September 29, 2026<September 29, 2026 “This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut by Mitch Mosk
September 29, 2026<September 29, 2026 “The Final Three Songs Are Like Being Shot Three Times”: Sibling Duo Wasia Project Yearn for Closeness on ‘Nocturne,’ a Late-Night Debut About Loneliness & Connection by Isabella Appell
September 10, 2026<September 10, 2026 “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” by Mitch Mosk
September 8, 2026<September 8, 2026 “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption by Mitch Mosk
September 2, 2026<September 2, 2026 “Let’s Trust Our Guts”: Brennan Wedl Exits the Supervoid on Her Grungy, Twangy Self-Titled LP by Kelsey Ferrell
August 28, 2026<August 28, 2026 “This Is What It Was Supposed to Feel Like All This Time”: chandol’s Charley Yang Steps Fully Into Himself on ‘Mercurial,’ a Debut Reckoning with Memory & Change by Mitch Mosk
August 25, 2026<August 25, 2026 “Too Young to Feel This Tired”: Glasgow’s Ferguson Hi-Fi Break Free on Feverish Debut Single “Get Over It” by Mitch Mosk
August 21, 2026<August 21, 2026 “We’re So Brave When We’re Little. Then, for Some Reason, We’re Taught That It’s Safer Not to Be”: Anna Graves Gets Back to Herself on ‘America’s Greatest Burnout’ by Aileen Goos
August 14, 2026<August 14, 2026 “We’re Just Trying to Represent Ourselves”: Sailor Honeymoon Channel Life’s Frustrations into Playful Indie-Punk Rebellion on Their Irrepressible Debut Album by Guest Writer
August 14, 2026<August 14, 2026 “I’ve Always Wanted to Be Chosen”: Dani Stocksdale Turns 20-Something Yearning and Uncertainty into Dreamy Indie Pop on ‘Whatever This Is’ by Bárbara Martínez Campuzano
August 13, 2026<August 13, 2026 “I Want to Be Known”: Oh Louise Debuts with Melodic Grace, Bruising Honesty, and Haunting Intimacy on “Do You Lie To Everyone” by Mitch Mosk
8.1 August 7, 2026<August 7, 2026 Our Take: Dublin’s Really Good Time Balance Inner Peace Against the Chaos of a Society in Crisis on Debut Album ‘Affirmations’ by Guest Writer
August 5, 2026<August 5, 2026 “Funhouse Mirror Rock”: Theophobia Restore Possibility to Rock with Their Gleefully Theatrical Self-Titled Debut by Mitch Mosk
July 30, 2026<July 30, 2026 “Music Is Meant to Feel Human”: Berlin’s Paul Holland Melts Time into a Dreamy Haze on His Spellbinding Debut ‘SUNFLOWER’ by Mitch Mosk
July 29, 2026<July 29, 2026 “Some Things Have to Break”: Nigel Godrich and Dhani Harrison Take Flight as Dragonflies with Spellbinding Debut Single “Slower” by Aidan Moyer
For the Love of Music
For the Love of Music
