May 5, 2026<May 6, 2026 Looping Lyrics & Looney Tunes: Michele Bry Bottles Nostalgia into Perfume on Her Debut Mixtape ‘Essentials Vol. 1’ by Guest Writer
May 5, 2026<May 6, 2026 The Twelve-Year Fire: Livingmore on Love, Creativity, Identity, Independence, & the Kindness of Japan’s Music Scene by Guest Writer
May 5, 2026<May 5, 2026 “You Break My Apathy”: Mount St. Helen Erupts on “Nineteen,” a Feverish Indie Rock Blaze of Memory, Desire, & Regret by Mitch Mosk
May 4, 2026<May 4, 2026 “I Feel Freed”: Hackney’s Pierre Da Silva Surrenders to Temptation on “Taboo,” a Smoldering, Soul-Soaked Seduction by Mitch Mosk
May 1, 2026<May 1, 2026 Meet Moody Joody: Three Musicians, Two Prevailing Moods, One Awesome Pop Trio Worth Keeping Your Eyes On by Josh Weiner
May 1, 2026<May 2, 2026 “I’m Gonna Keep on Throwing Curveballs”: Brett Emmons Starts Fresh as John Shambles on ‘Cabin Fever,’ His Most Honest, Unvarnished Work Yet by Aileen Goos
May 1, 2026<May 6, 2026 “My Limerence Just Fell on You”: People I’ve Met Slowly Unravel into Aching Catharsis on “Loving One,” a Fragile, Intimate, & Soul-Stirring Reverie by Mitch Mosk
April 30, 2026<April 30, 2026 “No One’s Gonna Take What I’ve Found”: Walker Reinhardt Sends New Love Skyward on “Dreaming,” a Golden Pop Rush of Romance & Euphoria by Mitch Mosk
April 30, 2026<April 30, 2026 “The Morning Skies Are for You”: Rosenthal Transforms Lost Love into Light on “Luna,” a Glistening Reverie of Gratitude & Memory by Mitch Mosk
April 30, 2026<April 30, 2026 “We Brought Out the Weight”: Ok Goodnight Roar Through Betrayal, Forgiveness, & Creative Rebirth on “22,” a Feverish Hard Rock Reckoning by Mitch Mosk
April 29, 2026<April 29, 2026 “God Forbid She Shows Emotion”: Annabelle Dinda Stakes Her Claim on ‘Some Things Never Leave,’ a Fearless Debut Album About Memory, Identity, & Emotional Residue by Mitch Mosk
April 29, 2026<April 29, 2026 “Layin’ It Bare”: The Temper Trap on Transforming Grief into a Soaring New Life in “Giving Up Air” & Fourth Album ‘Sungazer’ by Mitch Mosk
April 25, 2026<April 25, 2026 “I Made Something Beautiful Out of That Pain”: Liya Shapiro Turns Heartache into Catharsis on “Another Woman” by Joe Beer
April 24, 2026<April 24, 2026 “What You Hear Is What Was Played”: Any Young Mechanic Are Bringing Raw, Beautifully Human Imperfections Back to Modern Folk Music by Mitch Mosk
For the Love of Music
For the Love of Music
