October 21, 2025<October 21, 2025 “Bleed into Normal”: The Technicolors Turn Reckoning into Revelation on “First Class to Nowhere,” a Dreamy & Aching Alt-Rock Reverie by Mitch Mosk
October 20, 2025<October 20, 2025 “Will She Waste into the Kind of Woman Everyone Likes?”: Avery Cochrane Shines a Light in “Shapeshifting on a Saturday Night,” an Intimate Reflection on Vulnerability by Ashley Littlefield
October 17, 2025<October 17, 2025 Editor’s Picks 134: Asha Banks, Ashley Singh, ANT ENOCH, Winyah, The Sophs, & Perren! by Mitch Mosk
October 17, 2025<October 17, 2025 Artist to Watch: Melbourne’s GUTHRIE Finds Beauty in the Breaking on “Adrenals,” a Soul-Stirring Anthem of Surrender & Survival by Mitch Mosk
October 16, 2025<October 20, 2025 Atwood Magazine’s Weekly Roundup: October 16, 2025 by Atwood Magazine Staff
October 15, 2025<October 15, 2025 Artist to Watch: Superfan Channels Quiet Winter Aches into DIY Catharsis on “Miss W Jones,” a Raw & Dreamy Alternative Anthem by Mitch Mosk
October 9, 2025<October 22, 2025 Editor’s Picks 133: Louie Blue, Isaia Huron, Bec Lauder, Dear Boy, GUTHRIE, & Arno Sacco! by Mitch Mosk
October 9, 2025<October 9, 2025 Today’s Song: Annalisa & Marco Mengoni’s Stunning “Piazza San Marco” Is a Timeless Portal of Beauty, Memory, & Longing by David Buyze
October 8, 2025<October 9, 2025 Atwood Magazine’s Weekly Roundup: October 8, 2025 by Atwood Magazine Staff
October 8, 2025<October 8, 2025 “In the Fields Trying to Hide”: Blood Orange Creates a Sunlit Escape from Grief on “Countryside” by Ashley Littlefield
October 6, 2025<October 7, 2025 “I’d Fake My Death If It Weren’t Such a Mess”: The Format Rise Again with Restless Anthem “Holy Roller,” a Fiery, Feverish Prelude to Third Album ‘Boycott Heaven’ by Mitch Mosk
October 6, 2025<October 6, 2025 From Behind the Drum Kit to Center Stage: Dynamyte Unleashes the Fear and Fire of “Probably” by Nicolle Knapová
October 4, 2025<October 4, 2025 “It’s Far Too Late, the Time Has Come”: Tame Impala Shadows a Haunting Anthem with “Dracula” Ahead of Fifth Studio Album ‘Deadbeat’ by Ashley Littlefield
October 3, 2025<October 8, 2025 “I See Mountains, I See Forests”: Soft Loft’s Soul-Stirring “Dorm” Is a Golden Hymn of Perseverance, Hope, & Humanity by Mitch Mosk
October 3, 2025<October 3, 2025 Looking for a “Quick Fix”? Daffo’s ‘Where the Earth Bends’ Is a Raw Reflection on Confronting Your Vices by Madeleine Eggen
For the Love of Music
For the Love of Music
