January 14, 2025<January 14, 2025 Hana Giraldo Sizzles on Her Catwalk Commanding Anthem “Play My Sh*t (Alexa)” by Grace Holtzclaw
January 8, 2025<January 8, 2025 Ring Out the Old, Ring in the New: The Beatles at the Twilight of ‘74 by Aidan Moyer
January 8, 2025<January 8, 2025 Atwood Magazine’s Top Artist Discoveries of 2024 by Atwood Magazine Staff
January 7, 2025<January 7, 2025 Review: ‘SOS Deluxe: LANA,’ SZA’s Continued Ruminations on Love, Insecurity, & Heartbreak by Marc Maleri
9.6 January 7, 2025<January 7, 2025 Our Take: Bad Bunny’s ‘DeBÍ TiRAR MáS FOToS’ Is an Unapologetic Love Letter to Puerto Rico by Julia Dzurillay
December 23, 2024<December 23, 2024 Music You Should Know: Bad Religion’s ‘Christmas Songs’ by Haley Mitchell
December 20, 2024<December 20, 2024 Atwood Magazine Presents Mistletones: 2024’s Best New Holiday Songs, Pt. 3! by Atwood Magazine Staff
December 20, 2024<December 20, 2024 Roundtable Discussion: A Review of Kendrick Lamar’s ‘GNX’ by Atwood Magazine Staff
December 20, 2024<December 20, 2024 Interview: From The Lumineers to 50 Cent, Chesle Talks Influences, Bravery, and New Single “lose control” by Kelly McCafferty Dorogy
December 19, 2024<December 19, 2024 The Best Music of 2024, According to Our Favorite Artists! by Atwood Magazine Staff
December 18, 2024<December 18, 2024 Atwood Magazine Presents Mistletones: 2024’s Best New Holiday Songs, Pt. 2! by Atwood Magazine Staff
December 18, 2024<December 18, 2024 Atwood Magazine’s 2024 Songs of the Year by Atwood Magazine Staff
December 17, 2024<December 17, 2024 Today’s Song: Melbourne’s Hannah McKittrick Cuts Like a Knife in “Utensil,” a Softly Stirring Alt-Rock Upheaval by Mitch Mosk
For the Love of Music
For the Love of Music
