September 12, 2023<September 12, 2023 Gibberish, Vulnerability, & Evolving Past People Pleasing: A Conversation with Far Caspian by Guest Writer
September 12, 2023<September 12, 2023 Premiere: ethansroom Learns to Let Go in “Laughing Out Loud,” a Dusty & Cinematic Indie Rock Reverie by Mitch Mosk
September 12, 2023<September 12, 2023 Today’s Song: Wilderado Paint a Warm Western Landscape Somewhere “In Between” Right Here and Now by Mitch Mosk
September 11, 2023<September 11, 2023 Premiere: Looms’ New Single “The Water” Depicts the Heavy Weight of a Sinking Friendship by Mitch Mosk
September 11, 2023<September 11, 2023 Between What’s Flesh & What’s Fantasy: Bruce Springsteen and His Hometown at MetLife Stadium, NJ by Guest Writer
September 11, 2023<September 11, 2023 Today’s Song: Christine and the Queens Takes “To be honest” to the Dance Floor with SG Lewis Remix by Julia Dzurillay
September 9, 2023<September 11, 2023 Today’s Song: corner club Ponder Mortality and the Love We Leave Behind in “when i die” by Sophie Severs
September 8, 2023<September 11, 2023 Atwood Magazine’s Weekly Roundup: September 8, 2023 by Atwood Magazine Staff
September 8, 2023<September 8, 2023 Feature: Boyish Turn Teenage Trauma into Soul-Stirring Sound on ‘Little Demon Boy’ by Mitch Mosk
September 8, 2023<September 8, 2023 THWACK! PRONOUN Takes the Hits in “SLAP ME IN THE FACE,” Reckoning with a Big, Ugly World by Mitch Mosk
September 8, 2023<September 8, 2023 2023 Hinterland Music Festival: A Hidden Gem in the Midwest Festival Scene by Nick Polak
September 7, 2023<September 7, 2023 Track-by-Track: Bobby Bazini Breaks Down ‘Pearl,’ His Cinematic, Cathartic, & Soul-Stirring Fifth LP by Mitch Mosk
September 7, 2023<September 7, 2023 Today’s Song: The Beauty & the Aching of Barbaro’s Evergreen “Gardens” by Mitch Mosk
September 7, 2023<September 7, 2023 Premiere: maeve & quinn Explore Dynamic Friendship & Selfhood in Debut Album ‘Another Door’ by Nic Nichols
September 6, 2023<September 8, 2023 “Truth in Costume”: Anna Rose Is Unleashed & Empowered on ‘Last Girl of the Rodeo,’ Her Tragic, Soul-Stirring Reckoning by Mitch Mosk
For the Love of Music
For the Love of Music
