June 2, 2026<June 2, 2026 “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning by Mitch Mosk
June 2, 2026<June 2, 2026 “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release by Mitch Mosk
June 1, 2026<June 2, 2026 “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” by Noa Jamir
June 1, 2026<June 1, 2026 “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters by Mitch Mosk
May 29, 2026<May 29, 2026 “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full by Mitch Mosk
May 29, 2026<June 8, 2026 “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything by Mitch Mosk
May 28, 2026<May 28, 2026 Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ by Nicolle Knapová
May 28, 2026<May 28, 2026 “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights by Josh Weiner
May 28, 2026<May 28, 2026 “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie by Mitch Mosk
May 28, 2026<May 28, 2026 “I Thought It Might Numb Something in Me”: ill peach Turn a Bad Night into Volatile Alt-Pop on “MOLLY’S NOT A FRIEND” by Mitch Mosk
May 27, 2026<May 28, 2026 “How Dare You?”: Isabelle Skye Turns a Traumatic Encounter into a Beautiful, Empowering Indie Pop Reckoning on “Subaru” by Mitch Mosk
May 27, 2026<May 27, 2026 Electrifying, Explosive, and Colorful: London’s Marigo Bay Arrives with Cathartic Debut LP ‘Racecars & Rockstars’ by Rachel Leong
May 21, 2026<May 21, 2026 “Our Reality Is Noisy”: April + VISTA Make Comfort Music for a World on Fire with ‘Traditional Noise,’ a Cinematic & Boundary-Breaking Debut by Mitch Mosk
May 21, 2026<May 21, 2026 “All I Get from You Is Voicemail”: Ana Grosh Cries Out for Connection on “Call Me Back,” a Soul-Soaked Anthem for the After-Party Blues by Mitch Mosk
May 21, 2026<May 21, 2026 “If it stops being fun, what are we even doing?”: DELTONA Are Turning Country Music into One Big Tailgate with “Party’s in the Back” by Aileen Goos
For the Love of Music
For the Love of Music
