March 5, 2026<March 5, 2026 “A Defiant Declaration of Independence”: MisterWives’ Mandy Lee Debuts as Cherry Bomb With the Liberating Disco-Pop Breakup Anthem “Never Be Me (M★therf★cker)” by Mitch Mosk
February 26, 2026<February 26, 2026 “When Lies Are Popular, Telling the Truth Is a Revolutionary Act”: Ria Rua Channels Anger into Industrial Alt-Rock with Debut ‘S C A P E G.O.A.T.’ by Aileen Goos
February 9, 2026<February 9, 2026 “Will we ever return?”: SLC’s Anthony Pena Returns Home on His Dreamy, Soulful Debut Single “H.T.S.” by Mitch Mosk
February 9, 2026<February 9, 2026 “Time Can Really Run Away”: Louis Oliver Debuts with a Sweeping Piano Ballad Full of Heart, Soul, and Presence by Mitch Mosk
February 6, 2026<February 6, 2026 “I Will Be Your Safe Ground”: Katie Tupper Unleashes Her Smoky, Smoldering, Saskatchewan Soul by Mitch Mosk
February 4, 2026<February 4, 2026 “Pure Sporadic Emotion”: Ali Genevich’s untitled freak Debuts With Raw Intimacy and Unfiltered Self-Reckoning by Mitch Mosk
January 29, 2026<January 29, 2026 “You had a good day girl, so why are you crying?”: Light Bird Honors the Cost of Becoming Her True Self on “Williamsburg Bridge” by Mitch Mosk
January 28, 2026<January 28, 2026 “I Don’t Know Where I’m Going, and I Don’t Care”: Tony DV Is a “Buff Boy,” and You Can Be One, Too by Mitch Mosk
January 21, 2026<January 23, 2026 “Lay Down My Arms to Bare My Soul”: Mon Rovîa’s ‘Bloodline’ Is a Deeply Human Companion for a World in Need of Love by Mitch Mosk
January 16, 2026<January 18, 2026 “You have to trust your taste”: Why Don’t We’s Corbyn Besson Turns Hesitation into Liberation on Debut Solo EP ‘HEAD FIRST’ by Miranda Urbanczyk
January 14, 2026<January 14, 2026 Lifting the Spirit of the Anishinaabe Experience Through Music: A Conversation with Ribbon Skirt’s Billy Riley by Guest Writer
January 8, 2026<January 8, 2026 Brigitte Calls Me Baby Turned Fear of Death into Romantic Rock Songs Full of Hope, Drama, and Existential Dread by Mitch Mosk
January 7, 2026<January 7, 2026 “Throw Your Arms Around”: Melbourne Duo Wishlist Embrace Experimental Pop & Partnership on Dreamy Debut “Even When I’m Leaving” by Mitch Mosk
December 29, 2025<December 28, 2025 “You Have to Sit With Uncomfortable Feelings”: Queen Quail Transforms Ache into Resilience on “Southside,” a Smoldering, Slow-Burning Reckoning by Mitch Mosk
December 19, 2025<December 19, 2025 “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars by Mitch Mosk
For the Love of Music
For the Love of Music
