July 27, 2026<July 28, 2026 “I Love the Idea of Making Hard Left Turns”: Petey USA on the Art of Making the Other Mistake, the Freedom of Not Thinking Too Hard, and the Push-Pull of Trying to “Kiss the City” by Mitch Mosk
July 24, 2026<July 29, 2026 “One More Little Life Is Starting to Bloom”: Ruti Basks in Love’s Glow on the Sun-Soaked, Summery “FLOWERS” by Mitch Mosk
July 23, 2026<July 23, 2026 Editor’s Picks 161: Hollow Hand, Noonzy, Nautics, Maggie Miles, Closebye, & Flowers for the Dead! by Mitch Mosk
July 23, 2026<July 23, 2026 “It’s a Shallow World but I’m a Big Girl Now”: Chess Smith Turns Betrayal into a Pure Pop Celebration on “I’m Dead To You (And That’s OK)” by Lily O'Delia
July 22, 2026<July 22, 2026 “Last Year Is Still All Over Me”: Soft Loft Reckon With Old Ghosts, Bad Timing, and the Gamble of Growing Up Through Restless, Radiant Indie Pop by Mitch Mosk
July 21, 2026<July 22, 2026 “I Hate Myself, So I Turn It Into Art”: Medium Build Rips Through Every Defense Mechanism on “Armor,” a Feverish Reckoning with the Terror of Being Known by Mitch Mosk
July 20, 2026<July 20, 2026 “Who Owns Who?”: Cara Delevingne Finds Her Voice on the Electrifying, Emotionally Razor-Sharp “Need It” by Danielle Holian
July 18, 2026<July 18, 2026 “Justice, an Obsession”: U2’s “Street of Dreams” Is a Defiant Anthem of Hope and Empowerment for Today’s World by David Buyze
July 17, 2026<July 17, 2026 “Only Real Human Connection Will Save Us”: Valley Are Still Choosing Each Other as “Vending Machine” Kicks Open a Loud, Unapologetic, & Playful New Era by Mitch Mosk
July 16, 2026<July 16, 2026 “Can We Stop Pretending That It’s All So Good?”: Sleeping With Sirens Return to Glory with “An Ending In Itself” by Will Yarbrough
July 15, 2026<July 15, 2026 “Blood Ties” and Hard Truths: Rowena Wise Is Making Peace With the Mess of Being Human Through Smoldering, Unflinching Indie Folk Songs by Mitch Mosk
July 14, 2026<July 14, 2026 Liner Notes: A Pretty Park With Paige O, Toronto’s Ladybug-Stickered Singer/Songwriter by Guest Writer
July 13, 2026<July 13, 2026 “I’m Just a Tourist From the 51st State”: The Howlers Wake Up from the American Dream on “L.A. Morning” by Rachel Leong
For the Love of Music
For the Love of Music
