May 16, 2026<May 16, 2026 “Don’t Give Up on Us”: Lewis Capaldi Finds Stillness in the Storm on “Stay Love” by Danielle Holian
May 15, 2026<May 20, 2026 “I Can’t Help Myself, I’m All About You”: Lola Blue Surrenders to the Bright Rush of Young Love on “Heartbeat,” a Dreamy Indie Pop Seduction by Mitch Mosk
May 15, 2026<May 15, 2026 Kacey Musgraves Chases Away the Past & Lassos the Future on ‘Middle of Nowhere’ by Yashavi Upasani
May 15, 2026<May 14, 2026 ‘Please Stop Laughing’: Ray Bull Find Freedom in the Unknown on a Playful, Spirited Indie Pop Album Full of Jokes, Bruises, & Feeling by Mitch Mosk
May 14, 2026<May 14, 2026 “You Can Hear Us If You Listen”: Tom Smith’s “Lights of New York City” Is an Ode to Memory, Youth, & Living Beyond Time by David Buyze
May 14, 2026<May 14, 2026 Nostalgia Tracks: She & Him’s “I Thought I Saw Your Face Today” and the Ghosts of Post-Grad Life by Isabella Appell
May 14, 2026<May 14, 2026 “Why You Digging Your Own Grave?”: Jonathon Penn Unearths Grace, Guilt, & Reckoning on “Compensation (Or, The Snake Song),” a Tender, Rattled Folk Song by Mitch Mosk
May 14, 2026<May 16, 2026 “Plant Your Roots Upon My Tired Bones”: Driftwood Choir’s Ed Prosek Finds Forever Beneath the “Tall Pines” in a Breathtaking Indie Folk Reverie of Fatherhood, Legacy, & Light by Mitch Mosk
May 13, 2026<May 13, 2026 “A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie by Mitch Mosk
May 13, 2026<May 13, 2026 Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’ by Atwood Magazine Staff
May 13, 2026<May 13, 2026 “Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All by Mitch Mosk
May 13, 2026<May 13, 2026 Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut by Joe Beer
May 13, 2026<May 13, 2026 “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie by Mitch Mosk
May 12, 2026<May 12, 2026 “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet by Mitch Mosk
For the Love of Music
For the Love of Music
