September 30, 2026<September 30, 2026 Roundtable Discussion: A Review of Vince Staples’ ‘Cry Baby’ by Atwood Magazine Staff
September 30, 2026<September 30, 2026 Album Review: The Aching Luminescence of Ghostly Kisses’ ‘Across the Pond’ by David Buyze
September 30, 2026<September 30, 2026 “I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower by Mitch Mosk
September 29, 2026<September 29, 2026 “This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut by Mitch Mosk
September 29, 2026<September 29, 2026 “The Final Three Songs Are Like Being Shot Three Times”: Sibling Duo Wasia Project Yearn for Closeness on ‘Nocturne,’ a Late-Night Debut About Loneliness & Connection by Isabella Appell
6.5 September 29, 2026<September 29, 2026 Our Take: Bolden. Take Bold Strides into Jazz Fusion with the Sleek, Sultry ‘Who you really are.’ by Julia Dzurillay
September 28, 2026<September 28, 2026 “A More Open and Honest SNACKTIME”: Philadelphia Favorites Bring Their Live Energy & Widescreen Ambition to “Can’t Imagine Why You’d Stay” by Mitch Mosk
September 28, 2026<September 28, 2026 “More People Equals More Life”: Martin Luke Brown’s Joyfully Chaotic ‘life & death etc’ Is a Hazy, Soulful Celebration of Feeling Everything by Mitch Mosk
September 28, 2026<September 28, 2026 “My Last Breath Would Be a Poem for You”: Peter Stone Finds the Sacred in Everyday Love on “Dust Motes,” a Sun-Soaked Indie Folk Reverie by Mitch Mosk
September 25, 2026<September 28, 2026 Atwood Magazine’s Weekly Roundup: September 25, 2026 by Atwood Magazine Staff
September 25, 2026<September 25, 2026 “You Can’t Scrub Women From History”: Lindsay Lou Puts Women Back in the Bluegrass Circle with ‘Bluegrass Women’ by Aileen Goos
September 25, 2026<September 25, 2026 “Showing Up Doesn’t Always Look Heroic”: Clever Hopes Makes Space for Grief & Love on the Tenderly Radiant “Fumbled Dreams” ft. Jenn Grant by Mitch Mosk
September 25, 2026<September 25, 2026 “The Best Songs Fall Out of the Sky”: Americana Duo Marfa Are Giving Old-School Songcraft a Fresh, Modern Twist by Mitch Mosk
September 25, 2026<September 25, 2026 A Murmuration of Their Own: Six Foot Blonde Take Flight on ‘Hummingbird,’ a Record Born from Trust, Nature, and a Collective Vision by Guest Writer
September 24, 2026<September 24, 2026 Live Review: Inside Lizzy McAlpine’s Unforgettable, Intimate ‘Angel’ Show by Kelly McCafferty Dorogy
For the Love of Music
For the Love of Music
