May 7, 2024<May 7, 2024 Circling the Drain: Atlanta Rock Trio Microwave Talk New Album ‘Let’s Start Degeneracy’ by James Crowley
May 6, 2024<May 6, 2024 ‘The Burden of Fever Dreams’: Parisian Artist Ethel Dwells in Hazy, Dreamy Depths on Seductive & Smoldering Debut EP by Mitch Mosk
May 6, 2024<May 6, 2024 “Don’t forget I’m still somebody’s daughter”: néomí’s Breathtaking Debut Album Shines With Her Real, Raw, & Unfiltered Humanity by Mitch Mosk
May 6, 2024<May 6, 2024 “A cross between Blade Runner and a Tim Burton film”: Last Dinosaurs’ Lachlan Caskey on AI, Capitalism, and the Band’s Space-Age Transmissions, ‘KYO’ & ‘RYU’ by Em Tomeo
May 3, 2024<May 3, 2024 “Life is short but time is very slow”: Rachel Chinouriri Reflects on a Captivating, Vulnerable, & Healing Debut by Jake Fewx
May 3, 2024<May 3, 2024 Interview: R&B Artist Skylar Simone on Her Def Jam Signing, Sensual New Single “Shiver,” & Ten Years in the Music Industry by Mitch Mosk
May 3, 2024<May 2, 2024 “This one feels like romance anew”: The Libertines Return to Form on ‘All Quiet on the Eastern Esplanade,’ a Record of Shadowy Figures, Bright Faces, Optimism, & Regret by Danny Vagnoni
May 2, 2024<May 2, 2024 ‘I think I might be grown’: Mae Krell Charts Her Coming-of-Age in a Debut Album of Healing, Hope, & Choosing Life by Mitch Mosk
May 2, 2024<May 2, 2024 “An Erotic Sigh of Surrender”: Brie Stoner Premieres Her Empowering and Vulnerable Debut Album ‘Me Veo’ by Mitch Mosk
May 2, 2024<May 2, 2024 Feature: Austin’s Large Brush Collection Find Their Balance on ‘Off Center,’ a Delicate & Sweeping Tapestry of Folk by Mitch Mosk
May 2, 2024<May 2, 2024 “It’s kind of liberating”: Frank Turner Is ‘Undefeated’ on His Enthralling Tenth Studio Album by Michael Greco
May 1, 2024<April 30, 2024 “Every feeling is temporary”: Clarence James Opens Up About Mental Health Struggles & Isolating Tendencies on “Flake” by Chloe Robinson
April 30, 2024<April 30, 2024 “The golden days will come”: Joshua Hyslop’s Inner Light Shines on ‘Evergold,’ a Warm & Wistful Folk Reverie by Mitch Mosk
April 30, 2024<April 30, 2024 “Dare turn and face me”: Melbourne’s Mia Dyson Wears Her ‘Tender Heart’ on Her Sleeve in a Radiant Record of Life, Love, & Human Connection by Mitch Mosk
April 30, 2024<May 15, 2024 “You sink or swim or you learn to fly”: Bridget Kearney Rises and Shines in ‘Comeback Kid,’ a Record of Resilience, Rebirth, & Reconnection by Mitch Mosk
For the Love of Music
For the Love of Music
