April 17, 2020<April 17, 2020 Interview with Sody: Sensational Songwriting with a Personal Edge by Luke Pettican
April 17, 2020<May 15, 2020 Feature: Brian Fallon Becomes the Folk Star He Always Wanted to Be on Stripped-Down ‘Local Honey’ by Oliver Crook
April 16, 2020<April 16, 2020 Interview: Raye Zaragoza Breaks Gender Barriers with Single “Fight Like a Girl” by Chloe Robinson
April 16, 2020<May 15, 2020 Interview: Artist-to-Watch Soda Blonde Soar in Stunning Debut EP ‘Terrible Hands’ by Mitch Mosk
April 15, 2020<April 14, 2020 Baby, It’s Okay: An Interview with Indie Pop Couple Flora Cash by Mitch Mosk
April 15, 2020<May 3, 2023 Feature: Inside Firewoodisland’s Hopeful & Hauntingly Beautiful Self-Titled Album by Mitch Mosk
April 14, 2020<January 2, 2025 Interview with Caroline Rose: COVID-19 Camaraderie, Concept Albums, and Crunching Cellophane by Tim Horwood
April 13, 2020<April 13, 2020 Interview: Transatlantic Trio Raynes on Folk Music, Philosophical Ideals, and Isolation by Chloe Robinson
April 9, 2020<October 26, 2023 Growth in a Time of Stress: A Conversation with The Districts by Matthew Dunn
April 9, 2020<April 9, 2020 Anxiety, Innocence, and Vulnerability: An Interview with Chloe Moriondo by Mitch Mosk
April 8, 2020<April 8, 2020 Back in the Desert & Bringing Heat in the Studio: A Conversation with Emmy Wildwood by Josh Weiner
April 8, 2020<April 8, 2020 Interview: Peeling Back Layers of Lo-Fi Fruit with The Lazy Eyes & New Single “Tangerine” by Nick Matthopoulos
8.9 April 7, 2020<December 15, 2020 Track-by-Track: Inside Michael Baker’s Achingly Beautiful Sophomore Album ‘Salt’ by Mitch Mosk
April 7, 2020<April 6, 2020 Interview: Otherworldly Pop Artist Vôx Vé on Managing Mental Health & Her Debut EP ‘Dream Theory 1’ by Chloe Robinson
April 7, 2020<April 6, 2020 Interview: Felly Focuses on New Album ‘Mariposa’ and Bigger Picture by Lexi Lane
For the Love of Music
For the Love of Music
