November 15, 2024<November 15, 2024 Feature: Becky and the Birds Embodies Creative Freedom on Her Breathtaking Debut Album ‘Only Music Makes Me Cry Now’ by Mitch Mosk
November 14, 2024<November 14, 2024 Trauma, Heartache, & Healing: Melbourne’s Bec Sykes Delves into the Intimate Alt-Folk Depths of Debut LP ‘Pepperpot Magic’ by Mitch Mosk
November 14, 2024<November 14, 2024 Interview: Singer/Songwriter Sebastian Schub Debuts With “Sing Like Madonna,” a Defining & Impassioned Mission Statement by Mitch Mosk
November 14, 2024<November 14, 2024 Atwood Magazine’s Weekly Roundup: November 14, 2024 by Atwood Magazine Staff
November 14, 2024<November 14, 2024 Feature: Basking in The Brook & The Bluff’s Big Happy Accident, ‘This Could All Go Nowhere’ by Mitch Mosk
November 13, 2024<November 13, 2024 “Smile for me”: Essex’s She’s in Parties Shine a Light on Our Broken World in Theatrical ‘Puppet Show’ EP by Mitch Mosk
November 13, 2024<November 15, 2024 Premiere: Denver’s Holly Lovell Embraces Grief, Heartache, & Longing in “When Did I Lose You” by Mitch Mosk
November 13, 2024<November 15, 2024 “Don’t you wanna break?”: Mood Bored Premiere Their Grungy Angst-Fueled Fever Dream, “All the Time” by Mitch Mosk
November 13, 2024<November 15, 2024 “It Hurts a Lot Until It Hurts a Little”: Nerina Pallot Discusses Her Eighth Album, ‘A Psalm for Emily Salvi’ by Emily Frances Algar
November 13, 2024<November 15, 2024 Today’s Song: Elizma Unpacks Emotion & Explores Heartache on “What’s in My Head” by Danielle Holian
November 12, 2024<November 12, 2024 Premiere: Floating Through Izzy Outerspace’s Dreamy, Aching “Beautiful Blur” by Mitch Mosk
November 12, 2024<November 12, 2024 On the Precipice of Existence: Reviewing The Cure’s ‘Songs of a Lost World’ by David Buyze
November 12, 2024<November 12, 2024 “Serenity Prayer Type Shit”: A Conversation With Hippo Campus by Kate Millar
November 12, 2024<November 12, 2024 Basking in the “SWEET SPOT” With Peter Elkas’ Dreamy, Sun-Kissed Yacht Rock Reverie by Mitch Mosk
November 10, 2024<November 11, 2024 “Don’t Let Me Wait Too Long”: An Advance Look at George Harrison’s ‘Living in the Material World’ Remastered by Aidan Moyer
For the Love of Music
For the Love of Music
