August 20, 2026<August 20, 2026 “The More I Think About It, I’m Just Doing Fine”: Mildred Unearth the Strange Poetry of Ordinary Life on “Fish Sticks” & Their Homespun Debut Album ‘Fenceline’ by Mitch Mosk
August 19, 2026<August 19, 2026 “If You Have Life, You Should Celebrate It”: Bad With Phones Channels Grief into a Propulsive Celebration of Life on “Human” by Mitch Mosk
August 19, 2026<August 19, 2026 “I Learned How to Speak My Mind”: Grace Ives on Independence, Inner Critics, and Her Bold, Restless Third Album, ‘Girlfriend’ by Nasim Elyasi
August 19, 2026<August 19, 2026 “Open Your Mouth and Sing!”: Danni Nicholls Lets Intuition Lead on the Warm, Soul-Searching Americana of ‘Making Moves’ by Aileen Goos
August 18, 2026<August 18, 2026 “It’s as Beautiful as It’s Treacherous”: Afternoon Bike Ride Run Headlong Through Love, Loss, & the Fullness of Life on ‘Running With Scissors’ by Mitch Mosk
August 18, 2026<August 18, 2026 “Better to Climb and Take the Fall”: Kelly Hunt Rewrites Humpty Dumpty on “All The King’s Horses,” a Breathtaking Folk Ballad About Risking Everything for Love by Mitch Mosk
August 18, 2026<August 18, 2026 “Ideas That Come From the Heart”: The Strange, Sudden Rise of Chezile by Nasim Elyasi
August 14, 2026<August 14, 2026 “To Name It Is to Overpower It”: Hank Heaven Lets Their Guard Down on “Thread” and Comes Out Swinging on ‘Welterweight’ by Mitch Mosk
August 14, 2026<August 14, 2026 “I’ve Always Wanted to Be Chosen”: Dani Stocksdale Turns 20-Something Yearning and Uncertainty into Dreamy Indie Pop on ‘Whatever This Is’ by Bárbara Martínez Campuzano
August 13, 2026<August 13, 2026 “I Want to Be Known”: Oh Louise Debuts with Melodic Grace, Bruising Honesty, and Haunting Intimacy on “Do You Lie To Everyone” by Mitch Mosk
August 13, 2026<August 13, 2026 “I’ve Lost the Feeling of How to Be Loved by You”: Portair & Joy Williams Grieve the Slow End of Love with Haunting Indie Folk Beauty by Mitch Mosk
August 12, 2026<August 12, 2026 “It’s Like Making Love”: Dali Rose’s Star Burns Bright on “Parisian Mama,” a Smoldering Alt-R&B Fantasy by Mitch Mosk
August 12, 2026<August 12, 2026 “I Hope I Don’t Give Up”: Games We Play Fights the Urge to Quit on His Explosive Pop-Punk Anthem “Is This What I’m Made Of” by Mitch Mosk
August 12, 2026<August 12, 2026 “Fun, Confident, Sisterhood”: Rachael Fahim on the Runaway Success of Her Debut Album ‘Who You Are’ and Taking Her Country-Pop to the Global Stage by Aileen Goos
August 11, 2026<August 11, 2026 “Oh, I Put My Feelings on Hold Again”: Australia’s ARCHIE Turn Self-Erasure into Dreamy Indie Pop Catharsis on “Nine” by Mitch Mosk
For the Love of Music
For the Love of Music
