August 12, 2026<August 12, 2026 “It’s Like Making Love”: Dali Rose’s Star Burns Bright on “Parisian Mama,” a Smoldering Alt-R&B Fantasy by Mitch Mosk
August 12, 2026<August 12, 2026 “I Hope I Don’t Give Up”: Games We Play Fights the Urge to Quit on His Explosive Pop-Punk Anthem “Is This What I’m Made Of” by Mitch Mosk
August 12, 2026<August 12, 2026 “Fun, Confident, Sisterhood”: Rachael Fahim on the Runaway Success of Her Debut Album ‘Who You Are’ and Taking Her Country-Pop to the Global Stage by Aileen Goos
August 11, 2026<August 11, 2026 “Oh, I Put My Feelings on Hold Again”: Australia’s ARCHIE Turn Self-Erasure into Dreamy Indie Pop Catharsis on “Nine” by Mitch Mosk
August 10, 2026<August 10, 2026 Atwood Magazine’s Weekly Roundup: August 10, 2026 by Atwood Magazine Staff
August 8, 2026<August 8, 2026 “This Is a Love Letter to South America”: Hermanos Gutiérrez Honor Their Heritage on “Canto Andino” by Ashley Littlefield
August 7, 2026<August 7, 2026 “Falling Off of Pedestals Is Hard”: Rowena Wise Explores the Weight of Expectation on “Diamond in the Rough” by Lily O'Delia
8.1 August 7, 2026<August 7, 2026 Our Take: Dublin’s Really Good Time Balance Inner Peace Against the Chaos of a Society in Crisis on Debut Album ‘Affirmations’ by Guest Writer
7.4 August 7, 2026<August 7, 2026 Our Take: Ariana Grande Shares Feral Thoughts with Fans & Flames on Eighth Album, ‘Petal’ by Josh Weiner
August 6, 2026<August 6, 2026 Editor’s Picks 162: Grace Inspace, lucky break, Josaleigh Pollett, Mal Not Bad, Isaac Neilson, & Sybil Creek! by Mitch Mosk
August 6, 2026<August 6, 2026 “Creative, Not Destructive”: Cheekface Answer the Cruelty of Trump 2 with Humor, Self-Scrutiny, & Solidarity on ‘Podium’ by James Crowley
August 6, 2026<August 6, 2026 “Sing It With Me, My Love”: Alex Izenberg Finds New Light on “Old Gold,” a Sunlit Song of Memory, Wonder, & Music’s Restorative Glow by Mitch Mosk
August 6, 2026<August 6, 2026 “I Know You’re Performing”: Charli xcx Explores How the Artist Is Seen in ‘Music, Fashion, Film’ by Ashley Littlefield
August 5, 2026<August 5, 2026 “Funhouse Mirror Rock”: Theophobia Restore Possibility to Rock with Their Gleefully Theatrical Self-Titled Debut by Mitch Mosk
August 5, 2026<August 11, 2026 “Caught Somewhere Between Numbness and Clarity”: Larlin Capture the Dreamlike Drift of Chronic Dissociation on “Sondheim,” an Intoxicating Alt-Rock Exorcism by Mitch Mosk
For the Love of Music
For the Love of Music
