic Illness Transformed My Music & My Life”: An Essay by Eva James for Women’s History Month by Guest Writer
March 19, 2025<March 19, 2025 Today’s Song: Savanna Leigh Turns Heartache into Hope in “you don’t exist yet,” an Anthem for Anxious Romantics by Miranda Urbanczyk
March 18, 2025<March 18, 2025 Today’s Song: Chappell Roan’s Sapphic Country Anthem “The Giver” Blends Her Wit, Charm, and Flirty Flair by Bárbara Martínez Campuzano
March 17, 2025<March 17, 2025 Today’s Song: HAIM’s “Relationships” Is a Breezy, Bold Return to Introspection and Groove by Danielle Holian
March 14, 2025<March 18, 2025 Editor’s Picks 114: Attention Bird Utopia, Your Smith, Bo Staloch, Matilda Mann, Courting, & ESKA! by Mitch Mosk
March 14, 2025<March 14, 2025 “H.W.F.M – A Song for Women in Wales & Everywhere”: An Essay by Mali Hâf for Women’s History Month by Guest Writer
March 14, 2025<March 25, 2025 “I Just Wanted to Be Wanted”: Soda Blonde’s “People Pleaser” Is a Bold Reckoning with Love, Validation & Self-Worth by Mitch Mosk
March 13, 2025<March 13, 2025 “MASA: Make America Shameful Again – Why the Music Industry Needs Its Own Reckoning”: An Essay by Jessica Vaughn for Women’s History Month by Guest Writer
March 13, 2025<March 13, 2025 “What a day for a daydream”: Arcy Drive’s Sun-Soaked Folk Rock Reverie, “Oak Tree (Daydream)” by Mitch Mosk
March 12, 2025<March 12, 2025 “I bleed so you’re winning”: emmersonHALL’s “Air” Is a Heavy, Cathartic, and Aching Exhale by Mitch Mosk
March 12, 2025<March 12, 2025 “The Crime of Being a Woman”: An Essay by Taylor Bickett for Women’s History Month by Guest Writer
March 11, 2025<March 12, 2025 Atwood Magazine’s Weekly Roundup: March 11, 2025 by Atwood Magazine Staff
March 11, 2025<March 11, 2025 “Not Your Mother’s Women’s History Month”: An Essay by Madame Reaper by Guest Writer
March 11, 2025<March 11, 2025 Today’s Song: Addison Rae Explores Luxury & Excess With “High Fashion” by Marc Maleri
March 10, 2025<March 10, 2025 Today’s Song: Benson Boone Moves on With Melody in “Sorry I’m Here for Someone Else” by Danielle Holian
For the Love of Music
For the Love of Music
