March 30, 2026<March 30, 2026 Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva” by David Buyze
March 28, 2026<March 28, 2026 Today’s Song: Metalcore Band Holder Push Past the Pain on “Inconsolable” by Will Yarbrough
March 27, 2026<March 27, 2026 Atwood Magazine’s Weekly Roundup: March 27, 2026 by Atwood Magazine Staff
March 27, 2026<March 27, 2026 “She’s a Cold Hearted Killer”: A Look at “Gentleman,” Towa Bird’s Rock ‘n’ Roll Love Letter by Dusty Hayes
March 26, 2026<March 30, 2026 “Embracing Innovation, Bei Bei Style”: An Essay by Bei Bei for Women’s History Month by Guest Writer
March 26, 2026<March 26, 2026 “I don’t kiss and tell, I just kiss and sing”: Keni Titus Confronts Her Wandering Eyes on “hands to myself,” a Smoldering Indie Folk Confessional by Mitch Mosk
March 25, 2026<March 25, 2026 Today’s Song: Brooklyn’s Sanford: Laments a Lost World in “Hooked on a Dream” by Chloe Robinson
March 24, 2026<March 25, 2026 “Finding Strength Through Generational Womanhood”: An Essay by BRUX for Women’s History Month by Guest Writer
March 24, 2026<March 24, 2026 “I Like the Voices on the Radio”: Brown Horse Capture Isolation, Motion, & the Slow Burn of Reflection on “Twisters” by Mitch Mosk
March 23, 2026<March 25, 2026 “Being a Trans Woman in the Music Industry”: An Essay by Valentina Moretti for Women’s History Month by Guest Writer
March 23, 2026<March 23, 2026 “All That You Are Is a Lot”: Ray Bull Find Sweetness in the Spiral on a Catchy, Cathartic Anthem of Indecision by Mitch Mosk
March 20, 2026<March 30, 2026 “Beyond the Numbers: Visibility, Gatekeepers, & the Future of Women in Music”: An Essay by Elles Bailey for Women’s History Month by Guest Writer
March 20, 2026<March 20, 2026 “I Want Something Unfamiliar, Unpredictable”: midori jaeger Navigates Uprooting, Identity, & the Pull of the Unknown on “exasperate” and ‘(Un)planted’ by Mitch Mosk
March 19, 2026<March 19, 2026 “Music Is a Journey, Not a Destination”: An Essay by Re Mattei for Women’s History Month by Guest Writer
March 19, 2026<March 23, 2026 “Catch Me on the Comedown”: The Maine Struggle to Slow Down on “Die to Fall,” a Restless Alt-Rock Fever Dream by Mitch Mosk