November 18, 2022 November 18, 2022 Interview: With Head Held High, Neffy Confidently Loses Her Nerve by Sophie Severs
November 18, 2022 November 18, 2022 Today’s Song: Francesca Blanchard’s “Je sais plus quoi te dire” Is a Caricatural, Playful Take on Rejection by Francesca Rose
November 17, 2022 November 18, 2022 Premiere: Taryn Faye Randall’s Beautiful Song “Stride for Stride” Aches with the Strain of Love Out of Sync by Mitch Mosk
November 17, 2022 November 17, 2022 Interview: Fontaines D.C.’s ‘Skinty Fia’ Is a Tremendously Needed Album, and Here’s Why by Dimitra Gurduiala
November 17, 2022 November 17, 2022 From Mexico with Love: Last Dinosaurs’ 4th Album Is a Post-Lockdown Era Celebration of Life by Mitch Mosk
9.4 November 16, 2022 November 16, 2022 Our Take: Sudan Archives’ ‘Natural Brown Prom Queen’ Never Fails to Surprise by Sam Franzini
November 15, 2022 November 15, 2022 Making Space for Gratitude: How Christian Leave Navigates Life, Remaining a ‘Superstar’ All the While by Sophie Severs
November 15, 2022 November 15, 2022 Today’s Song: Singer/Songwriter TJ Stafford Displays a Sensitive Side in “The World’s Gonna Love Me” by Chloe Robinson
November 11, 2022 November 8, 2022 Interview: ’60s Nostalgia, Preservation, & Projecting Identity with Julie Aubé by Francesca Rose
November 11, 2022 November 6, 2022 Pushin’ That Rock: A Casual Conversation with John Oates by Ben Niesen
November 11, 2022 November 10, 2022 Today’s Song: The Raw Vulnerability of Dizzy’s “Barking Dog” by Francesca Rose
November 10, 2022 November 10, 2022 Coolest Girl in the World: Suki Waterhouse Talks Nostalgia, Tour, and Her ‘Milk Teeth’ EP by Nic Nichols
November 10, 2022 November 3, 2022 Today’s Song: “Love Will Get You There” in Inhaler’s Latest Track by Isabella Le
November 9, 2022 November 5, 2022 Interview: LA’s Own Jagwar Twin Breaks New Ground on Sophomore Album ‘33’ by Michael Greco
For the Love of Music
For the Love of Music
