August 5, 2026<August 5, 2026 “The World Often Feels Loud Enough Already”: Brighton’s Memorial Find Power in Softness on ‘Jera,’ a Breathtakingly Beautiful Alt-Folk Triumph by Mitch Mosk
August 4, 2026<August 4, 2026 “I Feel Like There Are Infinite Possibilities in Music”: Ora Cogan Follows the Pull Toward Tenderness on ‘Hard Hearted Woman’ by Aileen Goos
August 4, 2026<August 4, 2026 “Some Bridges Are Meant to Be Burned”: BAILEN Break Free with “SWIM!!!” – Roaring Back Fiercer, Freer, & on Their Own Terms by Mitch Mosk
August 4, 2026<August 4, 2026 “Re-Membering My Skin”: Bad Tiger Reawakens the Body on “Spin,” a Kaleidoscopic Rush of Rupture & Renewal by Mitch Mosk
August 3, 2026<August 3, 2026 In Memoriam: Glen Hansard, the Dublin Busker Who Made the World Feel Less Alone by Danielle Holian
July 31, 2026<August 1, 2026 “Our Sounds and Energy Just Blend”: Ginger Winn and Lost Leaders Bring Songs & Shared Spirit to Woodstock’s Third Annual Waterfall Sessions by Mitch Mosk
July 31, 2026<July 31, 2026 Mad Cool Festival 2026: Ten Years of Music and World Community by Michael Greco
July 31, 2026<July 31, 2026 Roundtable Discussion: A Review of RAYE’s ‘THIS MUSIC MAY CONTAIN HOPE.’ by Atwood Magazine Staff
July 31, 2026<July 31, 2026 The Man Behind the Music: How Jason Crisp Became One of Rock’s Most Trusted Guitar Techs by Aileen Goos
July 31, 2026<July 31, 2026 “It’s Only Ever Been You”: Tom Iansek’s #1 Dads Celebrates Love with Sun-Soaked Devotion in “Already Something” by Mitch Mosk
July 30, 2026<July 30, 2026 “Music Is Meant to Feel Human”: Berlin’s Paul Holland Melts Time into a Dreamy Haze on His Spellbinding Debut ‘SUNFLOWER’ by Mitch Mosk
July 30, 2026<July 30, 2026 “Hey Steve, Who Broke Your Heart?”: Medium Build Humanizes the Emotionally Unavailable Man on “Home Depot” by Mitch Mosk
July 30, 2026<July 30, 2026 “It’s Easy to Lose Sight of What’s Real”: Essence Martins Reclaims Presence on “Can We All Slow Down,” a Soul-Stirring Reminder to Reconnect with the World by Mitch Mosk
July 30, 2026<July 30, 2026 “I No Longer Have the Privilege to Be Ambiguous”: Genesis Owusu Is Rallying Against a World in Disarray with ‘REDSTAR WU & THE WORLDWIDE SCOURGE’ by Jake Fewx
For the Love of Music
For the Love of Music
