September 24, 2026<September 24, 2026 “It’s OK to Cry About the Color Green”: Chase Elodia Celebrates Friendship at Its Most Ridiculous on “Mushroom Trip,” a Lush Indie Folk Ode to the Real Ones by Mitch Mosk
September 23, 2026<September 23, 2026 “Holy Cow, This Is a Lot”: Milk St. Meet Life’s Chaos at Full Volume on ‘Good Grief,’ a Bruising, Combustible Eruption of Hardcore Soft Rock by Mitch Mosk
September 23, 2026<September 24, 2026 “Choosing Each Other Every Day”: Chicago’s The Empty Pockets Make a Love Song Out of the Daily Grind on “I Never Get Sick of You” by Mitch Mosk
September 23, 2026<September 23, 2026 “There’s a Little Secret Knowing Between Us”: Penelope Isles Turn a Decade of Sibling Shorthand into ‘3,’ a Third Album That Trades Perfectionism for Instinct by Lily O'Delia
September 22, 2026<September 22, 2026 Roundtable Discussion: A Review of Paul McCartney’s ‘The Boys of Dungeon Lane’ by Atwood Magazine Staff
September 22, 2026<September 22, 2026 Songs that Refuse to Stay in the Past: Colin Hay on Returning to the Stage As Men at Work by Nasim Elyasi
September 22, 2026<September 28, 2026 “You Have to Shoot from the Hip”: Brighton’s Hollow Hand Find Magic in the Everyday with “Here Are the Tulips,” a Broodingly Bright Alternative Rock Reverie by Mitch Mosk
September 18, 2026<September 9, 2026 Emma Ruth Rundle Explores the Space Between Hope and Desperation on ‘These Killing Times’ by Kevin Krein
September 11, 2026<September 11, 2026 Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace! by Mitch Mosk
September 11, 2026<September 9, 2026 Magnus Ferrell Wants to Fill the Void: The Making of “Asleep Talking” by Nasim Elyasi
September 10, 2026<September 10, 2026 “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” by Mitch Mosk
September 10, 2026<September 10, 2026 “Fools Love Better Than Anyone”: Paris Paloma’s Fatal Flaw Might Be Her Greatest Strength by Nicolle Knapová
September 9, 2026<September 9, 2026 Live Review: Arlo Parks Urges Us to Dance Through It All, While Never Forgetting the Tenderness Underneath by Oliver Crook
September 9, 2026<September 9, 2026 Lucifena Refused to Give Up on Music. Years Later, Lil Wayne Made Her Young Money’s First Female Rock Artist by Lily O'Delia
September 9, 2026<September 9, 2026 “Take a Side Quest”: Same Same But Different Makes Musical Discovery Part of the Adventure by Ashley Littlefield
For the Love of Music
For the Love of Music
