July 15, 2026<July 15, 2026 Let’s Create Again: Joe Strummer, the Rare Rock Star Who Didn’t Seem Changed by Fame by Charlie Recksieck
7.9 July 15, 2026<July 15, 2026 Our Take: Suki Waterhouse Boldly Explores the Facets of Romance on ‘Loveland’ by Emily Weatherhead
July 15, 2026<July 15, 2026 “Blood Ties” and Hard Truths: Rowena Wise Is Making Peace With the Mess of Being Human Through Smoldering, Unflinching Indie Folk Songs by Mitch Mosk
July 14, 2026<July 14, 2026 Killjoys, Make Some Noise: Diving Deep into My Chemical Romance’s ‘Danger Days’ by Emma Schoors
July 14, 2026<July 14, 2026 Liner Notes: A Pretty Park With Paige O, Toronto’s Ladybug-Stickered Singer/Songwriter by Guest Writer
July 14, 2026<July 14, 2026 “Where the Water Meets the Sky”: Anne-Claire Makes a Spellbinding Return on “River,” a Lush, Sweeping Portrait of Love and Longing by Mitch Mosk
July 14, 2026<July 14, 2026 “You Can Do Whatever You Want”: Ryann Ross on Her Debut EP ‘On the Marsh’ and the Songs You Can’t Recreate by Kelly McCafferty Dorogy
July 13, 2026<July 13, 2026 “I’m Just a Tourist From the 51st State”: The Howlers Wake Up from the American Dream on “L.A. Morning” by Rachel Leong
July 13, 2026<July 14, 2026 “There Will Always Be Ghosts Following You”: Lee Emi Confronts the Myth of a “Clean Slate” in a Raw Reckoning With the Inescapable Past by Mitch Mosk
July 13, 2026<July 14, 2026 “The Cover Story Stands”: Notes From Under Ground Skewers Music-Industry Nepotism on “Names In Blue,” a Sun-Kissed and Scathing Satire by Mitch Mosk
July 13, 2026<July 13, 2026 “Kicking the Past in the Teeth”: Loren Berí Reckons With Aging, Nostalgia, and His Own Jadedness on “Dimes Square Is Over,” a Synth-Pop Eulogy for a Fallen Scene by Dusty Hayes
July 11, 2026<July 11, 2026 “Never Grow Up, Never Go Home”: “Lost Boys” Finds Phoebe Bridgers Back in the Fast Lane by Jack Batt
July 10, 2026<July 10, 2026 Roundtable Discussion: A Review of Flea’s ‘Honora’ by Atwood Magazine Staff
July 10, 2026<July 10, 2026 “Sometimes, Strength Looks Like Softness”: Nora Kelly Band Are Rewriting Alt-Country’s Tough-Guy Mythos With Wit, Twang, and Heart by Mitch Mosk
For the Love of Music
For the Love of Music
