9 October 14, 2026<October 14, 2026 Our Take: Turnstile Push the Boundaries of the Remix Album on ‘NEVER ENOUGH: VERSIONS’ by Heleen Weber
October 13, 2026<October 13, 2026 Baby Rose Turns Heartbreak into Self-Preservation on “Better,” a Soulful Reflection on Missing Someone While Still Choosing Yourself by Lily O'Delia
October 13, 2026<October 13, 2026 “Got Some Damage I Can Show Ya”: The Upsides Confront Adulthood’s Chaos Together on ‘In the Maze,’ a Roaring, Cathartic Indie Rock Reckoning by Mitch Mosk
October 13, 2026<October 28, 2026 “Every Step I Fall”: Antonio Miguel Areia Dances with Desperation on “Zugzwang,” a Seductive Debut of His ‘Evil Bossa’ Sound by Mitch Mosk
October 13, 2026<October 13, 2026 “Powerful, Soft, & Sincere”: Wilby Lays Her Soul Bare on ‘Center of Affection,’ an Intimate Indie Rock Debut Fueled by Love, Reckoning, and Hard-Won Tenderness by Mitch Mosk
October 12, 2026<October 12, 2026 “How Do We Make It Better?”: Eliza Hull Reckons with the Distance Inside Love on “Better,” a Soul-Stirring Slow-Burn of Doubt and Devotion by Mitch Mosk
October 12, 2026<October 12, 2026 Atwood Magazine’s Weekly Roundup: October 12, 2026 by Atwood Magazine Staff
October 9, 2026<October 9, 2026 Editor’s Picks 168: Formal Sppeedwear, Black Bananas, Brother Wallace, Palace, Dummy, & Brickhouse! by Mitch Mosk
October 9, 2026<October 9, 2026 “Underneath All of That Is Connection”: Laz Lo Channels Departure into Devotion on ‘Homestretch,’ an Intimate Alt-R&B Portrait of the Love We Carry with Us by Mitch Mosk
October 9, 2026<October 8, 2026 “Art Is Purposeless If It Is Not Genuine”: Moon Walker Wants You to Feel the Dread of ‘WASTELAND COUNTRY’ by Jason Bauer
October 8, 2026<October 8, 2026 “This Is a Rock Band”: The Bends Let Loose on ‘If You Insist,’ a Spirited Debut Fueled by Friendship, Freedom, and Rock ‘n’ Roll by Kelly McCafferty Dorogy
October 8, 2026<October 8, 2026 “Ugly and Weird: The Making of The Male Pattern’s ‘I Was Shot in the Heart!’”: An Essay by Will Schwartz by Guest Writer
October 8, 2026<October 8, 2026 Festival Review: At Portola, the Music Leaves Little Room for Silence by Ankita Bhanot
October 8, 2026<October 8, 2026 “I Don’t Wanna Leave You Behind”: Emma Ogier & Eden Joel Give Their Post-Breakup Friendship a Smoldering Anthem with “Rocksteady/HeavyMetal” by Mitch Mosk
October 8, 2026<October 8, 2026 Roundtable Discussion: A Review of Bleachers’ ‘everyone for ten minutes’ by Atwood Magazine Staff
For the Love of Music
For the Love of Music
