December 16, 2025<December 16, 2025 “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ by Isabella Le
December 16, 2025<December 15, 2025 “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” by Mitch Mosk
December 15, 2025<December 15, 2025 Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! by Mitch Mosk
December 15, 2025<December 15, 2025 Atwood Magazine’s Top Artist Discoveries of 2025 by Atwood Magazine Staff
December 15, 2025<December 15, 2025 “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” by Mitch Mosk
December 14, 2025<December 12, 2025 “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession by Mitch Mosk
December 13, 2025<December 12, 2025 “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ by Ashley Littlefield
December 12, 2025<December 12, 2025 Tales from the Garden: Seven Lions Is Making and Breaking the Formula by Guest Writer
December 12, 2025<December 12, 2025 Atwood Magazine’s Best Concerts of 2025! by Atwood Magazine Staff
December 12, 2025<December 13, 2025 Interview: Clover County on the ‘Finer Things,’ Romanticising Life, and Rediscovering Her Whimsy by Kelly McCafferty Dorogy
December 12, 2025<December 12, 2025 “Rev It, Brake It, Love Ya, Mean It”: Savannah Conley Cuts Loose on “Love You Mean It,” a Fun, Feverish Indie Rock Rebirth by Mitch Mosk
December 11, 2025<December 11, 2025 “I Haven’t Heard That Sound Yet”: Copenhagen’s Barbro Premieres “What Men Do,” a Softly Smoldering Indie Folk Reckoning of Unlearning & Quiet Resistance by Mitch Mosk
December 11, 2025<December 11, 2025 “Dark, Romantic, & Disorienting”: Dead Gowns Channels Desire and Grief into an Indie Folk Storm on Debut Album ‘It’s Summer, I Love You, and I’m Surrounded by Snow’ by Mitch Mosk
December 11, 2025<December 11, 2025 “Fragile, Euphoric, & True”: Nick & June Craft a Cinematic Rebirth on ‘New Year’s Face,’ an Intimate Meditation on Who We Were, Who We Are, and Who We Might Become by Mitch Mosk
December 11, 2025<December 11, 2025 Review: Underbrook Burst onto the Scene with Explosive Pop-Punk Debut EP ‘Was Happiness Too Boring for You?’ by Kaiana Lee
For the Love of Music
For the Love of Music
