March 25, 2025<March 25, 2025 “A Little Underdressed and a Teeny Bit Sloppy”: Your Smith Returns with a ‘De-Invention’ on Her Own Terms by Mitch Mosk
March 25, 2025<March 25, 2025 Interview: Jill Andrews Confronts the Darkness Head-On With ‘Big Feelings’ by Emily Frances Algar
March 24, 2025<March 24, 2025 “I Wanted to Make Something That Was Kind of Lulling You to Sleep”: Puma Blue Talks Honesty, Spirituality, & Stepping Out of the Box With ‘antichamber’ by Desire' Jackson-Crosby
March 20, 2025<March 20, 2025 “Breakup & Run”: Anna Shoemaker on Heartache, Healing, and Choosing Herself on ‘Someone Should Stop Her’ by Mitch Mosk
March 14, 2025<March 25, 2025 “I Just Wanted to Be Wanted”: Soda Blonde’s “People Pleaser” Is a Bold Reckoning with Love, Validation & Self-Worth by Mitch Mosk
March 13, 2025<March 13, 2025 “We hit this magical frequency”: Emile Mosseri Breaks Down His Sophomore Album ‘tryin to be born’ by Mitch Mosk
March 13, 2025<March 13, 2025 Track-by-Track: The Veils Take Us on a Poetic Journey Through Love & Death in ‘Asphodels’ by Joe Beer
March 12, 2025<March 12, 2025 Interview: Clara Mann Finds Hope in the Spaces Between on Shimmering Debut Album ‘Rift’ by Rachel Leong
March 12, 2025<March 12, 2025 Interview: Post Sex Nachos Are Having More Fun Than You by Annaliese Baker
March 7, 2025<March 7, 2025 Track-by-Track: Arny Margret’s Intimate, Expansive, & Achingly Vulnerable Sophomore Album, ‘I Miss You, I Do’ by Mitch Mosk
March 7, 2025<March 7, 2025 Interview: Caylee Hammack Tends to Her Heart on ‘Bed of Roses’ by Emily Frances Algar
March 6, 2025<March 6, 2025 Feature: Holly Lovell Channels Grief into Beauty on ‘Hello Chelsea,’ a Record of Addiction, Loss, & Healing by Mitch Mosk
March 6, 2025<March 6, 2025 ‘Stay with the Horses’: Alexander Biggs on Letting Go, Pushing Boundaries, & Finding Clarity on His Sophomore Album by Mitch Mosk
March 5, 2025<March 5, 2025 Lineage, Legacy, & Universal Language: NIJI Comes Home on ‘Oríkì,’ a Bold Journey Through Music, Identity, and Ancestry by Mitch Mosk
March 5, 2025<March 5, 2025 “I Wanted to Make Something Undeniable”: Hope Tala on the Raw Emotions & Intimate Ink Stains of ‘Hope Handwritten’ by Mitch Mosk
For the Love of Music
For the Love of Music
