March 9, 2023 March 9, 2023 An Achingly Beautiful Adventure: Paige Su Pours Her Heart & Soul into New LP, ‘You’ll Live Forever in My Songs’ by Mitch Mosk
March 9, 2023 March 9, 2023 Review: Annie DiRusso’s Debut EP ‘God, I Hate This Place’ Is an Angst-Fueled Exploration of Identity by Claire Meyer
March 9, 2023 March 13, 2023 Premiere: Sohodolls Re-Write Their Viral “Bang Bang Bang Bang” In a Stand Against Gun Violence by Mitch Mosk
March 9, 2023 March 9, 2023 Today’s Song: Akira Galaxy Delivers an Ode to Lost Perspective in Captivating Debut, “Virtual Eyes” by Rachel Leong
March 9, 2023 March 9, 2023 “An Evolution of DMA’S”: Aussie Trio Discuss the Making of New Album, ‘How Many Dreams?’ by Guest Writer
March 9, 2023 March 9, 2023 Premiere: [mila] Defeat Toxic Obstacles with Energized Debut Single “Thuong Qua Is Vietnamese For I Love You” by Francesca Rose
March 8, 2023 March 10, 2023 Editor’s Picks 91: Marlene Oak, Aistè, Alaska Reid, Joy Oladokun, Bleach Lab, & BEL! by Mitch Mosk
March 8, 2023 March 14, 2023 Podcast: Tunes & Tumblers Features Transviolet and a Crashed Breath of Fresh Air by Staff
March 8, 2023 March 8, 2023 “Overcoming Mountains as a Woman in Music”: An Essay by Svetlana for International Women’s Day by Guest Writer
March 8, 2023 March 8, 2023 Today’s Song: Billie Marten’s “Nothing But Mine” Is Wistful, Nostalgic, And Somehow, Hopeful by Kylie Gurewitz
March 7, 2023 March 7, 2023 Track-by-Track: Handsome Ghost Find the Beauty in the Cracks on ‘To the Place Where We Met Last,’ a Hauntingly Human EP by Mitch Mosk
March 7, 2023 March 7, 2023 A Soundtrack to Adventure: The National Parks’ ‘8th Wonder’ Is a Cinematic Road Trip Through Life, Love, & Nature by Mitch Mosk
March 7, 2023 March 6, 2023 Today’s Song: Tove Lo Sings About an Extreme Love in New Single “Borderline” by Dimitra Gurduiala
For the Love of Music
For the Love of Music
![[mila] © Hunter Lenoir](https://cdn-0.atwoodmagazine.com/wp-content/uploads/2023/03/mila-©-Hunter-Lenoir-1a-370x247.jpeg)
