November 17, 2023<November 17, 2023 Atwood Magazine’s Weekly Roundup: November 17, 2023 by Atwood Magazine Staff
November 17, 2023<November 17, 2023 Today’s Song: Kelsey Abbott’s Dreamy “Night Vision Goggles” Basks in Love’s Eternal Warmth & Beauty by Mitch Mosk
November 16, 2023<November 16, 2023 Today’s Song: Portland, OR’s Glitterfox Ache With Anxiety & Exhaustion on “TV,” a Cathartic Indie Rock Anthem by Mitch Mosk
November 15, 2023<November 20, 2023 Today’s Song: “Uh Oh,” Truth Club’s Heavy-Hitting Grunge Cuts Like a Knife & Chills to the Bone by Mitch Mosk
November 14, 2023<November 14, 2023 Today’s Song: SIPHO.’s “LOCK IT IN (NO REGRETS)” Is an Unapologetic Fever Dream Off Debut LP ‘PRAYERS & PARANOIA’ by Mitch Mosk
November 13, 2023<November 13, 2023 Today’s Song: KRIS Debuts With Haunting & Vulnerable “Black Leather Heaven” by Julius Robinson
November 11, 2023<November 11, 2023 Today’s Song: Kevin Abstract Tries to Forget Love on “What Should I Do?” Off New Album ‘Blanket’ by Laurent Chavannes
November 10, 2023<November 15, 2023 Atwood Magazine’s Weekly Roundup: November 10, 2023 by Atwood Magazine Staff
November 10, 2023<November 10, 2023 Today’s Song: MICHELLE’s “GLOW” & “AGNOSTIC” Are the Latest Entries into Their Sonic Scrapbook by Sofia Sar
November 9, 2023<November 9, 2023 Don’t Make Me “Beg”: Perth’s Joan & the Giants Ache with Unrequited Love in a Bold, Breathtaking Anthem by Mitch Mosk
November 8, 2023<November 8, 2023 Today’s Song: Saskatoon’s Close Talker Stun With “Papier-mâché,” a Cathartic & Charged Indie Rock Reckoning by Mitch Mosk
November 7, 2023<November 7, 2023 Today’s Song: The Beautiful, Bittersweet Weight of Bear’s Den’s “Loneliness” by Mitch Mosk
November 6, 2023<November 6, 2023 When The Pawn…’s 24th Anniversary: How Fiona Apple Shaped a Generation of Singer/Songwriters by Minna Abdel-Gawad
November 6, 2023<November 6, 2023 Today’s Song: Heartache, Longing, & the Lovesick Ache of denn.’s “it’s happening?” by Mitch Mosk
November 5, 2023<November 5, 2023 Today’s Song: Punk Pining and Feminine Rage in Slow Pulp’s “Cramps” by Guest Writer
For the Love of Music
For the Love of Music
