December 7, 2020 December 7, 2020 Review: Routine’s Shimmering & Tender EP ‘And Other Things’ by Kelly Liu
December 3, 2020 December 4, 2020 Premiere: Tamar Berk’s Debut Single “Shadow Clues” Is a Dark & Haunting Daydream by Mitch Mosk
December 2, 2020 December 2, 2020 “Open, Passionate, & Smooth”: Tafari Anthony Stuns & Soars on ‘The Way You See Me’ EP by Mitch Mosk
November 30, 2020 November 30, 2020 Track-by-Track: Charlie Kaplan Meets Grief with Light in Debut Album ‘Sunday’ by Mitch Mosk
November 23, 2020 November 23, 2020 Track-by-Track: Musti’s Debut ‘Qoyskayga’ Is an Energized Exploration of Identity by Francesca Rose
November 23, 2020 November 23, 2020 Review: BK Pepper Creates Sprawling Musical Landscapes with Debut ‘Territories’ by Adrian Vargas
8.6 November 20, 2020 December 15, 2020 Track-by-Track: Elsa Birgitta Bekman’s Cinematic & Graceful Debut Album ‘Once in My Life’ by Mitch Mosk
November 20, 2020 November 20, 2020 Track-by-Track: Hannah Grace’s Stunning Debut Album Is Her Homemade ‘Remedy’ by Mitch Mosk
November 20, 2020 November 20, 2020 Premiere: Artemis Orion’s Dark, Dreamy & Escapist Debut EP ‘Honey’ by Emily Algar
November 18, 2020 November 18, 2020 Premiere: Falling for Aussie Duo MINIQ’s Seductive, Smoldering “Space Cowboy” by Mitch Mosk
November 17, 2020 November 17, 2020 ‘Razzmatazz’ & Razzle-Dazzle: iDKHOW Go Track-by-Track Through Their Thrilling Debut Album by Mitch Mosk
November 16, 2020 November 17, 2020 Album Premiere: New Zealand Avant-Folk Trio Ida Lune Weave Wonders on Self-Titled Debut by Mitch Mosk
November 16, 2020 November 16, 2020 Today’s Song: Peace Chord Creates Unmatched Majesty with Debut “Crescent of Sun” by Adrian Vargas
November 13, 2020 November 13, 2020 “Bold, Exciting, and Diverse”: Ohio’s 90’s Kids Debut Their ‘Doing Love Wrong’ EP by Mitch Mosk
November 13, 2020 November 13, 2020 Interview: Latin Grammy Nominee Nathy Peluso Takes Us Through Debut Album ‘Calambre’ by Alicia Bugallo