June 6, 2022<August 7, 2024 Feature: Sunflower Thieves Shine on Emotive, Heartfelt, & Comforting Debut ‘Someone to Be There For’ by Mitch Mosk
May 27, 2022<May 27, 2022 ‘Love Upside Down’ (and Inside Out): Fergus Dives into His Stunningly Beautiful Debut Album by Mitch Mosk
May 24, 2022<September 29, 2022 “Perspective & Nostalgia”: Eliza & The Delusionals Shine on Their Triumphant Coming-of-Age Debut, ‘Now and Then’ by Mitch Mosk
May 23, 2022<May 23, 2022 A Place to Belong: A Track-by-Track Review of MOONWOOD’s ‘Everything We Once Knew’ by Joe Beer
May 20, 2022<May 23, 2022 “Spiraling, Lush, & Bright”: Seattle’s Sea Lemon Is ‘Close Up’ & Personal on Dazzling, Dreamy Debut EP by Mitch Mosk
May 17, 2022<May 19, 2022 “World’s Hardest Soft Rock”: Ontario’s Ellevator Ignite on Debut ‘The Words You Spoke Still Move Me’ by Mitch Mosk
May 16, 2022<May 16, 2022 “Ultra, Intimate, & Layered”: November Ultra Breaks Down Her Debut Album ‘bedroom walls’ by Mitch Mosk
May 13, 2022<May 16, 2022 “Digital Age Ruminations”: Inside Mild West’s Dark & Cinematic Debut Album, ‘Machine Learning’ by Mitch Mosk
May 12, 2022<May 16, 2023 Interview: Pictoria Vark Opens Up a World of Possibility with Debut ‘The Parts I Dread’ by Sophie Prettyman-Beauchamp
May 11, 2022<September 29, 2022 “I Can’t Let Go”: Suki Waterhouse Talks Debut Album, Manifesting the Future, & Finding Peace Through Constant Motion by Beau Hayhoe
May 6, 2022<May 6, 2022 Feature: Philly’s Sadurn Light an Indie Folk Fire on Intimate Debut Album ‘Radiator’ by Mitch Mosk
May 4, 2022<May 4, 2022 “Let Yourself Feel”: Singer/Songwriter Evan Veasey Premieres His Intimate & Vulnerable Debut Album, ‘Don’t Cry’ by Mitch Mosk
May 4, 2022<May 5, 2022 Basking in ‘Bummer Year’: Austin’s Good Looks Dive into Their Honest & Spirited Debut Album by Mitch Mosk
May 3, 2022<May 5, 2022 “Mythical Ocean Music”: Inside Night Palace’s Captivating Debut Album ‘Diving Rings’ by Mitch Mosk
For the Love of Music
For the Love of Music
