November 6, 2023<December 11, 2023 Today’s Song: Heartache, Longing, & the Lovesick Ache of denn.’s “it’s happening?” by Mitch Mosk
November 5, 2023<January 13, 2024 Today’s Song: Punk Pining and Feminine Rage in Slow Pulp’s “Cramps” by Hannah Burns
November 4, 2023<November 4, 2023 Today’s Song: Beabadoobee and Laufey Create an Unforgettable Track With “A Night to Remember” by Laurent Chavannes
November 3, 2023<November 3, 2023 Today’s Song: Wild Nothing Pushes the Limits in Reflective Track “Prima” Off New LP ‘Hold’ by Beau Hayhoe
November 2, 2023<November 2, 2023 Today’s Song: mehro’s New Single Is an Intimate Rush of Raw “dopamine” by Mitch Mosk
November 1, 2023<November 1, 2023 “There’s no need to cry”: Allie X Returns With Enticingly Eerie Dark-Pop Single “Black Eye” by Marissa DeLeon
October 31, 2023<October 31, 2023 His Beautiful Dark Twisted Melancholy: LA’s Lee Lewis Bares His Soul on Lovelorn Debut Single “Willing & Able” by Mitch Mosk
October 30, 2023<October 30, 2023 “Eyes on the Prize”: The Revolutionary Energy of Ethan Buckner’s Anthemic, Emotionally Charged Debut Single by Mitch Mosk
October 29, 2023<October 29, 2023 Today’s Song: BADBADNOTGOOD & Charlotte Day Wilson Reawaken Their Exceptional Partnership for Silky “Sleeper” by Kendall Graham
October 27, 2023<October 27, 2023 Jazmin Bean’s “Terrified” Channels ’90s Britpop into an Anthem of Love’s Breathtaking Beauty by Mitch Mosk
October 26, 2023<November 21, 2023 Today’s Song: Psymon Spine’s “Boys” Is a Smoldering Psych-Rock Seduction by Mitch Mosk
October 25, 2023<October 25, 2023 Today’s Song: Grunge, Galway, & HBO’s Euphoria Converge in NewDad’s “Angel” by Mitch Mosk
October 24, 2023<January 24, 2024 Today’s Song: Future Islands Make Triumphant Return with New Single “The Tower” Off 7th Album ‘People Who Aren’t There Anymore’ by Beau Hayhoe
October 23, 2023<October 23, 2023 Today’s Song: Humm Embrace the Clarity of Solitude Within “Danced Alone (who I am when I’m in love)” by Sophie Severs
October 21, 2023<October 21, 2023 Today’s Song: Kevin Abstract’s “Blanket” Is Scary… But in a Good Way by Sofia Sar