March 20, 2026<March 20, 2026 “I Want Something Unfamiliar, Unpredictable”: midori jaeger Navigates Uprooting, Identity, & the Pull of the Unknown on “exasperate” and ‘(Un)planted’ by Mitch Mosk
March 20, 2026<March 26, 2026 “I’m in the Middle of the Past and the Future”: Chet Faker Comes Full Circle on ‘A Love for Strangers,’ Returning to Instinct, Curiosity, & the Feeling That Started It All by Mitch Mosk
March 19, 2026<March 23, 2026 “Catch Me on the Comedown”: The Maine Struggle to Slow Down on “Die to Fall,” a Restless Alt-Rock Fever Dream by Mitch Mosk
March 18, 2026<April 13, 2026 Every Single Song Is About You: CARR’s Sophomore Record ‘CARRGIRRL’ Is This Spring’s Most Relatable Soundtrack of Messy Decisions by Kelsey Ferrell
March 18, 2026<March 18, 2026 “We Wanted to Make a Really Sexy Song”: Silverdeer Erupt with Pleasure and Power on “Open Mouth,” a Playful, Sweaty Celebration of Sexuality by Mitch Mosk
March 17, 2026<March 17, 2026 “Staring Straight Down the Lens”: Soda Blonde Turn Shame into Power on “Suit & Tie,” a Liberating Alt-Pop Reckoning with Identity and Self-Worth by Mitch Mosk
March 16, 2026<March 16, 2026 Delaney Bailey Isn’t Scared of Growth: The Expansive Pressure of ‘Concave’ and Evolving As an Artist by Rachel Leong
March 15, 2026<March 15, 2026 “Hold My Arms, Pin Me Down”: MARIS Unleashes a Sweaty, Smoldering Pop Fever Dream on “Body Is on Fire” by Mitch Mosk
March 14, 2026<March 14, 2026 “Silence Can Become Its Own Kind of Statement”: J.MYSTERY on Finding the Courage to Speak Through “Change” by Joe Beer
March 13, 2026<March 14, 2026 “There’s No Gold at the Top”: The Format on Reuniting and Making ‘Boycott Heaven,’ a Raw Reckoning with Our Fractured World by Mitch Mosk
March 13, 2026<March 13, 2026 “You Have to Trust There Will Be a Light”: Tessa Rose Jackson Finds Clarity in ‘The Lighthouse’ by Aileen Goos
March 12, 2026<March 12, 2026 Living ‘The Dream’ with The Favors: Ashe on Forming a Band with FINNEAS and Rediscovering the Joy of Making Music by Mitch Mosk
March 12, 2026<March 12, 2026 Dreaming in Sound: Reifier on Identity, Dreams, and the Making of ‘The Unfolding’ by Nicolle Knapová
March 12, 2026<March 12, 2026 Living in the Moment with Florentenes’ Roaring Indie Rock Anthem “Madeline” by Mitch Mosk
For the Love of Music
For the Love of Music
