October 8, 2026<October 8, 2026 “This Is a Rock Band”: The Bends Let Loose on ‘If You Insist,’ a Spirited Debut Fueled by Friendship, Freedom, and Rock ‘n’ Roll by Kelly McCafferty Dorogy
October 8, 2026<October 8, 2026 “I Don’t Wanna Leave You Behind”: Emma Ogier & Eden Joel Give Their Post-Breakup Friendship a Smoldering Anthem with “Rocksteady/HeavyMetal” by Mitch Mosk
October 7, 2026<October 7, 2026 “This Record Personally Feels Like a Reset Button”: Adam Rubenstein Reaches for What Still Connects Us on the Restless, Radiant ‘Firebreak’ and “Don’t Mean Much” ft. Vernon Reid by Mitch Mosk
October 6, 2026<October 6, 2026 “Shipped You Off to Practice What We Preach”: Spanish Love Songs Put the American Promise on Trial with “Good American,” a Furious Rock Anthem Reclaiming Patriotism Through Solidarity by Mitch Mosk
October 5, 2026<October 7, 2026 “I’m Right Where I Always Wanted to Be”: Ken Yates Makes Room for Every Shade of Life on ‘Total Cinema,’ a Vibrant Portrait of a Late Bloomer in Full Bloom by Mitch Mosk
October 2, 2026<October 5, 2026 “We Have to Face the Pain to Unlock Healing”: Jeff Darko Reveals His Soul on Daring Debut ‘Heavy Water Blues,’ a Spellbinding Vision of Psychedelic Gospel by Mitch Mosk
October 2, 2026<October 2, 2026 Interview: Dexter and the Moonrocks Let It All in on Debut Album ‘Friends That I Don’t Like’ by Emma Schoors
October 1, 2026<October 2, 2026 “The Truth as the Mission”: The Suffers’ Kam Franklin Puts Trauma, Desire, & Defiance on the Record with ‘Land of the Neon Sun,’ Her Uncompromising Solo Debut by Mitch Mosk
October 1, 2026<October 1, 2026 No More Forgive and Forget: Sabrina Sterling Takes Justice into Her Own Hands on ‘An American Crime’ by Nicolle Knapová
September 30, 2026<September 30, 2026 Angus & Julia Stone Turn Lipstick Marks and Bathroom Walls into Songs of Memory & Connection on ‘Karaoke Bar’ by Aileen Goos
September 30, 2026<October 1, 2026 “Leave Any Sense of Ego at the Door”: Post Sex Nachos Are Your Favorite Rock Band by Annaliese Baker
September 30, 2026<September 30, 2026 “I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower by Mitch Mosk
September 29, 2026<September 29, 2026 “This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut by Mitch Mosk
September 29, 2026<September 29, 2026 “The Final Three Songs Are Like Being Shot Three Times”: Sibling Duo Wasia Project Yearn for Closeness on ‘Nocturne,’ a Late-Night Debut About Loneliness & Connection by Isabella Appell
September 28, 2026<September 28, 2026 “More People Equals More Life”: Martin Luke Brown’s Joyfully Chaotic ‘life & death etc’ Is a Hazy, Soulful Celebration of Feeling Everything by Mitch Mosk
For the Love of Music
For the Love of Music
