August 14, 2026<August 14, 2026 “To Name It Is to Overpower It”: Hank Heaven Lets Their Guard Down on “Thread” and Comes Out Swinging on ‘Welterweight’ by Mitch Mosk
August 12, 2026<August 12, 2026 “I Hope I Don’t Give Up”: Games We Play Fights the Urge to Quit on His Explosive Pop-Punk Anthem “Is This What I’m Made Of” by Mitch Mosk
August 11, 2026<August 11, 2026 “Oh, I Put My Feelings on Hold Again”: Australia’s ARCHIE Turn Self-Erasure into Dreamy Indie Pop Catharsis on “Nine” by Mitch Mosk
August 10, 2026<August 10, 2026 Atwood Magazine’s Weekly Roundup: August 10, 2026 by Atwood Magazine Staff
August 8, 2026<August 8, 2026 “This Is a Love Letter to South America”: Hermanos Gutiérrez Honor Their Heritage on “Canto Andino” by Ashley Littlefield
August 7, 2026<August 7, 2026 “Falling Off of Pedestals Is Hard”: Rowena Wise Explores the Weight of Expectation on “Diamond in the Rough” by Lily O'Delia
August 6, 2026<August 6, 2026 Editor’s Picks 162: Grace Inspace, lucky break, Josaleigh Pollett, Mal Not Bad, Isaac Neilson, & Sybil Creek! by Mitch Mosk
August 6, 2026<August 6, 2026 “Sing It With Me, My Love”: Alex Izenberg Finds New Light on “Old Gold,” a Sunlit Song of Memory, Wonder, & Music’s Restorative Glow by Mitch Mosk
August 5, 2026<August 11, 2026 “Caught Somewhere Between Numbness and Clarity”: Larlin Capture the Dreamlike Drift of Chronic Dissociation on “Sondheim,” an Intoxicating Alt-Rock Exorcism by Mitch Mosk
August 4, 2026<August 4, 2026 “Some Bridges Are Meant to Be Burned”: BAILEN Break Free with “SWIM!!!” – Roaring Back Fiercer, Freer, & on Their Own Terms by Mitch Mosk
July 31, 2026<July 31, 2026 The Man Behind the Music: How Jason Crisp Became One of Rock’s Most Trusted Guitar Techs by Aileen Goos
July 31, 2026<July 31, 2026 “It’s Only Ever Been You”: Tom Iansek’s #1 Dads Celebrates Love with Sun-Soaked Devotion in “Already Something” by Mitch Mosk
July 30, 2026<July 30, 2026 “It’s Easy to Lose Sight of What’s Real”: Essence Martins Reclaims Presence on “Can We All Slow Down,” a Soul-Stirring Reminder to Reconnect with the World by Mitch Mosk
July 28, 2026<July 28, 2026 “A Bit Frantic and Sometimes Sweet”: Brisbane’s Radium Dolls Bottle Heartbreak, Pressure, & Raw Release into Sweaty Rock ‘n’ Roll by Mitch Mosk
For the Love of Music
For the Love of Music
