April 30, 2025<April 30, 2025 “It’s a hell of a ride”: Luke Tyler Shelton Embraces the Endless Thrill of Love on His Feel-Good Fifth Single by Mitch Mosk
April 30, 2025<April 30, 2025 Live Review: Lunar Vacation Steal the Show During Their Performance on Super Bowl Sunday by Miranda Urbanczyk
April 30, 2025<April 30, 2025 Bachman-Turner Overdrive Mark a Milestone in Enduring Rock Legacy with New Music by Aileen Goos
April 30, 2025<April 30, 2025 Interview: Bailey Spinn Can’t Wait to See You Cry Tears of Joy on Tour by Annaliese Baker
April 30, 2025<April 30, 2025 Interview: Singer Cooper Phillip Breathes Life into Voices and Discovers a Path to Empowerment by Chloe Robinson
April 29, 2025<April 29, 2025 Interview: The Walters Celebrate ‘Good Company’ with a Debut Album Rooted in Friendship, Resilience, & Rediscovery by Miranda Urbanczyk
April 28, 2025<April 29, 2025 Atwood Magazine’s Weekly Roundup: April 28, 2025 by Atwood Magazine Staff
April 28, 2025<April 28, 2025 Interview: Momma Discuss Their Unfiltered & Unapologetic Fourth Album ‘Welcome to My Blue Sky’ by Juls Patterson
April 28, 2025<April 28, 2025 Premiere: bat zoo’s Achingly Intimate “Frozen Milk” Is a Raw Reckoning with Grief, Growth, & the Fragile Beauty of Connection by Mitch Mosk
April 28, 2025<April 27, 2025 Today’s Song: Boredom Turns to Yearning for Absent Love on The Murder Capital’s “A Distant Life” by Adam Davidson
April 27, 2025<April 27, 2025 Today’s Song: YUNGBLUD’s “Lovesick Lullaby” Is a Brit-Rock Blitz by Danielle Holian
April 26, 2025<April 25, 2025 Lorde Invites Heartbreaking Praise in “What Was That” by Annaliese Baker
April 25, 2025<April 25, 2025 “Fully and Unadulteratedly Mine”: d4vd Reflects on Personal Evolution, the Art of Worldbuilding, and Beauty in Serendipitous Timing on ‘WITHERED’ by Isabella Le
April 25, 2025<April 26, 2025 Interview: Samia’s ‘Bloodless’ Is a Return to Form and Reclamation of Self by Nasim Elyasi
For the Love of Music
For the Love of Music
