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Lily O'Delia

Lily O'Delia

Penelope Isles’ Jack and Lily Wolter © Declan Haughian
Features, Interviews, MusicSeptember 23, 2026<September 23, 2026

“There’s a Little Secret Knowing Between Us”: Penelope Isles Turn a Decade of Sibling Shorthand into ‘3,’ a Third Album That Trades Perfectionism for Instinct

Lucifena © Roxy Rodriguez
Features, Interviews, MusicSeptember 9, 2026<September 9, 2026

Lucifena Refused to Give Up on Music. Years Later, Lil Wayne Made Her Young Money’s First Female Rock Artist

Television Skies © 2026
Interviews, MusicSeptember 8, 2026<September 8, 2026

On the Edge of Becoming: Television Skies and the Sound of New York in Motion

Oh Pray Tell "Poor Black Woman Blues"
Columns, Music, Today's SongSeptember 7, 2026<September 6, 2026

“Got Myself My Mojo Back”: Oh Pray Tell Summon Protection and Ancestral Memory on “Poor Black Woman Blues”

Bird © Henry Hu
Columns, Music, Today's SongSeptember 5, 2026<September 5, 2026

The Moment Before Impact: Bird Maps the Wreckage of a Relationship on “The Car”

Cautious Clay © Travys Owen
Features, Interviews, MusicSeptember 3, 2026<September 3, 2026

“I Want to Maintain That Softness”: Cautious Clay on ‘High Noon’ and the Value of Staying Open

Westside Cowboy © Clémentine Schneidermann
Columns, Music, Today's SongAugust 31, 2026<August 31, 2026

“You Learn Your Limits”: Westside Cowboy Wrestle With Self-Control on “Pin Up Boys”

Margaret Glaspy © Ebru Yildiz
Features, Interviews, MusicAugust 27, 2026<August 27, 2026

Away From the Algorithm: Margaret Glaspy on Finding “Original Thought,” Trusting Her Instincts, and ‘I Am Both’

Charming Disaster © Kim Meinelt
Features, Interviews, MusicAugust 20, 2026<August 20, 2026

“We Can All Be Strange Together”: Charming Disaster on ‘The Double,’ Creative Synchronicity, and Following “What If?” Wherever It Leads

Rowena Wise © Nick Mckk
Columns, Music, Today's SongAugust 7, 2026<August 7, 2026

“Falling Off of Pedestals Is Hard”: Rowena Wise Explores the Weight of Expectation on “Diamond in the Rough”

Candice Hoyes © Courtney Yates
Debut, Features, Interviews, MusicJuly 24, 2026<July 24, 2026

“There Are These Treasures Inside My Songs”: Candice Hoyes on Preserving Black Stories Through Music and the Living Archive of Her Debut Solo Album, ‘Expecting’

Chess Smith © Off By Heart Recording and Visuals
Columns, Music, Today's SongJuly 23, 2026<July 23, 2026

“It’s a Shallow World but I’m a Big Girl Now”: Chess Smith Turns Betrayal into a Pure Pop Celebration on “I’m Dead To You (And That’s OK)”

Mallory Feuer of The Grasping Straws © Liz Sadkowski
Interviews, MusicJuly 20, 2026<July 21, 2026

Oneness, Serendipity, & Songwriting: A Conversation with Mallory Feuer of The Grasping Straws

Personal Trainer © Sophie Koterus Korting
Columns, Music, Today's SongJune 22, 2026<June 22, 2026

“Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

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  • Angus & Julia Stone Turn Lipstick Marks and Bathroom Walls into Songs of Memory & Connection on ‘Karaoke Bar’ September 30, 2026
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  • Roundtable Discussion: A Review of Vince Staples’ ‘Cry Baby’ September 30, 2026
  • Album Review: The Aching Luminescence of Ghostly Kisses’ ‘Across the Pond’ September 30, 2026
  • “I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower September 30, 2026
  • “This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut September 29, 2026
  • “The Final Three Songs Are Like Being Shot Three Times”: Sibling Duo Wasia Project Yearn for Closeness on ‘Nocturne,’ a Late-Night Debut About Loneliness & Connection September 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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